- Article
The Eyes in Close-Up: Surveillance, Control, and Montage in Three Works by Sergei Eisenstein
- Joana Jacob Ramalho
This article outlines the central role of the human eye as a consistent and recurring aesthetic strategy in the cinematic oeuvre of Sergei Eisenstein via an investigation of three films—Strike (1925), Potemkin (1925), and the unfinished, two-pa...

