Heritage, Volume 7, Issue 3 (March 2024) – 35 articles

Strategies for the adaptive reuse of vernacular architecture are of utmost importance in the current context of social, economic, and environmental vulnerability. This article examines the design strategies of adaptive reuse in three cases of renowned architects of the so-called School of Porto developed across the second half of the 20th century, specifically between 1956 and 1991. The paper aims to introduce a new and deeper knowledge of the selected practices by critically documenting the whole process of the intervention (before, during, after) and not only the final result, as is common practice in specialized publications. The research methodology combines the bibliographical and archival research and interpretation of diverse graphic, photographic, and textual documentation with the production of analytical drawings. The demolitions/additions color code (black/yellow/red) is applied to plans, sections, and elevations as an essential tool for understanding and communicating the transformations undertaken. The selected case studies are Além House (1956–1967) by Fernando Távora, Alcino Cardoso House (1971–1973; 1988–1991) by Álvaro Siza, and the House in Gerês (1980–1982) by Eduardo Souto de Moura. These projects show different strategies of intervention in built heritage, providing lessons on the reactivation of obsolete or abandoned rural constructions with new functions that are compatible with the preservation of their values (historical, landscape, constructive, social, and aesthetic) and guidelines for sustainable reuse. Full article

Pilgrimage tourism, among the earliest forms of tourism with a tradition spanning centuries, stands as a steadfast global attraction. This article delves into the significance, diversity, and historical roots of this tourism type, recognizing the contemporary surge in interest in pilgrimage sites. Offering an overview of globally prominent pilgrimage destinations and highlighting key locations in Slovakia, the article emphasizes the country’s considerable potential for the utilization and development of these sacred sites, despite its compact size. It stresses the need to foster this historically significant tourism sector and the necessity for attention and support from the government sector to maximize its potential. The relevance of pilgrimage became particularly apparent during the COVID-19 pandemic, with observable visitor participation despite challenging conditions at various pilgrimage sites. The article examines the pilgrimage’s evolution before, during, and after the pandemic, using Levoča and Šaštín in Slovakia as illustrative cases. One of the main objectives of this study was to clarify the development of pilgrimage tourism in Slovakia over the past decades and the factors influencing it. The attendance analysis unmistakably reveals a significant upward trend at these specific locations, emphasizing the need to establish collaborative efforts to support this sector. Such collaboration is crucial for ensuring the sustainability of historically significant sites, fostering local development, and increasing the visibility of less-visited pilgrimage destinations. Full article

This paper considers the digital transformation of museums and, particularly, the challenges museum professionals face today in the implementation of digital practices. The exploration of the challenges that museum professionals need to address, and the values associated with the “digital” are critical in the context of current and rapid sociocultural and technological changes. This paper reviews a diverse typology of resources—including project reports and deliverables, qualitative and quantitative surveys, academic articles, edited volumes, and chapters—relevant to the implementation of digital practices in the “backstage of museums.” This essay will show that, although digital technologies have acquired a normative presence, organisational and technical challenges in the “backstage” of museums pose systemic problems in their digital transformation. These are systemic problems related to skills and knowledge, and human and financial resource deficits, which result in museum professionals exerting constant effort to keep up with the rapid changes in digital technologies with limited resources at hand and the risks of technological obsolescence and abandonment always present. Situated within the emerging literature advocating for a holistic, ethical, and sustainable digital transformation of museums, this paper draws attention to the implications of the digitalisation of museums in the transition to a responsible and sustainable digital future in a European context. It argues that a relational understanding of sustainability and ethics can be a pivotal first step towards the formation of a digitally purposeful museum in the post-digital era. Full article

Mycenaean vitreous artifacts, such as beads and relief plaques, are highly susceptible to degradation, which can significantly alter their visual characteristics and pose challenges to their taxonomy. The visual manifestation of corrosion on vitreous artifacts, especially glass and faience, has often led to their misclassification, which, in turn, has a significant impact on their interpretation by researchers, often resulting in misleading notions. The present paper constitutes part of an overall study, implemented within the framework of the project, Myc-MVP: Mycenaean Vitreous Production, A Novel Interdisciplinary Approach Towards Resolving Critical Taxonomy Issues, which has employed a combination of established, state-of-the-art scientific methods to analyze and identify the specific compositional changes occurring at different spatial dimensions within surface layers, with the overarching aim of contributing to our understanding of the degradation mechanisms of vitreous artifacts and the relevant implications for the archaeological record. Importantly, these findings will yield useful data in devising strategies for the proper classification, management, and preservation of vitreous artifacts in the future. The present study focuses on investigating the relationship between the compositional changes in a subset of 12 (of the overall 126 objects entailed in the project) corroded vitreous artifacts from Mycenaean contexts in the Aegean and the way these are manifested visually, with the application of X-ray fluorescence and LED microscopy. We aim to decipher the nature of corroded objects with the aid of focused analysis. This study delves into degradation processes in glass artifacts, highlighting preservation variations and environmental influences like burial. Coloration, attributed to copper and cobalt oxide, shows some correlation with preservation quality. These chromophore agents potentially induce thermal stresses and corrosion. The complex interplay between chemical composition, environmental conditions, and preservation status underscores the need for comprehensive research. Analyzing the full artifact set using complementary techniques promises deeper insights for secure material classification and cultural heritage preservation. Full article

This study presents the background and the evaluation of integrating eXtended Reality (XR) in the permanent exhibition at the Tomato Industrial Museum “D. Nomikos”. This paper firstly provides the context of this study by outlining the methodological, technological, and museological approaches undertaken to integrate XR in a quest to enhance visitors’ meaningful engagement with the industrial heritage-related exhibition. Storytelling and narration are key elements of the museum’s museological design through audio tours and interactive AR-based visualization n of the machinery’s role and function. This paper presents and discusses the design of the evaluation methodology employed in the context of pertinent methods and approaches used in related research. This study investigates the effectiveness of XR for audience engagement and the added value that such technologies offer to the user experience as well as possible improvements. The main method adopted for gathering quantitative data is the User Experience Questionnaire (UEQ), and for qualitative data, through semi-structured interviews. Moreover, the findings are analyzed, interpreted, and discussed. Based on a case study, this paper offers a broader discussion of the challenges and prospects connected to the quest of employing emerging technologies and assessing their impact on visitors’ museum experience, reaching conclusions for future directions in the field. Full article

The rapid integration of Artificial Intelligence (AI) tools, specifically text-to-image generators, across various domains has had a profound impact on numerous fields. Despite this, the potential applications of AI image generators in architectural education, particularly in teaching the history of architecture, remain underexplored. This research aims to uncover the possibilities of utilizing AI image generators, with a specific focus on the capabilities of Leonardo AI, to enhance communication and engagement. This study employed an experimental methodology to investigate how the integration of AI image generators in education on the subject of “History of Architecture” promises to elevate the learning experience, offering new perspectives, visualizations, and interactive tools. Two workshops were conducted with university students to explore AI image generators’ potential applications in architectural history education. The first workshop utilized an iterative approach, while the second aimed to assess students’ analytical skills. The ultimate objective was to determine the capabilities of this tool and stimulate discussions regarding its potential future implementations. Following the workshops, online questionnaires were administered to students, and interviews were conducted with educators. The findings of this research underscore the need for validating AI-generated images, establishing guidelines to prevent misuse, and designing tailored AI tools for History of Architecture courses, thereby paving the way for further advancements in architectural history education. Full article

This paper presents the preliminary results of an investigation on the unexplored topic of polychromy on provincial stone sculptures from the Roman provinces in Germania through the innovative application of heritage materials science techniques. A group of three life-sized statues dating to the 1st Century CE recovered from Ingelheim, near Mainz, retains remarkably well-preserved traces of pigments. These are ripe for emerging non-invasive technologies supplemented by micro-sampling to validate results and provide information relating to mixing and layering not available to the naked eye. The most strikingly visible areas of extant polychromy were retained on the sculpture of a young woman, reported on here as the first phase of this programme of research. The results suggest that the statue was originally covered in a gypsum layer before the application of complex and diverse recipes of pigment applied as mixtures and in layers to create required hues and shadowing on sculpted features. The palette includes ochres and green earth mixed with small amounts of minium (red lead), realgar and lapis lazuli (ultramarine blue) added to create skin tones, and a vibrant blue-green tunic created from Egyptian blue, bone black, ochres, cinnabar and green earth; the palla and peplos contained ochres, bone black, and orpiment, and mixes of these created the detail of coloured jewellery. Of great interest was the detection of bone black on many features, particularly as a shading agent to enhance sculpted features, such as folds in cloth, providing a more realistic and flowing articulation. This is a revolutionary observation that provides previously unexplored insights into artistic polychromic practice in Antiquity. Full article

Rural areas are regaining attention as key resource holders. This includes the attractiveness of intact and traditional cultural elements and heritage which helps to create new opportunities. However, renewal is needed for rural areas to be competitive beyond tourism. Knowledge exchange and transfer is seen as an enabling tool for regeneration and heritage valorization, although it has mostly been applied in an urban context. The aim of this paper is to explore the role of capacity building and knowledge exchange at different levels in promoting rural regeneration through heritage-led initiatives. The article describes a multi-directional knowledge transfer and exchange in 19 rural areas. The applied knowledge exchange methodology was designed to be a dynamic and vibrant exchange of capacity building and mutual learning. This exchange of knowledge enabled the local communities involved to explore new ideas and viable solutions for the regeneration of rural areas through the valorization of cultural and natural heritage. The research findings show that structuring a knowledge transfer and capacity building process that also involves key local stakeholders and the rural communities is an important milestone in the regeneration process. In addition, it can be a unique opportunity to start and build new professional long-term relationships. Full article

This paper presents a comprehensive survey on the utilization of smart glasses in the context of cultural heritage. It offers a systematic exploration of prevailing trends, the latest state-of-the-art technologies, and notable projects within this emerging field. Through a meticulous examination of diverse works, this study endeavors to categorize and establish a taxonomy, thereby facilitating a structured analysis of the current landscape. By distilling key insights from this categorization, the paper aims to draw meaningful conclusions and provide valuable insights into the potential future trajectory of SGs technology in the realm of CH preservation and appreciation. Full article

The planning of interventions aimed at preserving the built heritage of inner areas is a complex process due to the fragility of these contexts. It should stem from adequate knowledge to support the recognition of qualities, resources, and potentials, and the reinterpretation of residual values. From the perspective of an axiological approach to the built heritage, it is possible to foster the resemantization of such values based on a rigorous cognitive model. This research proposed a cognitive model of the built heritage of the historic neighbourhood of Granfonte in Leonforte (Enna). The knowledge model, developed in Excel, has a hierarchical type of structure characterized by domain, classes, properties, and the attribution of values to properties. The approach makes it possible to execute queries that arise from specific relationships between classes. In this study, we developed both simple queries to measure the percentages of certain characteristics of the building units and complex queries for the estimation of aggregate indices to define the degree of transformation and loss of integrity $I_{\mathrm{T}\mathrm{I}}$ and degradation $I_{\mathrm{D}}$ of the building units or to identify those most exposed to the risk of ruination and contagion. The proposed model can be framed within the framework of ontologies supporting structured heritage knowledge. Full article

The archaeological site of villa Horta da Torre in Portugal reveals distinctive architectural features within the context of Roman villae in Hispania. Notably, the triclinium was designed with an artificial cascade originating from a double apse wall, and the walls were adorned with mosaic tessellae panels and marble skirting. During the Roman era, the surrounding area belonged to the former province of Lusitania, with Augusta Emerita serving as its capital. This study examines 11 mortar samples from various contexts and functions, such as masonry, preparatory, render, and opus signinum mortars. A set of complementary analytical techniques was employed to determine the textural and mineralogical compositions of the mortars. The aim was to gain insights into the production techniques and the selection of raw materials within the geological context of this rural construction. It was observed that the processing of raw materials and production techniques did not always adhere to the rules of Vitruvius. A comparison with other villas revealed comparatively less meticulous attention to sand selection and precise layering for mural painting. Nevertheless, it was noted that in preparatory layers for the supranucleus and nucleus tesserae, ceramic pieces were intentionally added to improve the mortar. The binder used was calcitic lime, likely obtained from locally sourced limestone. The nature of aggregates is diversified but consistent with the local geological provenance within a radius of less than 3 km, in accordance with two sand exploration sites. This research aligns with the United Nations’ 2030 Agenda for Sustainable Development, contributing specifically to SDG 11 and Target 11.4, which “aims to strengthen efforts to protect and safeguard the world’s cultural and natural heritage”. Full article

A casket held at Bateman’s, Rudyard and Caroline Kipling’s home in Sussex—now a National Trust property—was recently recognised as a barniz brillante work. Objects made of barniz brillante, a technique featuring the Indigenous American material called mopa mopa, are relatively rare and have only sparingly been studied using scientific analysis techniques. A collaboration between the National Trust and the Victoria and Albert Museum has produced scientific evidence which will be invaluable in the study and the understanding of this type of object. The scientific analysis of the casket was conducted exclusively in a non-destructive and non-invasive manner, to preserve the integrity of the object which is in very good condition. The Bateman’s casket is characterised by a dark underdrawing, made with a material which is transparent in the infrared region of the electromagnetic spectrum. Most of the areas decorated with silver leaf have tarnished due to the formation of what is likely to be silver chloride. This study represents a significant step towards the comparative scientific study of barniz brillante objects in other collections, which in turn will make it possible to suggest a timeline for their manufacture, and even identify workshops. Full article

To meet European carbon neutrality targets and comply with building energy performance regulations, renovating historic buildings is considered one of the most challenging tasks for the construction sector. On one hand, commonly employed renovation solutions are often more difficult to implement on these structures. On the other hand, renovation work must be carried out while preserving their heritage value and integrity. The European standard EN 16883 on conservation and energy renovation performance of cultural heritage was developed in 2017 with the aim of facilitating energy performance improvements in historic buildings while respecting their cultural significance. In pursuit of the same objective, the “P-Renewal” project focuses on the energy retrofit of pre-war Walloon housing with heritage value, providing valuable support through a reflective process and decision-making tools. These tools enable the selection of renovation strategies that effectively combine the preservation of heritage value with improvements in internal comfort, energy efficiency, and environmental performance. This study compares the reflective process of the research project with the guidelines of the standard EN 16883 and discusses the transferability of this contribution to other European contexts. This will significantly contribute to the evolution of energy performance standards for the renovation of historic buildings. Full article

Heritage science is an established and thriving field of enquiry. Initially considered as inherently cross-disciplinary, encompassing both the needs of conservators and practitioners and the high-quality evidence produced by scientists, heritage science has, through its expansion in recent years, formed a discipline in its own right. Here, we examine how heritage science can, and to an extent has, moved beyond the straightforward scientific analysis of historical materials and artefacts through an exploration of heritage science’s interactions with four key themes: (i) historical and archival research, (ii) conservation practice, (iii) policy at governmental, organisational and institutional levels, and (iv) a view to how new technologies, such as machine learning and artificial intelligence, can shape the future of heritage science. Much of the review narrative is framed via the analysis of UK-based case studies; however, they deal with issues that are international in nature (universal) and therefore transcend the UK context. Taken together, we demonstrate that heritage science as a discipline is capable of directly instigating or (re-)framing new areas or avenues of research, as well as enhancing and feeding into existing research questions, and has adapted and evolved along with emerging technologies and funding opportunities. Full article

Diagnostic investigations were carried out on a rare Chinese polychrome glazed ceramic dating back to the reign of the Xuande Emperor (1426–1435). The double-walled warming bowl was investigated using several non-invasive methods such as portable optical microscopy, endoscopy, portable X-ray fluorescence spectrometry, X-radiography, and computed tomography. One microsample was collected and analyzed by scanning electron microscopy with an energy dispersive X-ray detector. According to the results, the chemical composition of the paste suggested a porcelain typology, while the glaze belongs to the lead–barium–silicate (PbO-BaO-ZnO-SiO₂) system. These unexpected data contrast with common knowledge, which attests that the addition of barium in glass and ceramics manufacturing disappeared soon after the Han dynasty (206 BCE-220 CE). Moreover, the combination of PbO-BaO-ZnO-SiO₂ seems to be quite rare both in ancient pre-Han times and during the Ming and Qing dynasties. This paper aims to demonstrate that (a) the use of barium for glaze and glass composition, which seems to have its roots in Taoist alchemy, was not totally halted in later periods compared to the Han dynasty; (b) lead–barium–zinc–silicate glaze was used during the Xuande Emperor’s reign. Through a review of ancient Chinese literary sources, we found a lot of unpublished information on the use of barium, lead, and zinc in the production of glazed ceramics during this period. The polychrome glazed warming bowl suggests a particular production that flourished during the brief reign of the Xuande Emperor. Full article

This work studies one type of artistic production from the Viceroyalty of New Spain during the second half of the seventeenth century and the beginning of the following century. Furniture decorated with the technique of enconchado is studied to point out the influence of Namban lacquer as well as the relationship with enconchado painting, a better known and studied corpus than furniture, and also its link to Mexican lacquer, maque. The identification and study of three pieces of furniture that feature the enconchado technique, and a cross, probably decorated with maque, offer a complementary vision of the art of enconchado and allow us to consider enconchado furniture an independent artistic genre. Full article

Generative artificial intelligence (genAI) language models have become firmly embedded in public consciousness. Their abilities to extract and summarise information from a wide range of sources in their training data have attracted the attention of many scholars. This paper examines how four genAI large language models (ChatGPT, GPT4, DeepAI, and Google Bard) responded to prompts, asking (i) whether artificial intelligence would affect how cultural heritage will be managed in the future (with examples requested) and (ii) what dangers might emerge when relying heavily on genAI to guide cultural heritage professionals in their actions. The genAI systems provided a range of examples, commonly drawing on and extending the status quo. Without a doubt, AI tools will revolutionise the execution of repetitive and mundane tasks, such as the classification of some classes of artifacts, or allow for the predictive modelling of the decay of objects. Important examples were used to assess the purported power of genAI tools to extract, aggregate, and synthesize large volumes of data from multiple sources, as well as their ability to recognise patterns and connections that people may miss. An inherent risk in the ‘results’ presented by genAI systems is that the presented connections are ‘artifacts’ of the system rather than being genuine. Since present genAI tools are unable to purposively generate creative or innovative thoughts, it is left to the reader to determine whether any text that is provided by genAI that is out of the ordinary is meaningful or nonsensical. Additional risks identified by the genAI systems were that some cultural heritage professionals might use AI systems without the required level of AI literacy and that overreliance on genAI systems might lead to a deskilling of general heritage practitioners. Full article

“Atmospheric” painting stands as a new frontier in contemporary art, presenting challenges and new considerations in museum practices. This article aims to analyze the possible evolution of four atmospheric paintings created by artist Luca Vitone during their transition from exhibition halls to the storage facilities of the MAXXI museum. The presence of active microbiological consortium raises question regarding the potential interaction these artworks may have with the surrounding environment. The year-long monitoring involved macroscopic and microscopic observation, spectrophotometric analyses, and cell vitality assessments using a bioluminometer. Additionally, the collected data were correlated with the prevailing microclimate within the storage. Indeed, the canvases underwent an evolution during their transfer to the storage; it was mainly the photosynthetic part of the consortium that underwent the greatest changes, resulting in changes in the color tones of the canvases. The viability of the cells in the consortium also underwent changes as indicated by measurements obtained with the bioluminometer. The monitoring has provided invaluable insights into the dynamic evolution of Vitone’s artworks and allowed the authors to hypothesize some strategies for the conservation of these types of artworks. Full article

Cultural heritage conservation demands interdisciplinary and complex documentation and analysis while facing increasing pressure to adopt sustainable and productive practices. This paper bridges these gaps by proposing a methodology and a set of requirements for Building Information Modeling (BIM) models aligned with European directives for sustainability and productivity in the Architecture, Engineering, and Construction (AEC) sector. Leveraging 3D scanning and intelligent models, we establish information needs specific to conservation, encompassing material properties, historical data, and decay analysis. Interoperability, compatibility with advanced analytical tools, and open-source formats are emphasized for seamless data integration and accessibility. We further introduce two use cases for BIM-enabled heritage conservation, illustrating the application of our proposed methodology in real-world scenarios. These cases exemplify how BIM models cater to the specific needs of cultural heritage sites, from their initial condition assessment to ongoing preservation efforts. Through these examples, we demonstrate the adaptability of BIM technology in capturing and managing the complex information associated with heritage conservation, including structural details, material characteristics, and historical significance. Our work highlights the potential of BIM to revolutionize heritage conservation practices, offering a digital backbone for documentation, analysis, and management that aligns with sustainability and productivity goals. Full article

The preservation of cultural artifacts within museums and historical buildings requires control of microclimatic conditions, and the constantly evolving climate certainly poses a challenge to maintaining recommended conditions. Focused on the Archaeological Museum of Delphi and the Church of Acheiropoietos in Greece, our study evaluates the hygrothermal behavior of these buildings with a specific emphasis on the preservation of cultural heritage objects hosted there. An innovative approach to the real-time analysis of data is utilized, aiming to achieve a timely detection of extreme temperature and humidity levels. A one-year monitoring campaign was carried out to achieve a detailed assessment of the indoor climate in selected museums and historical buildings in Greece. The monitoring campaign was performed using dataloggers that were set to measure and record temperature (T) and relative humidity (RH) values hourly. The results allowed for the detection of extreme temperature and relative humidity values, pinpointing the time period that requires more attention. The museum’s heating, ventilation, and air conditioning (HVAC) systems provide temperature control for visitor comfort, but the temperature still rises in summer, highlighting the impact of external climate factors. The church’s lack of HVAC systems widens the temperature range compared to the museum, but significant hourly fluctuations are not observed, underlining the building’s high thermal mass and inertia. Both buildings demonstrate a significant response to changes in outdoor temperature, emphasizing the need for future adaptation to climate change. The HMR_hs and PRD indices indicate minimal microclimate risk in both buildings for temperature and RH, reducing the probability of material damage. The church’s slightly higher HMR_hs index values, attributed to relative humidity, increases susceptibility due to sensitive materials. Overall, the study highlights the importance of managing microclimatic conditions in historical buildings and proposes careful adaptations for the protection of cultural heritage. Full article

This study validated the theoretical keypoints obtained from a previously published scoping literature review within the context of three Norwegian World Heritage sites: Røros, Rjukan, and Notodden. The cross-sectional table of the urban heritage facility management (UHFM) framework, which is based on interviews and correspondence, demonstrates the connection between the tasks of the six clusters of technical departments responsible for the provision of urban-scale support services and the modified critical steps of the Historic Urban Landscape approach, in which an additional step for “monitoring and evaluation” was included. UHFM operates at the intersection of heritage preservation, urban-scale facility management, and stakeholder coordination, which requires a careful balance between urban heritage conservation and sustainable urban management practices, thus enabling the preservation of World Heritage status that, among others, fosters sustainable tourism. The three case studies highlighted the significance of UHFM in preserving heritage value, authenticity, visual quality, and significance. Besides providing comprehensive support services that extend beyond the daily tasks of conservators and World Heritage managers, UHFM also allows feedback mechanisms for continuous improvement. This study highlighted the complex relationship between the provision of urban-scale support services and the preservation of Outstanding Universal Value as the core business of World Heritage sites. Full article

Analysis of purple dyestuff from a tin labeled “1 oz. Cudbear, No. 1 N. F. Powdered”, marketed by the American business S. B. Penick & Company, “Manufacturers of fine drugs and chemicals”, confirmed that the material was indeed a lichen dyestuff. It contains the same major orcein components identified in several other lichen dyes and dyed samples dating from the mid-19th century to today. These dyestuffs were analyzed using several analytical techniques. Fluorescence and fiber optic reflectance spectroscopic data for all the samples were similar. High performance liquid chromatography with diode array detection coupled to mass spectrometry confirmed that this commercial American cudbear was very similar to the samples from the United Kingdom but rather different from the archil-dyed reference yarns from Europe. The significance of the observations is discussed, and chemical structures are proposed for several of the unknown dye components detected in this study. Full article

In the field of conservation and protection of heritage buildings, knowledge plays a fundamental role, emphasized by national and international rules and regulations. This aspect becomes fundamental when conducting the structural assessment of a historical building. This study envisaged a cognitive phase via the application of advanced survey and diagnostic methodologies to define the materials, construction techniques, and state of conservation of the structural system of a specific building forming part of Florence’s heritage. The information complex produced formed the basis for the structural assessment and for the experimentation of the BIM methodology within the creation of databases for the management of cognitive processes of historical buildings. The case study is one of the gates of the last circle of walls of the 14th century and is the only one that has maintained its original height, despite modifications: the gate/tower of San Niccolò. The research conducted, in addition to achieving a structural assessment of the tower, has allowed the creation of a dynamic model for organizing and consulting the information, laying the groundwork for the creation of a conservation and maintenance plan. Full article

Identifying a painting’s pigment palette is crucial for comprehending the author’s technique, as well as for evaluating the degradation of the materials. This paper investigates the stratigraphy and pigments distribution of a 16th-century painting from the Uffizi Galleries collection. Firstly, we obtained compositional information through the cross-sectional analysis of samples using scanning electron microscopy. Secondly, we performed elemental mapping using macro-X-ray fluorescence followed by reflectance imaging spectroscopy. The painting image cube was analysed using the spectral correlation mapping (SCM) classification algorithm to accurately identify the distribution and composition of the pigment mixtures. Full article

At the beginning of the 20th century, the eclectic artist Mariano Fortuny y Madrazo patented two innovative methods for polychrome printing on fabrics and textiles, giving life to Fortuny fabric production in Venice. The first patent was related to colour application, while the second to a special machine that allows continuous printing using cylindrical rollers. Despite the descriptions, the methodology and materials used remain a secret. In collaboration with the Fortuny Museum in Venice, this research aimed at studying and identifying the different steps of Fortuny printing methodologies. Printing matrices, fabrics and raw materials found in the artist’s studio were analysed in a multi-analytical campaign through digital microscopy, X-ray fluorescence (XRF), Fourier-transform infrared spectroscopy in attenuated total reflectance (FTIR-ATR), μ-Raman spectroscopy and gas chromatography–mass spectrometry (GC–MS). Three main pigments were identified in paper samples: ivory black, a copper-based pigment, and a carbon black pigment with ultramarine for blues. The pigments were bound with linseed oil and colophony in varying proportions. Polychrome silk fabrics were dyed with a base colour, and then the coloured patterns were superimposed by continuous printing. Prussian blue was identified as one of the textile inks. Results provided a better understanding of printing methodology. Full article

Phoenician colonisation of the Iberian Peninsula in the 1st millennium BCE introduced many novel and luxurious goods to the local populations of the Western Mediterranean. Among them, black-appearing glass beads are characteristic of indigenous female burials in Southern Portugal during the 6th century BCE. This study presents the results of the first comprehensive archaeometric investigation of black-appearing glass from Vinha das Caliças 4 (Portugal), and of black-appearing glass from the Iberian Peninsula in general. A multi-analytical approach employing Stereomicroscopic observation of manufacture and use traces, VP-SEM-EDS, μ-XRD, and LA-ICP-MS was used to cover a wide range of questions regarding technology and provenance. All analysed samples are natron glass. All samples of black and white beads are characterized by high Zr and low Sr values typically ascribed to the use of Egyptian sands. A comparison of the results of previous studies from the same site clearly demonstrates at least two geochemical provenances for Phoenician-traded glass beads, located in the Levantine region and Egypt, respectively. Furthermore, different colours of glass in individual polychrome beads exhibit similar trace element patterns, which might suggest these beads could have been produced close to glassmaking sites/regions. Full article

Different regions around the world are experiencing climate risks, including increasing temperatures, rapid changes in rainfall patterns, loss of biodiversity and extreme weather events. Within the last decade, Nigeria has experienced a series of localised and regional drought and flooding events affecting not only arable farmlands but also cultural heritage, including heritage buildings and cultural landscapes. This study assesses climate-related risks affecting cultural heritage using the ABC risk assessment method to understand the impacts of key climate drivers. The assessment method was applied to five cultural heritage sites with different values and functions. The findings revealed that changes in precipitation and wind speed and direction induce most of the sudden-onset impacts, such as bushfires, flooding and physical collapse. A sense of community connection and attachment to the built heritage remain strong but there have been limited efforts to implement actions that address climate risks to the built heritage and its surrounding spaces. The output of the assessment contributes to risk prioritisation and informs decision making for developing the needed adaptive actions. The study demonstrates the need to leverage climate information collected by different national and international organisations not to only assess climate risks to heritage but also to improve the involvement of local communities and non-heritage professionals in developing adaptation actions for built heritage. Full article

This paper describes the identification of dyes on fifty yarn samples from a tapestry created by the well-known 17th-century Flemish workshop of the Mattens family. The design of the tapestry is based on the first of ten drawings known as the Acts of the Apostles by the famed 16th-century Italian painter Raphael. The drawings were commissioned by Pope Leo X and translated into tapestries by Pieter van Aelst; these original tapestries are still in the collection of the Vatican Museums. The present work was reproduced over a century later from the original drawing and is one in a possible set of nearly fifty known copies of the original tapestry cycle. Most of the Mattens yarn samples were found to be dyed by weld, indigo, and madder, as well as a few using brazilwood and lichen, but no insect dyes were detected. A significant finding in the present study was the detection of the dye component pseudoindirubin 1, alongside indigotin and indirubin, as well as yarns that only yielded the latter two dyes. The implication of using this new marker as objective evidence of the use of both woad and most likely Asian indigo is explored. The historical and conservation significance of the dyestuffs identified is also discussed. Full article

Ancient Ardaxšīr Khwarrah, today known as Shahr-e Gur, situated near the modern town of Firuzabad in Fars, Iran, holds historical significance as the inaugural capital city of the Sasanian Empire. During archaeological excavations conducted in 2005 by an Iranian–German team directed by Mas‘oud Azarnoush and Dietrich Huff, a mud-brick complex was uncovered, revealing a remarkably well-preserved stretch of wall painting and a polychrome painted floor. The discovery prompted the hypothesis of a potential funerary context dating back to the Sasanian period. Both the wall painting and painted floor have suffered extensive deterioration attributed to the environmental conditions of the archaeological site, which was inscribed on the UNESCO World Heritage List in 2020. To address the urgent need for preservation and further understanding of the site’s artistic and structural elements, an emergency diagnostic project was initiated. Non-invasive investigations were carried out on the wall and floor by optical digital microscopy and portable energy-dispersive X-ray fluorescence. Additionally, representative minute samples underwent analysis through various techniques, including micro-X-ray fluorescence, polarised light microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy, micro-Raman spectroscopy, micro-Fourier Transform Infrared Spectroscopy, gas chromatography-mass spectrometry and pyrolysis coupled with gas chromatography-mass spectrometry. The palette of the floor and mural paintings were identified to contain red and yellow ochres, lead-based pigments, carbon black and bone white. The unexpected presence of Egyptian blue mixed with green earth was recognised in the green hues of the wall painting. The detection of protein material in both the wall painting and polychrome floor indicates the use of “a secco” technique, thereby shedding light on the artistic practices employed in Ardaxšīr Khwarrah. Full article