Climate Risk Management in Cultural Heritage for Inclusive Adaptation Actions in Nigeria
Abstract
:1. Introduction
2. Materials and Methods
2.1. Stakeholder Dialogue
2.2. Risk Analysis
- i
- Development of a list of climate-related impacts on the heritage site with a detailed description of the impacts to the participants;
- ii
- Identification of the attributes of the heritage sites that are affected by the impacts;
- iii
- Identification of the climate drivers influencing the impacts;
- iv
- Collective dialogue on questions and quantification of the component scores using Table 1:
- For Component score A, how often does the impact occur?
- For Component score B, how much value is lost/affected by the impact?
- For Component C, what is the percentage of the attributes that are affected by the impacts?;
- v
- Calculation of the MR value using Equation (1) and prioritisation of the impacts using Table 2 for adaptation action.
2.3. Study Area
Case Study | Description | Geographical Location | Criterion 1 | Criterion 2 | Criterion 3 | Criterion 4 | |
---|---|---|---|---|---|---|---|
Latitude | Longitude | Condition of Materials and Components | Involvement of Local Community in Conservation | Ownership/ Custodianship | Age, Rarity and History | ||
CS-01 | The National Theatre Complex in Iganmu (Figure 3) | 6.476447 | 3.369542 | A modern architectural masterpiece built with concrete, sandcrete bricks, aluminium sheets for flat roofing, and glass for windows, doors and some parts of the walls | Local community members are not involved in conservation intervention, but trade unions, such as RATTAWU 1, AGN 2 and SNA 3, may be involved in a minimal way | Fully owned and managed by the national government | Built in 1973, a building of national significance and historical influence, a unique building in the whole of Nigeria |
CS-02 | Christ Church Cathedral in Marina (Figure 4) | 6.450903 | 3.390203 | Late 18th century European Gothic architecture, built with white marble, concrete, sandcrete plaster, stained glass, oak wood and aluminium sheets for gable roofing | Conservation interventions are implemented by the community of parishioners with minimal funding support from Lagos State Government | Fully owned and managed by the Anglican Diocese of Lagos | Construction started on 29 March 1867, and it was dedicated in 1869, the oldest Anglican cathedral in Nigeria, significant to colonial history in Nigeria |
CS-03 | First two-floor building in Nigeria, Badagry (Figure 5) | 6.412228 | 2.887158 | Brazilian-style residential building, built with sandcrete-plastered mud brick walls and aluminium sheets for gable roofing | Local community members and parishioners of Anglican Churches in Badagry are involved in the conservation | Fully owned and managed by the Anglican Church in Badagry | Constructed by Anglican missionaries led by Reverend C.A. Gollmer in 1845, significant to slave history and the experiences of slave returnees |
CS-04 | Brazilian Barracoon Museum, Badagry (Figure 6) | 6.413631 | 2.879853 | Residential building built with cells for captured slaves, built with adobe bricks with sandcrete plastering | Conservation interventions carried out by the family members of Seriki Abass William receive support from the national government, the building having been declared a national monument | Fully owned by the family members of Seriki Abass William | Built in the early 1840s, contains relics, artefacts and handwritten documents of Chief Seriki Abass William, a former slave turned merchant |
CS-05 | Gberefu Island (Figure 7 and Figure 8) | 6.393896 | 2.879551 | Open area with symbols representing the last point for the slaves before boarding the merchant ships and the attenuation well, the source of water where slaves were made to drink their final water before heading onto the merchant ship | Conservation interventions are carried out with support from the national and Lagos State Government | Owned by the local community | Opened in 1473 during the trans-Atlantic slave trade, significant to the history and experiences of the slave trade |
3. Results
3.1. Step 1—Establish the Context
“…the theatre complex houses lots of priceless treasures of renowned artists and sculptors such as Fakeye, Grillo and other past carvers and sculptors” Participant CS1-06, a renowned artist and poet in Nigeria)
“…while in the university, around 1992/1993, I was involved directly with the National Theatre, as part of the cast for a play titled ‘The Importance of being Earnest’ directed by Prof. Sola Fosudo. It is going to be very difficult for me to forget that experience. Acting on [the stage in the theatre complex] had a [positive] impact on me” (Participant CS1-11)
“…my relationship with the slave heritage sites (CS 03–05) in Badagry dated to my childhood days, about 40 years ago. The compound (CS-03) is known for the small holding cells built for 40 captured slaves” (Participants CS3-03)
“…three tourists—a Brazilian black girl and a European man with his daughter visited the heritage sites in 2018, when the Brazilian girl set her eyes on the European man [and his daughter], she started accusing him that they [Europeans] were the ones that enslaved them and [asked] what are they doing here. But I as the tour guide, had to educate the tourists on the purpose of the heritage sites and the need to [encourage remission, restitution and peaceful coexistence across races, ethnicity, regions and countries]” (Participant CS3-01)
3.2. Step 2—Identify Climate Risk
“…parts of the art works on the theatre complex are affected especially when there is strong wind” (Participant CS1-01, an employee working in the theatre complex) “…whenever there is heavy rain or wind, the [theatre] complex needs to be checked to know the parts that were affected” (Participant CS1-06, a renowned artist and poet in Nigeria) “…The premises experiences flooding because the rain is heavier nowadays …. exacerbated because of blocked drainages and reclaimed quality of the land” (Participant CS1-03, a community leader in Iganmu) “…the surrounding environment of the National Theatre is facing immense impact from the ocean causing flooding and lots of damage” (Participant CS1-05, a volunteer for an NGO involved in conservation of heritage sites)
“…the cathedral experiences light flooding as a result of the surrounding areas becoming waterlogged and it lasts for 4–6 h after rainfall” (Participant CS2-07, a director-level employee working in the theatre complex) “this [flooding] is a common issue affecting lots of the neighbouring communities” (Participant CS2-11, a community leader in Marina)
“…Badagry is facing intense disaster whenever the ocean overflows. Also, many buildings are affected due to the materials used in building them” (Participant CS3-01) “…when rain falls, everybody feels the impacts. You have to be on your knees because there is a high tendency for water to flood the buildings and destroy our farmlands” (Participant CS3-05)
3.3. Step 3—Analyse Climate Risk
“…lots of the windows are either deteriorated or have fallen off the openings due to strong wind or rain” (Participant CS3-02, a heritage site manager) “…we experience this often during the wet season due to the wetness of the wooden windows making the management to contemplate changing into other types of windows” (Participant CS3-06, an employee of a heritage organisation)
3.4. Step 4—Evaluate Climate Risk
“…this is a great risk facing the historical buildings because the materials are old and have not been appropriately repaired” (Participant C3-01, a volunteer with an NGO involved in heritage management) “…the roof of the first two-floor building (CS-03) was changed in 2017 but has deteriorated making conservation of the historic building costly” (Participant C3-04, a religious leader in Badagry)
“… flooding is very common and has contributed to various disasters affecting the theatre complex (CS-01)” (Participant C1-05) “… the main challenge affecting Onikan, Ebute-metta, Apapa and other neighbouring communities is flooding because those areas are wetland” (Participant C1-08)
“… light flooding is common within the cathedral while heavy flooding is common within the neighbourhood” (Participant C2-11)
3.5. Step 5—Treat Climate Risk
“…over years, the community was responsible for the protection of the slave heritage sites because many people depend on the sites for their livelihood” (Participant C3-05)
“…the cathedral (CS-02) is maintained by the parishioners with minimal support from the government, especially the Lagos State Government. However, the federal government nominated the cathedral (CS-02) as a national monument with no plan to support its conservation” (Participant C2-04)
“…the slave heritage sites have been neglected for a long time by the federal and state governments, no regular maintenance of the sites causing lots of the walls, roofs and ceiling to be destroyed and looting of the slave relics within the sites is increasing as well” (Participant C3-02, a community leader in Badagry)
4. Discussion
5. Conclusions
Author Contributions
Funding
Data Availability Statement
Conflicts of Interest
References
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A-Score | Frequency of Event | B-Score | Fraction of Value Lost due to the Event | C-Score | Percentage of Attribute Affected by the Event |
---|---|---|---|---|---|
5.00 | Less than 1 year | 5.00 | Up to the entire value | 5.00 | Up to 100% |
4.50 | More than 1 year to 3 years | 4.50 | of the entire value | 4.50 | Up to 30% |
4.00 | More than 3 to 10 years | 4.00 | of the entire value | 4.00 | Up to 10% |
3.50 | More than 10 to 30 years | 3.50 | of the entire value | 3.50 | Up to 3% |
3.00 | More than 30 to 100 years | 3.00 | of the entire value | 3.00 | Up to 1% |
2.50 | More than 100 to 300 years | 2.50 | of the entire value | 2.50 | Up to 0.3% |
2.00 | More than 300 to 1000 years | 2.00 | of the entire value | 2.00 | Up to 0.1% |
1.50 | More than 1000 to 3000 years | 1.50 | of the entire value | 1.50 | Up to 0.03% |
1.00 | More than 3000 to 10,000 years | 1.00 | of the entire value | 1.00 | Up to 0.01% |
0.50 | More than 10,000 years | 0.50 | of the entire value | 0.50 | Up to 0.003% |
MR-Value | Level of Priority | Expected Loss of Value to the Heritage Asset |
---|---|---|
15.00 | Catastrophic priority—All or most of the heritage asset value is likely to be lost in a few years | Up to 100% in 1 year |
14.50 | Up to 30% per year | |
14.00 | Up to 10% per year = 100% in 10 years | |
13.50 | Up to 3% per year = 30% every 10 years | |
13.00 | Extreme priority—Significant damage to the heritage asset, or total loss of a significant fraction of the heritage asset, is possible in approximately one decade. All or most of the heritage asset value can be lost in one century | 10% every 10 years = 100% in 100 years |
12.50 | 3% every 10 years = 30% every 100 years | |
12.00 | 1% every 10 years = 10% every 100 years | |
11.50 | 0.3% every 10 years = 3% every 100 years | |
11.00 | High priority—Significant loss of value to a small fraction of the heritage asset, or a small loss of value in most or a significant fraction of the heritage asset in one century | 1% every 100 years |
10.50 | 0.3% every 100 years | |
10.00 | 0.1% every 100 years = 1% every 1000 years | |
9.50 | 0.03% every 100 years = 0.3% every 1000 years | |
9.00 | Medium priority—Small damage or loss of value to the heritage asset over many centuries. Significant loss to a significant fraction of the heritage asset over many millennia | 0.1% every 1000 years = 1% every 10,000 years |
8.50 | ||
8.00 | 0.01% every 1000 years = 0.1% every 10,000 years | |
7.50 | ||
7.00 | Low priority (7 and below)—Minimal or insignificant damage or loss of value to the heritage asset over many millennia | 0.001% every 1000 years = 0.01% every 10,000 years |
6.50 | ||
6.00 | 0.0001% every 1000 years = 0.001% every 10,000 years | |
5.50 | ||
5.00 | 0.00001% every 1000 years = 0.001% every 10,000 years |
Categories of Key Values | Description of Values | |
---|---|---|
CS-01—The National Theatre Complex in Iganmu | Age and History |
|
Authenticity and Symbolism |
| |
Educational |
| |
Use |
| |
Economic |
| |
Cultural and Identity |
| |
Architectural |
| |
Environmental |
| |
Aesthetic |
| |
CS-02—Christ Church Cathedral in Marina | Aesthetics |
|
Authenticity |
| |
Religious |
| |
Architectural |
| |
Historical and Identity |
| |
Educational |
| |
Environmental |
| |
Uses and function |
| |
Economic |
| |
CS-03-05—Slave Heritage Sites in Badagry | Age |
|
Authenticity and cultural |
| |
Historical and identity |
| |
Economic |
| |
Aesthetic |
| |
Educational |
| |
Environmental |
| |
Use |
| |
Architectural |
|
Categories | Adaptation Actions and Strategies |
---|---|
Building maintenance and land care |
|
Policy and governance |
|
Early warning and indoor environment monitoring systems |
|
Material selection |
|
Use of nature-based strategies and traditional knowledge |
|
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© 2024 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).
Share and Cite
Adetunji, O.; Daly, C. Climate Risk Management in Cultural Heritage for Inclusive Adaptation Actions in Nigeria. Heritage 2024, 7, 1237-1264. https://doi.org/10.3390/heritage7030060
Adetunji O, Daly C. Climate Risk Management in Cultural Heritage for Inclusive Adaptation Actions in Nigeria. Heritage. 2024; 7(3):1237-1264. https://doi.org/10.3390/heritage7030060
Chicago/Turabian StyleAdetunji, Olufemi, and Cathy Daly. 2024. "Climate Risk Management in Cultural Heritage for Inclusive Adaptation Actions in Nigeria" Heritage 7, no. 3: 1237-1264. https://doi.org/10.3390/heritage7030060
APA StyleAdetunji, O., & Daly, C. (2024). Climate Risk Management in Cultural Heritage for Inclusive Adaptation Actions in Nigeria. Heritage, 7(3), 1237-1264. https://doi.org/10.3390/heritage7030060