Heritage

Museums increasingly recognize the need to address advances in digital culture which impact the expectations and needs of their audiences. Museum collections of real objects need to be presented both on their own premises and digitally online, especially as digital and social media becomes more and more influential in people’s everyday lives. From interdisciplinary perspectives across digital culture, art, and technology, we investigate these challenges magnified by advances in digital and computational media and culture, looking particularly at recent and relevant reports on changes in the ways museums interact with the public. We focus on human digital behavior, experience, and interaction in museums in the context of art, artists, and human engagement with art, using the observational perspectives of the authors as a basis for discussion. Our research shows that the COVID-19 pandemic has accelerated many of the changes driving museum transformation, about which this paper presents a landscape view of its characteristics and challenges. Our evidence shows that museums will need to be more prepared than ever to adapt to unabated technological advances set in the midst of cultural and social revolution, now intrinsic to the digital landscape in which museums are inevitably connected and participating across the global digital ecosystem where they inevitably find themselves entrenched, underscoring the central importance of an inclusive integrative museum model between physical and digital reality. Full article

We report on the interpretation of a late medieval Eastern Mediterranean glazed ceramic vessel with sgraffito decoration depicting a sailing ship. The artefact represents a chance find that was recovered outside the excavation area of the Ropotamo underwater archaeological excavations on the Southern Bulgarian Black Sea Coast in 2017. Fragments of late medieval sgraffito-decorated ceramics with depictions of sailing ships are rare. Complete examples can be considered exceptional. The Ropotamo artefact is of particular interest due to the freehand execution of its decoration, which suggests some understanding of contemporary ship proportions and seafaring practices on behalf of the artisan. The specimen is analyzed against similar artefacts and discussed in the context of maritime graffiti from the Black Sea and Eastern Mediterranean regions. The aim is to establish its potential for studying archaeological ceramics and evaluate the extent to which the decoration reflects aspects of Eastern Mediterranean maritime culture of the late Byzantine and early post-Byzantine periods. More research is required to appreciate the full potential of the Ropotamo artefact. A hypothesis for origin, dating and significance has been proposed. However, due to a shortage of published parallels, it may be subject to further refinements in the future in case more stratified similis are identified. Full article

This paper presents the results of a study on the quadruple flutes (multiple pipes) from the UNESCO World Heritage Centre of Teotihuacan, Mexico, based on a thorough examination of the fragmented, restored and partly reconstructed archaeological finds and the manufacture and subsequent test of a series of playable reproductions with a refined reconstructive design. For the latter, organological features, such as the diameter, number and position of the fingerholes/tone holes and the length of the individual pipes of the restored finds are challenged and a new design is proposed that might be closer to the original construction of the Teotihuacan instruments. The study reveals a better understanding of the particular construction, acoustics and musical possibilities of the Teotihuacan quadruple flutes. Full article

This paper reports the analyses carried out on the medieval copper alloy door (1111–1118 AD) of the mausoleum of Boemondo d’Altavilla in Canosa di Puglia (Southern Italy). The studied door is the smallest medieval bronze door extant in Italy and, unlike the other Byzantine doors, was most probably made in Canosa di Puglia and not in Constantinople. Analyses were performed to assess the chemical composition of the alloy patinas using a portable energy dispersive X-ray fluorescence (ED-XRF) instrument designed at the University of Salento. The experimental results suggested that the two door leaves have the same chemical composition, even if they appear different in both style and size. Furthermore, the alloy used for the door is different from the other previously-analyzed Byzantine bronze doors. The obtained results can be used in the future to compare the chemical composition of other Byzantine doors in order to better understand the manufacture of these precious artifacts. Full article

The cemetery is a cultural landscape that represents themes of great relevance to interpret the structure of a society, roles, and hierarchies, as a reflection of its social life. The cemetery gathers a whole symbolic universe where local social histories are represented, beyond the history of art and the architectural aspect. As a heritage element, the cemetery shows us the socio-cultural changes of a territory: religious questioning, changes linked to the family, individualization of contemporary society or broader questions about socio-economic structure. This article presents the experience conducted during the last 6 years in the Cemetery “Nuestro Padre Jesús” in Murcia (Spain), through a collaboration among the Sociedad Murciana de Antropolgía (SOMA), the University of Murcia and the Municipality of Murcia, developing the project “Funerary Cultures”, whose main objective is to promote the heritage, cultural and historical values of the funerary culture. Specifically, as a result of this teaching innovation experience, the six thematic guides to visit the cemetery are presented as an experience of patrimonialization of elements of the cemetery and its consequent selection and consensus exercise to determine what was considered as heritage in the context of the cemetery. Finally, a proposal of a systematic process in the valuation and selection of the material objects in the cemetery is presented; this proposal allows us to establish a debate on what considerations to take into account when considering the relationship between cultural heritage and the cemetery as a cultural landscape in permanent transformation. Full article

Traditional crafts exhibit tangible and intangible dimensions. Intangible dimensions include the practitioner’s gestural know-how in craft practice and have received smaller attention than tangible dimensions in digitization projects. This work presents the process of representation and presentation of the glasswork and is exemplified in the re-creation of a historical object. Following an articulated pipeline approach for data collection, annotation, the crafting process is represented visually and semantically in a way that can be meaningfully presented and utilized in craft training and preservation. The outcomes of the proposed approach were used to implement a Mixed Reality installation. The installation targets craft presentation through an exploration of the workspace, as well as craft training through an interactive experience where users re-enact gestures of a glass master holding a tool and receiving audiovisual feedback on the accuracy of their performance. Preliminary evaluation results show high acceptance of the installation and increased user interest. Full article

The invention of European hard porcelain, which aims at imitating kaolin-containing white paste of Chinese porcelain, had been started by the development of the technology of “red porcelain”, so-called “Jaspisporzellan” by Johann Friedrich Böttger in the early-eighteenth century at Meissen (Saxony). The visual features of the earlier Böttger red stoneware were rather similar to the one produced in Yixing, China. The prominence of Böttger productions allowed the manufacturing to be expanded across Europe to different countries (Holland, England, France, etc.). In this study, the chemical characteristics of nine European unglazed objects produced in England, France, Russia, and Holland from the 17th to 19th century and 10 Chinese (unglazed or enameled) red stoneware have been studied by using an on-site characterization technique pXRF. The results were compared with the previous studies carried out on 25 unglazed, polished, and non-polished Böttger artefacts. This non-invasive, speedy technique allows a methodology to be created for distinguishing the technological differences related to the provenance and authenticity of the artefacts. The elemental measurements explicitly show the significant discrepancy of Dutch objects from the main group, which involves other European and Chinese ones. Both a Lambertus van Eenhoorn (Delft) statue and an Ary de Milde (Delft) teapot are distinguishable from other European red stoneware by the high content of iron and calcium and high content of titanium and potassium, respectively, found in their body compositions. An overall comparison was made between the measurements made at different times in order to evaluate the error range arising from the measurement procedure (e.g., energy resolution of other series of the same instrument model). Full article

Grouting of historic structures is a common procedure in many restoration projects, as the masonry in many cases requires additional strengthening. However, grouting of complex historic structures can also provide important information regarding the construction phases and the state of preservation of the internal structure of a monument, which may not be visible by the naked eye. This requires an innovative approach in order to reveal these aspects. In the current research, the data recorded from the grouting of the Holy Aedicule are implemented and analyzed, in order to obtain information regarding the construction phases of the complex Holy Aedicule structure, as well as information regarding the state of preservation of the internal structure behind the marble cladding that encloses it. The correlation of detailed grouting data with geospatial information allows for a more detailed analysis, which, coupled with ground-penetrating radar prospections, can provide critical information regarding the features of the internal structure. The results highlight the importance of this correlation to reveal information that may not be obtained through a typical approach. Thus, this study allowed for the development of an evolved interdisciplinary approach for the management of grouting data in a 2.5D environment, which can be applied in other historic structures and buildings. Full article

Two paintings, made on aluminium support by Silvio Pasotti (among the major exponents of 1960s Italian pop art) were investigated in a totally non-invasive manner to identify the materials used by the artist. Raman spectroscopy, Fourier-transform infrared spectroscopy (FTIR), visible reflectance spectroscopy, and spectrofluorimetry with visible excitation were exploited as molecular analysis techniques, which are particularly suitable to recognise also synthetic organic materials, such as pigments and binders. The effectiveness of this multi-analytical approach was demonstrated, leading to the identification of several synthetic organic pigments, both conventional and “special effect” ones, introduced during the first half of the 20th century, as well as some well-established inorganic ones. Combining FTIR results both in the medium and near IR ranges, considerations regarding the binders employed by the artist could also be made, suggesting the use of both nitrocellulose and acrylic paints. Imaging techniques, such as IR reflectography, false colour IR, UV induced fluorescence, and portable microscopy, were also used to achieve a better knowledge of the painting practice. Full article

It is increasingly necessary to generate accessible and navigable digital representations of historical or heritage buildings. This article explains the workflow that was applied to create such a digital component for one of the least accessible areas of the Alhambra palace in Granada, the so-called Torre de la Cautiva (Tower of the Captive). The main goal of this process was to create affordable, photorealistic 3D models that contribute to the dissemination of cultural heritage, the decision making for its conservation and restoration, and public engagement and entertainment. With enough preparation, the time spent gathering data following a Structure from Motion (SfM) approach can be significantly reduced by using a multi-camera (low cost DSLR) photogrammetric strategy. Without the possibility of artificial lighting, it was essential to use RAW images and calibrate the color in the scene for material and texture characterization. Through processing, the amount of data was reduced by optimizing the model’s topology. Thus, a photorealistic result was obtained that could be managed and visualized in immersive Visual Reality (VR) environments, simulating different historical periods and environmental and lighting conditions. The potential of this method allows, with slight modifications, the creation of HBIMs and the adaptation to VR systems development, whose current visualization quality is below the resolution of actionable models in rendering engines. Full article

The accessibility of Cultural Heritage content for the diverse user population visiting Cultural Heritage Institutions and accessing content online has not been thoroughly discussed. Considering the penetration of new digital media in such physical and virtual spaces, lack of accessibility may result in the exclusion of a large user population. To overcome such emerging barriers, this paper proposes a cost-effective methodology for the implementation of Virtual Humans, which are capable of narrating content in a universally accessible form and acting as virtual storytellers in the context of online and on-site CH experiences. The methodology is rooted in advances in motion capture technologies and Virtual Human implementation, animation, and multi-device rendering. This methodology is employed in the context of a museum installation at the Chios Mastic Museum where VHs are presenting the industrial process of mastic processing for chewing gum production. Full article

One of the most frequent professional afflictions in Conservators-Restorers is the onset of work-related musculoskeletal disorders (WMSDs). The conservation of textiles is recognizably vulnerable to these problems. However, the assessments of the ergonomic conditions for these workers are rare or even non-existing. The present study focuses on a group of conservators-restorers of textiles and relies on the use of a Nordic Questionnaire for musculoskeletal disorders coupled with a Quick Exposure Check for the task of consolidation on a horizontal table to determine the severity and exposure levels to WMSDs. All surveyed workers reported numbness, pain or discomfort in the last 12 months for the neck region, while 67% reported the same afflictions for the back, shoulders/arms and hands/wrist. In the same time period, half of the workers used pain relievers in order to maintain their professional activity. For the textile consolidation task, the neck and back areas showed high and very high levels of exposure, respectively, and the results place these workers at a high-risk for WMSDs due to cumulative stress. Mitigation strategies are proposed but these should be paired with professional counseling. Although preliminary, this study is the first of its kind to assess the ergonomic impact of the profession in Portugal and presents a methodology that can be used to perform similar evaluations in other workplaces and/or other specialties in the Conservation and Restoration sphere, both nationally and internationally. Full article

This paper presents a roadmap to enable the adoption of the BLUEMED model; an integrated plan developed within the BLUEMED project that promotes underwater cultural heritage (UCH) to both divers and non-divers and aims at sustainable tourism development in coastal areas and islands. Through augmented and virtual reality technologies, one can experience wet and dry diving to accessible underwater cultural heritage site(s) (AUCHS), through a physical dive at the sites or a virtual tour at Knowledge Awareness Centers (KACs). The roadmap provides guidelines, so that relevant stakeholders and competent authorities can implement the BLUEMED model and consider the various environmental, cultural, and socioeconomic factors of the area (locality), to ensure viability in the long-term. The roadmap focuses on the policy and technical parameters, including the cultural and environmental features of the site, the legislative framework, funding issues, the integration of technologies, the prospects for sustainable tourism development in the area, the stakeholder engagement, and the cooperation framework within a top-down or a bottom-up initiative, as well as the establishment and operation of the KACs. Full article

Using the Mesolithic site of Tudse Hage in the Great Belt of Denmark, this paper proposes a generic stepwise process to create geoarchaeological models that output seamless morphology maps in a GIS. This was achieved using remote sensing databases and the collection of marine geophysical data, above and below the seabed. On the basis of these data, key areas, with sediment sequences representative of the postglacial transgression surfaces, were identified. Core samples were taken for palaeoenvironmental analysis and dating that enabled a reconstruction of the relative sea-level changes. Using this information, palaeogeographic coastline maps of the Kongemose, late Kongemose, Ertebølle, and Neolithic periods in the Tudse Hage area were prepared, and potential hotspots for archaeological sites were proposed. Since their inundation, submerged prehistoric archaeological sites have been, and are, dynamic, with anthropogenic and natural processes affecting their stability and preservation. With the advocation of in situ preservation as a means of managing underwater cultural heritage, predicting where sites have survived these processes, and where they can be found, in advance of subsea development or other anthropogenic exploitation, is essential. Future natural threats to sites preserved in situ were determined through the modelling of seabed currents and sediment erosion. Full article

The goal of the study was to characterize the limestone that was used extensively in the ancient city of Pella (Macedonia, Greece), the birthplace of Alexander the Great. An on-site examination of the building material was carried out to record the types of damage and to select sampling areas. A variation in the nature of the stone and the degree of deterioration, even between the stones that comprise a specific monument structure, was observed, with water absorption and biological colonization being the main factors resulting in the deterioration of the stone. A comprehensive microanalysis and testing scheme was conducted to fully characterize the mineralogical, chemical, mechanical and thermal properties of the stones collected from various areas of the archaeological site. Optical microscopy, XRD and SEM–EDX were used to investigate the chemical composition and the structure of the stone samples. Finally, other properties, such as porosity, specific gravity and water absorption, were measured. Surface alterations, material degradation and biological deterioration were observed in most samples. The results obtained using XRD showed that the dominant mineral phase of the limestone is calcite, with quartz and clay minerals also detected in traces. The microscopic examination of the samples showed that the main natural stone at the archaeological site is a marly limestone. Thermographical measurements showed that the decay of the stones due to ambient temperature variation and corresponding contraction/expansion phenomena may be relatively limited, as the stone exhibited a low thermal diffusivity. Moreover, high porosity values (12.06–21.09%) and low compressive strength (11.3–27.7 MPa) were recorded, indicating the vulnerability of the stone and the need to take conservation measures. Full article

Underwater heritage and archaeology is, in general, limited to the few who have permission, and the means to actually dive on location and experience the submarine sites. Dry dive technologies such as Augmented Reality (AR) now offer unprecedented opportunity to change this situation. This paper explores the use of AR storytelling with regard to a World War II landing craft at Phalasarna, Greece. Tank Landing Craft A6 (TLC) was sunk by German aircraft while evacuating Allied troops from Crete in 1941. Its remains still lie just off the coast in a few metres of water. This project revolves around the development of a 3D–animation to make the site more accessible to those who cannot dive. By visually reconstructing the dramatic event of the craft’s final moments under German attack before it settled to the seabed, as well as the site’s present condition, visitors can experience and learn more about both the vessel itself and the historical context. The Indirect AR simulation contains two main modes: a dry dive reconstruction of the wreck as it looks today with detailed multimodal explanations based on historical and archaeological research, and an animation sequence that reconstructs the actual German attack on the ship. This article presents detailed descriptions of the site’s historical background, of the vessel and the design challenges involved in the production process of the app itself. Feedback provided by visitors who recently tested the AR simulation on location is also reported here. Full article

The safety of the built heritage of our cities towards environmental factors and seismic actions is a pressing need for designers and researchers. The actual trend is to setup effective solutions to reduce thermal dispersions through the building envelope. Contrarily, combined systems able to enhance the resistance of constructions to earthquakes, on the one hand, and, on the other hand, to increase the energetic efficiency of existing buildings are scarcely diffused on the market and are rarely investigated in the scientific literature. In this framework, the seismic design of the new envelope DUO system for seismic-environmental requalification of existing masonry constructions is illustrated in the present paper with reference to a case study in the Neapolitan area. After the geometrical and mechanical characterization of the investigated building is performed, an FEM model of the masonry construction is setup by the SAP2000 analysis program, which has allowed performing pushover analyses. Based on the non-linear seismic response of the construction, an appropriate upgrading design mainly based on the innovative seismic envelope DUO system has been made. The static non-linear analyses applied to the upgraded FEM model of the building have shown a clear increase in performance in terms of strength, stiffness and ductility, thus confirming the effectiveness of the proposed envelope system. Full article

Abandoned on the coast as skeletons, bunkers are the last theatrical gesture in the history of Western military architecture (Virilio, 1975). Technically obsolete, this military territory has fallen into extinction and is now generally forgotten. We present the Plan Barron of Defense of Lisbon and Setubal case study, a mid-twentieth-century set of bunkers, recently declassified, as a case study to discuss the future of this heritage facing the climate crisis. Can oblivious historical war heritage be an opportunity to fight climate emergencies? We present four theoretical concepts to fundament this environmental positioning: (i) Heritage Management and Climate Governance, (ii) Techno-aesthetic (Simondon, 1992): panopticon territorial cluster; (iii) Military: camouflage as design, and (iv) Civil: inheritance as future potential. The results allow us to look at military architecture in the form of a bunker, as a set of territorial, architectonic, cultural, and social interests. We demonstrate that the counterpoint of its invisibility is a singular naturalized “milieu”, a place where the memory of war can be transformed as a buffer zone that combines characteristics of climate and coastal resilience with cultural and social interest as a “common good”. Full article

The Getty’s Etruscan painted terracotta wall panel, Athletic Official, recently has been speculated to be associated with a Caeretan wall panel depicting a Discobolus based on a shared iconography. To better understand the materials and techniques used to create the Getty panel and investigate its relation to extant Etruscan painted terracotta panels, a multi-analytical study was conducted, using broadband visible, IR, and UV imaging, along with scanning MA-XRF, FORS, Raman, SEM-EDS, and XRD analytical techniques. The analytical results together with PCA analysis suggest the clay support of the Getty panel is most similar in composition to that of panels from Cerveteri. A manganese black was identified in the decorative scheme; not commonly employed, this appears to be an important marker for the workshop practice in Cerveteri. Most significantly, the use of MA-XRF scanning allowed for invisible ruling lines on the Athletic Official, presumably laid down at the earliest stages of the creation of the panel, to be visualized. Taken together, the results of this study provide new insights into Caeretan workshop practice as well as provide a framework for better understanding the design and execution of Etruscan polychromy. Full article