Philosophies

We shall have a hard look at ethics and try to extract insights in the form of abstract properties that might become tools. We want to connect ethics to games, talk about the performance of ethics, introduce curiosity into the interplay between competing and coordinating in well-performing ethics, and offer a view of possible developments that could unify increasing aggregates of entities. All this is under a long shadow cast by computational complexity that is quite negative about games. This analysis is the first step toward finding modeling aspects that might be used in AI ethics for integrating modern AI systems into human society. Full article

The article places Francisco Suárez (1548–1617) and his position on the ontological status of artifacts against the Medieval philosophical background. It is concluded that Suárez is an artifact realist. However, Suárez’ realism concerning artifacts is of a minimalist kind. Inscribing himself into the realist tradition, Suárez affirms that an artifact has an “artificial form”, a ‘forma artificialis’. However, this form is not a thing in its own right, but rather has the status of a mode. Further, the artificial form is not a mode of substance, but rather of quantity. Hence, Suárez can rightly be called a minimal realist concerning artifacts. In an additional section, the role of the exemplar in the production of an artifact is explored. Suárez counts the exemplar among the efficient causes, and so, the exemplar in the mind of the artisan is one of many efficient causes that together produce and determine the artifact. Full article

Individuals usually go to art museums to enjoy artworks. Generally, in order to appreciate the art in museums, a brief summary of certain information is provided as a caption. Viewers usually read these descriptions to aid their understanding. To provide broader technical support for this activity, several researchers have proposed a protocol for art appreciation. For instance, Leder et al. proposed a stage model for aesthetic processing, which combines aspects of understanding and cognitive mastering with affective and emotional processing. We have also conducted several experiments in order to determine the effect of information during art appreciation. For instance, we conducted an experiment where information about a piece of art was offered gradually and incrementally. In the experiment, the participants seemed to be able to gradually understand the artwork according to the obtained information. Our observations indicate that they tried to create stories for the artworks in order to explain the obtained information. In addition, for the abstract artworks, if they saw the title, they understood the artworks within their own explanation in the context of the title. Our research framework suggests that we can consider this observed framework as a process of abduction, where the incremental presentation of details about art helps a user form a hypothesis about the piece of art. In this paper, we will analyze artwork appreciation and understanding with this framework from the viewpoint of abduction. Full article

In this era of rapid modernization, technology has changed people’s everyday lives globally but at a heavy price, as evidenced, for example, by the earth’s deteriorating environments. Environmental contamination has induced the adverse impacts of climate change, manifested as natural disasters. According to scientific predictions, if climate change continues at the current rate, irreversible damage to the planet’s ability to sustain life could occur by 2100. This disturbing scenario has prompted a wake-up call for promoting sustainability and initiatives, such as the Sustainable Development Goals formulated by the United Nations, which are aimed at influencing and penetrating every aspect of life. This article discusses the importance of pragmatic wisdom for our earth’s restoration through the achievement of sustainability, which requires a revolution in education. A new educational model, particular within higher education, which extends beyond most of the current educational models for acquiring knowledge, is required to promote pragmatic wisdom. Apart from the acquisition of scientific knowledge, philosophical thinking and critical thinking skills are essential for promoting pragmatic wisdom. In this context, an education that couples liberal arts with natural sciences could be one of the solutions for facilitating the transformation of knowledge into pragmatic wisdom, which can potentially foster sustainability. Full article

This essay examines French filmmaker Agnès Varda’s Le Bonheur (1965) and Vagabond (1985) for their critical invocation of the persistent and patriarchal association of women with plants. Both women and plants are thought within the metaphysical tradition to have a deficient or negative relation to freedom. Varda’s films, however, link the liberation of women in postwar France to the liberation of vegetal being; her female protagonists pursue their liberation by accessing the vegetal freedom that subtends human freedom. In Le Bonheur, Varda uses visual irony to critique the processes of idealization that turn both women and flowers into signifiers of ideal beauty in thrall to the enchantments of happiness. In Vagabond, the enigmatic female drifter at the center of the film enacts a plant-like refusal of self-preservation. In both films, female liberation takes vegetal shape, as their protagonists embody a vegetal silence or vegetal indifference in defiance of the patriarchal situations they encounter. Full article

Modern societies are increasingly becoming multinational and multi-religious. In such a situation, reaching public consensus in modern societies is critical for understanding the further development of the state and society, in particular, in multinational Kazakhstan. The research is aimed at identifying and interpreting approaches to understanding the idea of social consensus in the Western and Eastern traditional philosophical paradigms, represented by some of most influential philosophers. The study also identifies the role and place of traditional Kazakh philosophical thought and the possibility of its application in modern social relations. The strategies of harmony within the philosophical paradigms of the conditional mega-regions of the East and West are determined by a narrow segmentation of philosophical texts. In the course of the study, it is proposed to single out two basic consensus strategies, rational–pragmatic and spiritual–moral, or, in other words: communicative rationality and axiological identity. Full article

The understanding of nature and its motion through Hegelian dialectics brings the notion of the organism that is intertwined with its inorganic nature. This notion is crucial first and foremost to comprehend life in its wholeness, as becoming that is in constant movement. To attain this comprehension, it is necessary to treat beings as entities invariably determining each other in their reciprocal relatedness. In this way, it becomes possible to set both the organism and its environment free of their fixity and quiescence. Within the work, to derive this mode of reasoning, the sciences and the dialectics are asserted in their unity. The relationship between the organism and its inorganic nature is one of tension. The organism in its finitude is in opposition to its inorganic nature; it is compelled to act to sublate the latter’s independence, indifference, and exteriority for its self-preservation. This is called the melting of the non-organic into fluidity that renders the organism infinite. The relationship, as tension, elicits the notion of freedom; it signifies that freedom is not merely a matter of free will, it rather pertains to the organism’s penetration into its exteriority, in which it can determine ever-changing goals for itself. Full article

Time is a necessary element in understanding AI art. Firstly, time reveals the historical process by which art-theoretical predicates move from the unmarked to the marked, which can thus be utilized as a defense for arguing the legitimacy of AI art as art. Furthermore, AI art should be seen as a “new” art that is temporally ahead of the descriptive forms of art theory. Secondly, time provides a unique interpretation of AI artworks’ characteristics and aesthetic experience. The absence of experience, the de-depth of AI artworks, and the “short experience/short memory” aesthetic mode of the masses are closely linked to the scarcity of time in an age of acceleration. Finally, time reflects the loss of “aura” and the new end of art that AI art may bring about. Time provides a defense and explanation of AI art, as well as a perspective for reflecting on the development of art in contemporary times. Full article

The paper analyses Peirce’s hypoiconicity through the lens of Husserlian intentionality. Peirce’s triple structure of hypoiconicity as resemblance relation, diagrammatical reasoning and metaphoric displacement is shown to require intentional acts in its production and interpretation. Regarding hypoiconicity as a semiotic schematization of Vorstellung, the paper places it in the context of Husserl’s conception of intentionality in which iconicity appears as a stepping-stone towards the skeletonization of resemblance in diagrammatical abstraction and as schematic displacement in metaphor. As such, hypoiconic intentionality is argued to play a role also in Peirce’s community conception of language. The paper’s core claim is that intentionality provides an avenue for revealing hypoiconicity as a major, critical concept of semiotics, functioning as paradigm case for investigating the convergence of semiotics and phenomenology. Full article

Occasionally, doctors and health providers have to choose whom they save from death and this is an extremely hard decision to take. Here, I work on what I deem to be a crucial caveat: scarcity of resources should never be used as an alibi for bad, and sometimes wicked, public policies. In other words, if scarcity is somewhat produced or at least induced, it should never serve as a pretext to put the blame or the responsibility on medical doctors, nurses and other people who are at the front of the war against COVID-19. During the COVID-19 pandemic, an ethical question was often raised: if resources are scarce (and they often have been), whom should you prioritize? Should we protect first of all those who are young and can then have a long life before them? Or should we rather prioritize those who have rendered important services to health, or broadly to mankind, and could, therefore, bring other good results to society? This discussion is of course important, but it leaves aside something more fundamental: the fact that resources are not simply scarce, they have been made scarce in the last years by a series of public policies nourished by an economic view that sacrificed social welfare on behalf of neoliberal beliefs. Full article

In this paper I argue that Turing proposed a new approach to the concept of thinking, based on his claim that intelligence is an ‘emotional concept’; and that the response-dependence interpretation of Turing’s ‘criterion for “thinking”’ is a better fit with his writings than orthodox interpretations. The aim of this paper is to clarify the response-dependence interpretation, by addressing such questions as: What did Turing mean by the expression ‘emotional’? Is Turing’s criterion subjective? Are ‘emotional’ judgements decided by social consensus? Turing’s take on these issues impacts current philosophical debates on response-dependent concepts and on the nature of artificial intelligence. Full article

This paper stems from the current global worsening of the scarcity of resources for healthcare, which will deepen even more in future public emergencies. This justifies strengthening the reflection on the allocation of resources which, in addition to considering technical issues, should also involve ethical concerns. The two plans in which the allocation of resources develops—macro and micro—are then systematized, both requiring the identification of ethical criteria for the respective complex decision-making. Then, we describe how the complexity at the macro level focuses on the joint consideration of the rectitude of the principles, the goodness of the ends, and the integrity—respectively the deontological, teleological, and procedural perspectives; and at the micro level, it focuses in prioritizing people, which can result in the exclusion of some, as happened with the elderly during peaks of COVID-19. The main objective of this article is to show that, in public health emergency situations, in which the daily criteria for prioritizing access to health care are not efficient, it is possible not only to ration the available means but also to rationalize them. We argue that rationing and rationalization are different concepts, entail different consequences, have different ethical foundations, and draw different guidelines for patient care. We apply them to the distribution of intensive care and vaccines to the elderly thus demonstrating the ethically legitimate domain of implementation of each of these two prioritization criteria. We conclude that rationalization respects more strictly the core ethical principles of our common morality. Full article

This article charts the contiguity of farming and film, blending permaculture and cinema to advance a modality of sustainable film theory and practice we call “permacinema.” As an alternative approach to looking and labour, permaculture exhibits a suite of cinematic concerns, and offers a model for cinematic creativity that is environmentally accountable and sensitive to multispecies entanglements. Through the peaceable gestures of cultivation and restraint, permacinema proposes an ecologically attentive philosophy of moving images in accordance with permaculture’s three ethics: care of earth, care of people, and fair share. We focus on work by Indigenous artists in which plants are encountered not only as raw material or as aesthetic resource but as ingenious agents and insightful teachers whose pedagogical and creative inputs are welcomed into the filmmaking process. By integrating Indigenous epistemologies and cosmologies we hope to situate permacinema in the wider project of cinema’s decolonization and rewilding. Full article

This contribution is an essay of formal philosophy—and more specifically of formal ontology and formal epistemology—applied, respectively, to the philosophy of nature and to the philosophy of sciences, interpreted the former as the ontology and the latter as the epistemology of the modern mathematical, natural, and artificial sciences, the theoretical computer science included. I present the formal philosophy in the framework of the category theory (CT) as an axiomatic metalanguage—in many senses “wider” than set theory (ST)—of mathematics and logic, both of the “extensional” logics of the pure and applied mathematical sciences (=mathematical logic), and the “intensional” modal logics of the philosophical disciplines (=philosophical logic). It is particularly significant in this categorical framework the possibility of extending the operator algebra formalism from (quantum and classical) physics to logic, via the so-called “Boolean algebras with operators” (BAOs), with this extension being the core of our formal ontology. In this context, I discuss the relevance of the algebraic Hopf coproduct and colimit operations, and then of the category of coalgebras in the computations over lattices of quantum numbers in the quantum field theory (QFT), interpreted as the fundamental physics. This coalgebraic formalism is particularly relevant for modeling the notion of the “quantum vacuum foliation” in QFT of dissipative systems, as a foundation of the notion of “complexity” in physics, and “memory” in biological and neural systems, using the powerful “colimit” operators. Finally, I suggest that in the CT logic, the relational semantics of BAOs, applied to the modal coalgebraic relational logic of the “possible worlds” in Kripke’s model theory, is the proper logic of the formal ontology and epistemology of the natural realism, as a formalized philosophy of nature and sciences. Full article

In his late writings Husserl emphasizes how the semiotic properties of writing, and of mathematical formulae and diagrams, are crucial for the historical, cross-generational survivability of meaning and specifically indispensable to the operation of scientific knowledge. However, the demand for objectivity, exactitude, and repeatability insidiously interferes with the meaning that such signs seek to express. This leads to a duality of objectivity encapsulated in the notion “the sedimentation of meaning”. On this view, the transmission of objectivity established in an original sense-constituting act cannot survive unless being deposited in some external form, which at the same time risks the original sense being irrevocably lost in a web of signification that amounts to nothing more than empty and meaningless symbol manipulation. I discuss Husserl’s analysis and propose that it is limited by its one-sided focus on the negative impact of modernity. I compare Husserl’s account with Heidegger’s even more radical critique of modern society as one where a so-called “technological” mode of “revealing” reigns supreme at the expense of eradicating other, and more authentic ways to apprehend the world. I critically reconstruct the respective position of both thinkers and show how they point not only to a criticism of the instrumentalization and formalization of knowledge in modern society, but that they are just as importantly highlighting essential semiotic properties of signs. Full article

This article studies natural food packaging as enabling artifacts of the traditional material culture of Antioquia in Colombia. For this purpose, we consider artifacts as objective nodes that combine design and use intentions, functions, materials, histories, artifactual lineages, and cooperative relationships that stabilize ritualized practices of a human group. We take the example of natural packaging as artifacts that enablers and stabilizers of traditional cooking and food preparation practices. Natural packaging materials are here assumed to be leaves having some favorable property to contain a food product. After providing a theoretical reflection, we analyze the data collected from fieldwork we conducted in two towns in Antioquia, Colombia (Santa Fe de Antioquia and Amagá), as well as from an interview with an expert in the field. Finally, we show that it is possible to postulate an analysis under a relational ontological description of a traditional practice with conceptual categories of the philosophy of technology. Full article

From the 1910s through the 1930s, the American naturalist and photographer Arthur C. Pillsbury made time-lapse and microscopic films documenting what he, in common parlance, called the “miracles of plant life”. While these films are now mostly lost, they were part of Pillsbury’s prolific work as a conservationist and traveling film lecturer who used his cameras everywhere from Yosemite National Park to Samoa to promote both public understanding of plants and a desire to protect the natural world. Guiding this work was Pillsbury’s belief that the nonhuman optics of the film camera, which revealed the animacy of plants, could also incite viewers to sympathize with them. In the context of the early American conservation movement, that sympathy stemmed in complicated ways from longstanding transcendental and pastoral ideas of nature that were entangled with imperialist visions of controlling nature. With an eye to that context, I show that Pillsbury’s filmmaking was not simply about using motion picture technologies to shape attitudes toward plants and nature more broadly; it was also about using nature to think through the techno-scientific possibilities of the cinema in the early part of the twentieth century. Full article

This essay analyses the role played by okra in The Underground Railroad, together with how it functions in relation to the soil that sustains it and which allows it to grow. I argue that okra represents an otherwise lost African past for both protagonist Cora and for the show in general and that this transplanted plant, similar to the transplanted Africans who endured the Middle Passage on the way to ‘New World’ slave plantations, survives by going through ‘black holes’, something that is not only linked poetically to the established trope of the otherwise absent Black mother but which also finds support from physics, where wormholes (similar to the holes created by worms in the soil) take us through black holes and into new worlds, realities or dimensions. This is reflected in Jenkins’s series (as well as Whitehead’s novel) by the titular Underground Railroad itself, which sees Cora and others disappear underground only to reappear in new states (the show travels from Georgia to South Carolina to North Carolina to Tennessee to Indiana and so on), as well as specifically in the show through the formal properties of the audio-visual (cinematic/televisual) medium, which, with its cuts and movements, similarly keeps shifting through space and time in a nonlinear but generative fashion. Finally, I suggest that we cannot philosophise the plant or the medium of film (or television or streaming media) without philosophising race, with The Underground Railroad serving as a means for bringing together plants and plantations, soil and wormholes and Blackness and black holes, which, collectively and playfully, I group under the umbrella term ‘black (w)hole foods’. Full article

The conventional portrait of Thomas Hobbes that emerged in twentieth century histories of philosophy is that of the quintessential mechanical philosopher, who openly broke with philosophical tradition (together with René Descartes). Hobbes’s scholars depicted a more correct and detailed panorama, by analyzing Hobbes’s debt towards Aristotelian and Renaissance traditions, as well as the problematic nature of the epistemological status that Hobbes attributes to natural philosophy. However, Hobbes’s connection to modern Galilean science remains problematic. How and in what way did Hobbes take inspiration from Galileo? In this article, I analyze Hobbes’s natural philosophy by addressing three topics: (1) his connection with some aspects of seventeenth-century Aristotelianism; (2) differences and analogies between Hobbes’s and Galileo’s epistemological approaches; and (3) the Galilean foundation of Hobbes’s philosophy. Through this analysis I want to show in which sense Hobbes can be properly defined a “Galilean philosopher”. Full article