Heritage, Volume 8, Issue 6 (June 2025) – 46 articles

This paper develops and presents a system for museums to evaluate behavioural and experiential gains of older adult visitors when engaging with digital interpretation exhibits. The evaluation system is based on the Analytic Hierarchy Process (AHP), utilising existing evaluation methods for museum visitors and refining them into an approach suitable for investigating older visitors. Innovatively, it incorporates the universal design (UD) in museum digital exhibits, injecting strong momentum into creating inclusive museums. An in-depth evaluation was conducted on seven exhibitions across three newly constructed Chinese cultural tourism museums with different digital characteristics, presenting the results and findings through eighty-eight digital interpretation exhibits. Qualitative and quantitative data provide a nuanced picture of digital interpretation and interaction from the perspective of older visitors. The results demonstrate the factors influencing older adults’ engagement with digital interpretation exhibits in museums and how digital interpretation items attract or deter older visitors’ engagement in complex exhibition environments. This study utilised universal design principles to identify the limitations and barriers in digital interpretation for older visitors, analysed the correlation between UD and digital attraction power, explored the reasons behind these outcomes, and identified design recommendations for inclusive museum digital interpretation. Full article

The Lower Paleolithic site of Loreto (Venosa Basin, Basilicata, Southern Italy), discovered in 1929 and excavated from 1956 to 1961 and from 1974 to 1981, consists of three main archaeological layers showing evidence of human occupation. The bottom layer (Layer A) is the richest and best-preserved layer, and its lithic industry includes flakes, retouched flakes, cores, and pebble tools mainly made of chert and limestone. This study involves the petrographic and morphometric analysis of about 400 artifacts. A comparison with the geological clasts of Layer B of the archaeological site of Notarchirico (Venosa), as well as geological samples from the outer tectonic units of the Southern Apennines chain available in the SiLiBA lithotheque and analyzed with the same methodological approach, provided not only the identification of the lithotypes and their source formations but also allowed for insights into technological behavior and human–environment interaction. Full article

The small scale is recognized as a necessary rebuttal to macroscalar narratives of climate–society relationships in the past, and archeologists and historians have increasingly turned to advocating smaller and shorter scales of analysis and interpretation, from “microclimates” to interannual droughts and single settlement histories. Such provocations rightly caution against the dangers of oversimplification and determinism in recent planetary or Earth-systems approaches to human history, as well as push scholars to acknowledge human-scale experiences: weather, seasonality, landscape change. When it comes to smaller-scale remains, however, like those of household practices, we often consider them data or proxies that validate larger-scale arguments about societal persistence or economic vulnerability. Yet the material and ideational ways that people in premodern worlds made sense of their surroundings, especially via gendered and class-based rhythms of production and consumption, were deeply entwined in the politics of everyday household life. What would a household archeology of climate entail? In this paper I highlight how households themselves were critical sites of environmental construction, experience and history-making through a selection of examples of archeological work from the Mediterranean. I argue that archeologists can critically rethink themes of persistence and adaptation by taking seriously the scalar constructions and varied politics of domestic life. Full article

The fire at the Notre Dame Cathedral accentuated the sense that this architectural building is a symbol of unity and identity for the population. This symbol extends beyond its French and Christian origins, reflecting the universal nature of cultural heritage, which has the extraordinary ability to unite people across nations, transcending ideologies, religions, and political divisions. The reopening of the Notre Dame Cathedral marks a profound milestone in the preservation of cultural heritage, embodying resilience, restoration, and the enduring significance of shared human history. This research examines the impacts of the restoration of the cathedral at national and global scales through the implementation of questionnaires to visitors to the cathedral’s inauguration. The restoration process, which gained extensive media coverage, not only revived the cathedral’s architectural grandeur but also sparked international discussions about heritage conservation. Through an analysis of the questionnaire results for different factors, this study highlights the complexities of managing a monumental heritage of this magnitude in a globalized world. It reflects the ethical, financial, and social challenges involved in major restoration projects, using Notre Dame as a paradigmatic example. The paper concludes that the reopening of the cathedral is not only a triumph of physical restoration but also a testament to humanity’s resilience in the face of adversity. It serves as a powerful reminder of the importance of safeguarding cultural heritage for future generations while fostering a sense of collective responsibility. Full article

Aviation heritage, though relatively recent in historical terms, constitutes an important and increasingly recognized component of urban cultural landscapes. This article explores how former airports and aviation-related infrastructure have been preserved, adapted, or commemorated in Berlin—a city with a uniquely complex aviation history shaped by political division, technological progress, and evolving urban needs. Based on a typology proposed by the author, the study analyzes five former airport sites in Berlin (Johannisthal, Staaken, Tempelhof, Gatow, and Tegel), employing historical research, field observations, and spatial analysis. The results reveal a wide spectrum of approaches to aviation heritage, ranging from complete erasure to creative reuse integrating ecological, recreational, educational, and symbolic functions. The study also highlights the role of aviation heritage in fostering local identity and contributing to sustainable tourism. The proposed typology may serve as a useful tool for assessing and managing aviation heritage in other urban contexts. Full article

This paper explores the evolution and contextual background of an 18th-century dyer’s manuscript originating in Antwerp, covering the period between 1778 and 1802. This manuscript offers a unique glimpse into the operational practices of a small enterprise specializing in red hues for a middle-class clientele. The manuscript includes dye recipes, accounting records, and business correspondence, along with dyed textile samples that provide a tangible connection between written instructions and their visual outcomes. Our study aims to go beyond content analysis to examine the manuscript as a dynamic document in which the dyer’s craft knowledge and experiential learning are visibly embedded. Unlike most available technical treatises, this manuscript appears to be an evolving draft marked by corrections and additions. This fluidity in structure sheds light on the process of knowledge formation and codification in the craft, aligning with devices of precise knowledge transmission and especially with the concept of “codification of error” (Codification of error refers to how early modern artisans and scholars began systematically recording mistakes in their work rather than hiding them. This shift recognized failure as a valuable part of the learning process, helping to refine techniques and support more empirical, experimental approaches to knowledge in the crafts and sciences)—an approach developed within the artisan community to refine practices over time and theorized by Professor Sven Duprè. Through a selection of annotated pages, we highlight the manuscript’s traces of iterative thought and method development. We propose that these elements illustrate the dialectic between transmitted knowledge and individual experimentation, where mistakes, followed by correction, reflection, and refinement, play a central role. Additionally, we discuss the manuscript as evidence of the thin boundaries between practical trade knowledge and the field of scientific inquiry. Through the abovementioned and the comparison with contemporary manuals, this research positions the manuscript as a valuable case study in understanding craft knowledge evolution and its transmission within the historical context of 18th-century European textile dyeing. Full article

Flamenco, declared Intangible Cultural Heritage of Humanity by UNESCO, has aroused a growing interest as a pedagogical resource in the educational field. This systematic review analyzes its implementation in classrooms during the last decade (2014–2024), applying the PRISMA methodology to scientific articles extracted from Web of Science and Scopus. After applying inclusion and exclusion criteria using the PICOS model, 23 peer-reviewed and open-access studies were selected. The results are grouped into five thematic lines: emotional and identity development; educational and social inclusion; heritage and cultural identity; methodological and technological innovation; and experiential learning. Qualitative approaches with case studies predominate, especially in Andalusian contexts. Relevant benefits are found in terms of inclusion, emotional expression and appreciation of cultural heritage. However, limitations persist, such as the lack of systematization, scarce specific teacher training and lack of longitudinal evaluations. Flamenco thus emerges as an educational tool with high transformative potential, although its incorporation is still ad hoc and dependent on individual initiatives. It is suggested that research with mixed approaches be encouraged, that its analysis be extended to other geographical contexts and that public policies be promoted to structurally integrate flamenco into educational systems. Full article

Geographic Information Systems and the use of thematic maps have become well-established tools in archaeology. However, not all the sectors of archaeology still take advantage of these technologies. One such sector is numismatics, where there are still relatively few works on the implementation of coin spatial databases and the related maps. This can be verified both in academic journals indexed in major scientific databases (such as Scopus, ScienceDirect, and Web of Science) and in broader platforms like Google Scholar. In this paper, in an attempt to begin filling the gap, the methodology and results of the creation of the GIS and the Atlas of Antoniniani in Sicily are presented. The second half of the third century ASD is an interesting period because of the socioeconomic crisis that characterized it. The Atlas serves as a useful tool for providing a fresh new insight into the economy and coin circulation during this time. Full article

This study presents a digital forensic facial approximation of Wenceslas, Duke of Bohemia (ca. 907–935), based on photographs of the skull attributed to the saint, preserved in St. Vitus Cathedral, Prague. The skull was replicated through structural deformation using public domain images, adjusted to historical measurements, and enriched with anthropometric data. The facial approximation combined traditional techniques with statistical projections from tomography of living individuals, resulting in two versions: an objective one and another with artistic and more speculative elements based on historical descriptions. Comparisons with Petr Parler’s 14th-century statue and a previous reconstruction revealed structural consistency, suggesting the skull may have inspired the sculpture. This work contributes to humanizing historical figures and reinforces Wenceslas’s legacy as a Czech icon. Full article

This article sheds light on the historical dyeing traditions of rural inhabitants of the Eastern Baltic region. The 19th- and early 20th-century Estonian archival sources mention that rotted alder buckthorn (Frangula alnus Mill.) bark was used to dye woollen yarn red. The bark was rotted by leaving it outside for weeks or months before dyeing. Although dyeing red with alder buckthorn bark by fermenting it in wood ash lye is well known, the combination of rotting the bark and using the boiling method to dye red has not been reported. Practical experiments testing shorter and longer-term rotting of alder buckthorn bark both on and under the ground were conducted. Woollen yarns were dyed with rotted bark using the boiling method and were tested for lightfastness and alkaline pH sensitivity, and analysed using HPLC-DAD. The results show that rotting alder buckthorn bark has a strong effect on the achievable colours and that woollen yarns can be dyed different shades of red. The colours were sensitive to alkaline pH and their light fastness varied from very low to good. HPLC-DAD analysis showed that the pretreatment of the bark affected not only the colour but also the dye composition of the dyed wool. Full article

With rapid urbanization and modernization, the deterioration of historical areas has become an increasing concern. While heritage-led regeneration has proven effective, most studies have focused on urban contexts. Rural traditional villages, particularly in developing countries such as China, face even greater challenges and remain understudied. This study addresses this gap by developing a framework for heritage-led rural regeneration, grounded in community-building theory and highlighting heritage capacity as a key driver of village revitalization. Using a two-round systematic literature review, 64 papers from Web of Science and Scopus were analyzed to construct the framework. It consists of two levels: a preliminary framework identifying five key dimensions—public participation, media platform construction, adaptive reuse, heritage industry development, and landscape maintenance—and an integrated framework further detailing 13 sub-dimensions within these areas. Expert interviews were then conducted to validate the framework and examine its practical implementation challenges and future development directions. This framework integrates community-building theory with heritage-led regeneration, offering both theoretical insights and practical guidance for revitalizing traditional villages in China and beyond. Full article

This article carries out an interdisciplinary analysis of five MOOC courses developed by the University of Valladolid and offered on higher education platforms between 2020 and 2024. This research is based on the study of the lexical categories used by the informants participating in these courses, establishing a correlation with the theoretical and practical debates surrounding the definition of heritage and the frameworks of contemporary heritage education. Through a metalinguistic approach, the semantic limits of the emerging lexical categories are examined, paying attention to their ambiguity, polysemy and contexts of use, both from a formal linguistic perspective and from a hermeneutic approach. The analysis is based on natural language processing tools, complemented by qualitative techniques from applied linguistics and cultural studies. This dual approach, both scientific–statistical and humanistically nuanced, allows us to identify recurrent discursive patterns, as well as significant variations in the conceptualization of heritage according to the socio-cultural and geographical profiles of the participants. The results of the linguistic analysis are contrasted with the thematic lines investigated by our research group, focusing on cultural policy, legacy policies, narratives linked to the culture of depopulation, disputed scientific paradigms, and specific lexical categories in the Latin American context. In this sense, the article takes a critical look at discursive production in massive online learning environments, positioning language as a key indicator of the processes of cultural resignification and the construction of legacy knowledge in the Ibero-American context. The findings of my scientific article underscore the pressing need for a multiform liberation of the traditionally constrained concept of heritage, which has long been framed within rigid institutional, legal, and disciplinary boundaries. This normative framework, often centered on materiality, monumentalism, and expert-driven narratives, limits the full potential of heritage as a relational and socially embedded construct. My research reveals that diverse social agents—ranging from educators and local communities to cultural mediators and digital users—demand a more flexible, inclusive, and participatory understanding of heritage. This shift calls for redefining legacy not as a static legacy to be preserved but as a dynamic bond, deeply rooted in affective, symbolic, and intersubjective dimensions. The concept of “heritage as bond”, as developed in contemporary critical theory, provides a robust framework for this reconceptualization. Furthermore, the article highlights the need for a new vehiculation of access—one that expands heritage experience and appropriation beyond elite circles and institutionalized contexts into broader social ecosystems such as education, digital platforms, civil society, and everyday life. This approach promotes legacy democratization, fostering horizontal engagement and collective meaning-making. Ultimately, the findings advocate for a paradigm shift toward an open, polyphonic, and affective heritage model, capable of responding to contemporary socio-cultural complexities. Full article

Hatchett’s Brown, also known as Van Dyck Rose, was a unique pigment used in the 19th century, discovered and described by Charles Hatchett in 1803. This article presents the results of research on the identification of this pigment in the works of Henryk Siemiradzki and a 17th-century painting that was overpainted in the 19th century. Advanced analytical techniques, such as XRF, SEM-EDS, and Raman spectroscopy, were used to analyze pigments from the painter’s palette and the paint layers. This study sheds light on the use of Hatchett’s Brown in painting and its potential impact on the interpretation of historical overpainting. Full article

In 1842, carpet manufacturer W.H. Worth of Kidderminster, England, began assembling a sample book of wool yarns dyed with natural dyestuffs. This paper reports on a study of the “Greens” section, which contains sixteen yarn samples—six still green and ten now ranging from tan to dark brown. The accompanying recipes list similar ingredients: old fustic and either “mixture” or extracet of indigo. To verify whether Worth’s recipes were followed, the yarns were analyzed using HPLC-DAD and FORS. Additionally, mock-ups were prepared according to Worth’s green dye recipes and subjected to thermal ageing to explore potential causes of discoloration. Preliminary analysis of the historic samples revealed that the discoloured yarns contain both indigo and indigo carmine, while the still-green samples contain only indigo carmine. This suggests that one or more components of the indigo vat may have contributed to discoloration. To test this hypothesis, contemporary wool yarns were dyed using a Worth green recipe, with and without indigo, at varying pH levels. These were thermally aged, and their colour changes monitored. HPLC-DAD and FORS analyses of the mock-ups were compared to the historic samples to identify dyeing conditions that may have led to the observed browning. Full article

This study aims to overcome the technical bottleneck of non-invasive differentiation between the rammed earth layer and pebble layer in complex shallow subsurface environments, particularly focusing on the challenge of detecting highly heterogeneous pebble layers with complex wavefield characteristics. Using the western city wall of the Baodun site (Xinjin, Sichuan, China) as a case study, we introduce a high-resolution seismic detection technique combined with controllable high-frequency seismic source excitation to investigate the response characteristics of high-frequency components and energy variations of seismic waves in different strata, thereby revealing differences in physical properties between the rammed earth layer and pebble layer. Through high-frequency data acquisition, specialized processing, and interpretative analysis of seismic data, we successfully distinguish the two strata and delineate pebble-related anomalous zones. The results also indicate that, due to complex geological conditions, the reflection and refraction patterns of seismic waves in the pebble layer are exceptionally intricate. Moreover, the interplay of abrupt seismic velocity variations, interference waves, and other contributing factors leads to pronounced heterogeneity and strong scattering characteristics in the seismic data across the time, frequency, and phase domains. This research overcomes the limitations of conventional geophysical methods and confirms the applicability of high-frequency seismic techniques to complex near-surface archaeological contexts. It provides robust scientific support for the archaeological study of the Baodun site and offers a methodological reference for subsurface mapping of pebble layer in prehistoric urban landscapes. Full article

Cultural heritage reflects accumulated memories, generational practices, and esthetic and cultural ideologies that shape identities. The inherent diversity and uniqueness of these identities define heritage elements, which, however, remain fragile, non-renewable, irreplaceable, and vulnerable. In regions affected by the significant devastation caused by contemporary socio-economic activities, policies often neglect the intrinsic historical and heritage value(s). The historical landscapes with tourism potential that experience decline, degradation, and destruction need even more protection and policies to aid their regeneration and preservation. This study seeks to develop a comprehensive framework for preserving a highly endangered historical road, along with its invaluable monuments and cultural landscapes, as a means to stimulate regional revitalization. The methodological approach relies on observation, field work, and semi-structured interviews to provide a comprehensive historical overview of the Estrada do Paraibuna (Paraibuna Road). This region has suffered significant degradation of its historical and natural assets as a result of intensive resource exploitation. This study underscores the heritage elements with strong tourism potential along the route between Ouro Preto and Barbacena, while underlining the critical need to combat landscape degradation. This study pursues to create a shared vision rooted in promoting sustainable practices that leverage natural and cultural resources, safeguard local culture, and encourage community collaboration in regenerative efforts. Full article

Toponyms reflect the multifaceted relationship between humans and nature, recording and transmitting important cultural information. A toponymic cultural landscape (TCL) is the comprehensive embodiment of the cultural connotations and landscape significance carried by toponyms, reflecting various factors such as regional culture, historical memory, and social values. Wuhan, as the hinterland of Jing-Chu culture, carries a profound geo-culture and brings together numerous toponymic cultural heritages. Studying the spatial distribution characteristics of Wuhan’s toponymic cultural heritage and their association with landscape elements is of great significance in promoting the inheritance of intangible cultural heritage and realizing the orderly continuation of local culture, and it also confers deeper cultural connotations and local characteristics to the process of landscape characterization. This study analyzes 3638 toponyms in Wuhan as the research objects, utilizing geospatial analysis methods, including kernel density analysis, standard deviation ellipse analysis, and average nearest neighbor analysis, to visualize the spatial distribution of Wuhan’s TCL. It further combines these methods with the optimal parameter geographic detector (OPGD) model to explore the influence of landscape elements on the spatial distribution of different types of toponyms and their interaction effects. The results show the following: (1) The TCL of Wuhan is divided into two basic types, the natural landscape (61.16%) and the humanistic landscape (41.37%), of which hydrological-related toponyms occupy a significant proportion, reaching 35.02% of the total number of toponyms in Wuhan. (2) The distribution of Wuhan’s TCL is characterized by aggregation, mostly in the core area of the city, with the Yangtze River as the main axis, and the density of the spatial distribution of humanistic landscape toponyms varies greatly. (3) The results of a single-factor analysis show that construction land (X2) is an important influencing factor in both natural and humanistic landscape toponyms, which indicates the central role of human activities in the formation of toponyms. (4) The explanatory power of the interaction effect of two factors on the spatial differentiation of Wuhan’s TCL is stronger than that of the single factors, which suggests that the spatial differentiation characteristics of the TCL of Wuhan are formed under the joint influence of the respective variables. Full article

This study introduces a pilot protocol for evaluating the environmental impact of materials used in the conservation of canvas paintings, applying a Life Cycle Impact Assessment (LCIA) approach. There are five common treatment phases: disinfection, consolidation (including paint layer softening and stabilization), varnish removal, and retouching. These interventions were assessed across three scenarios: Baseline Scenario; Scenario 1, involving material substitution; and Scenario 2, focusing on process optimization. The analysis reveals that solvent-intensive phases, particularly paint softening with Methyl Ethyl Ketone (MEK) and varnish removal using White Spirit and ethanol, have the highest environmental impacts, including climate change, ecotoxicity, and human toxicity. Biocidal treatments, although used in small quantities, also show significant toxicity impacts. Scenario 1 demonstrates that targeted substitution with lower-impact solvents can reduce key impact categories, while Scenario 2 indicates that operational improvements lead to more moderate but widespread benefits. The results confirm that even in specialized fields such as cultural heritage conservation, measurable environmental improvements are achievable through informed material choices and more efficient application practices. Full article

In the wake of the Holocaust and the post-war reconstruction of Greece’s historic city centers, many Greek synagogues were demolished, abandoned, or appropriated, erasing centuries of Jewish architectural and communal presence. This study presents a thirty year-long research and documentation initiative aimed at preserving, recovering, and eventually digitally reconstructing these “lost” synagogues, both as individual buildings and within their urban context. Drawing on architectural surveys, archival research, oral histories, and previously unpublished materials, including the recently rediscovered Shemtov Samuel archive, the project grew through the use of technology. Beginning with in situ surveys in the early 1990s, it evolved into full-scale digitally enhanced architectural drawings that formed the basis for further digital exploration, 3D models, and virtual reality outputs. With the addition of these new tools to existing documentation, the project can restore architectural detail and cultural context with a high degree of fidelity, even in cases where only fragmentary evidence survives. These digital reconstructions have informed physical restoration efforts as well as public exhibitions, heritage education, and urban memory initiatives across Greece. By reintroducing “invisible” Jewish landmarks into contemporary consciousness, the study addresses the broader implications of post-war urban homogenization, the marginalization of minority heritage, and the ethical dimensions of digital preservation. This interdisciplinary approach, which bridges architectural history, digital humanities, urban studies, and cultural heritage, demonstrates the value of digital tools in reconstructing “lost” pasts and highlights the potential for similar projects in other regions facing comparable erasures. Full article

The spatial arrangement, size distribution, and shape of internal pores in several archaeological ceramic vessels from the Akterek burial site at Zhambyl District of Almaty Region, Republic of Kazakhstan were studied using neutron tomography. The internal pores were segmented from the obtained neutron data and the porosity value for the ancient ceramic samples was calculated. Analysis of the structural tomography data showed that the ceramic materials contained a large number of relatively small pores, with an average diameter less than 1.5 mm, while some ceramic objects had larger pores or cavities exceeding 2 mm in diameter. In addition, there are differences in the morphological parameters of large and small pores. It was suggested that these large pores formed as a result of temperature changes during the firing of the pottery ceramics. The relative shifting of Raman peaks in the carbon group in amorphous carbon, as an indicator of the firing temperature of ceramic materials, confirms this assumption. Full article

A set of eleven luxury glass archaeological objects dated to the 3rd century (Roman period) and excavated in Troia, Portugal, were treated in order to restore their shapes and decorative features. In this paper, the different stages of the treatment are presented and discussed. The treatment phases—cleaning, fragments’ assembly, and development of support structures for the objects in need—had to be adapted and the treatment outline had to be revised along the process because of the heavily weathered glass that showed extreme fragility. The treatment highlights the internal support structures—consisting of thin and light structures built with thin canes of glass—that were developed in borosilicate glass for three of the archaeological objects, ensuring their physical stability for handling and future exhibition. The structures were then attached to the archaeological glass with Paraloid B72 adhesive. The treatment of these outstanding artefacts and, in particular, the development of these structures heavily depended on interdisciplinary and teamwork that resulted in the completion of the treatment for all objects ensuring their future exhibition. Full article

The interpretation of archaeological heritage encounters inherent challenges due to the fragmentation and contextual loss of the physical site. Virtual reality has emerged as an innovative medium for enhancing user engagement and promoting meaningful dissemination of culture. This exploratory study investigates the design and preliminary expert-based evaluation of arkeOyun, a virtual reality game created to better understand archaeological sites’ spatial and cultural significance, by sampling the Kültepe Archaeological Site. The aim of this study is to evaluate the usefulness of virtual game-based approaches in the dissemination of cultural heritage and user interaction, emphasising spatial clarity, narrative integration, and immersive engagement. Our study incorporates qualitative and quantitative methods, utilising concurrent think-aloud and heuristic evaluation with participants who were selected due to their expertise in heritage, design, and human–computer interaction domains. Participants engaged with arkeOyun via a head-mounted display, and their real-time comments and post-experience evaluations were systematically evaluated. Results indicate that although participants responded positively to the game’s immersive design, interface simplicity, and spatial organisation, notable deficiencies were seen in narrative coherence, emotional resonance, and multimodal feedback. Navigation and the presentation of informative content were seen as critical areas requiring improvement. The data triangulation revealed both consistent and varying assessments, highlighting the need for context-specific support, varied task structures, and emotionally compelling narratives for enhanced interpretation of cultural significance. The findings of our study illustrate the potential of virtual reality games as a medium for cultural heritage interpretation via arkeOyun. For experiences to evolve from immersive simulations to major interpretative platforms, it is vital to integrate narrative frameworks, multimodal scaffolding, and user-centred interaction tactics more deeply. The results of this exploratory pilot study present preliminary findings on integrating virtual reality games in archaeological heritage interpretation and contribute to further projects. Full article

Ancient paintings are an intangible window to the economy, politics, and customs of the past. Their characteristics have evolved or were made obsolete, with only limited contemporary connections remaining. This research aims to preserve and to interact with characters in 2D paintings to evolve their cultural identity through combining AI and AR. The scope of this research covers traditional Chinese paintings archived by the National Palace Museum in digital collections, mainly “New Year’s Market in a Time of Peace”. About 25 characters were used for training and 3D reconstruction in RODIN^®. The models were converted into Augment^® and Sketchfab^® platforms as reactivated AR characters to interact with new urban fabrics and landscapes. Stable Diffusion^® and RODIN^® were successfully integrated to perform image training and reconstruct 3D AR models of various styles. As a result, interactions were conducted in two ways: in a mixed context with mixed characters in a painting and in a familiar context in the real world with mixed characters. It was found that AR facilitated the interpretation of how the old urban fabric was arranged. Using AI and AR is a current issue. Combining AI and AR can activate ubiquitous preservation to perform recursive processing from diffused images in order to reconstruct 3D models. This activated heritage preservation method is a reasonable alternative to redefining intangible subjects with a new and evolved contemporary cultural identity. Full article

Almost 70 years after the surprise discovery of a cache of textile-wrapped relics inside an early 13th-century reliquary bust, the St Eustace head reliquary (accession number 1850,1127.1), four of the textile relic wrappings were analysed by combining multiband imaging and fibre-optic reflectance spectroscopy (FORS), as well as dye analysis by high-pressure liquid chromatography coupled to mass spectrometry (HPLC-MS) and fibre analysis by scanning electron microscopy—energy dispersive X-ray spectroscopy (SEM-EDX). In all cases, the use of silk was confirmed, in line with the idea that these precious textiles were purposefully chosen for reuse in a sacred setting. Additionally, dye analysis was able to point to the possible geographic origins of the textile fragments. For 1850,1127.1.a, a mixture of sappanwood (Biancaea sappan) and flavonoid yellow dyes was commensurate with a Chinese or Central Asian origin. Mediterranean origins were thought likely for 1850,1127.1.c and 1850,1127.1.f, from the mixture of kermes (Kermes vermilio) and cochineal (likely Porphyrophora sp.), found in the mauve band of the former, and the combination of weld (Reseda luteola), madder (Rubia tinctorum) and an indigoid dye found in the latter. Finally, the unusual combination of sappanwood, orchil and a yellow dye containing flavonoid glucuronides suggested a less straightforward origin for textile 1850,1127.1.g. The other textile fragments from the reliquary were only investigated using FORS without removing them from their Perspex glass mounts. Nonetheless, indications for the presence of insect-red anthraquinone dyes, safflower (Carthamus tinctorius) and an indigoid dye were obtained from some of these fragments. The study provides a window into the landscape of availability, use and re-use in sacred contexts of precious textiles in the 13th century and evidences the geographic reach of these silks, allowing a new perspective on the St Eustace head reliquary. Full article

This study offers fresh insights into the technical and stylistic exchanges between Flemish and Portuguese panel painting during the late 15th and early 16th centuries. By comparing two contemporaneous works, we trace Flemish influence in Portugal through a detailed materials and techniques analysis. Non-invasive, in situ methods—including energy dispersive X-ray fluorescence (XRF), macro-photography (MP), infrared reflectography (IRR), and dendrochronology—were used to examine each painting’s wooden support, ground layer, underdrawing, and pigment stratigraphy. Select micro-sampling analyses—micro-Fourier-transform infrared spectroscopy (μ-FTIR), scanning electron microscopy with energy dispersive spectroscopy (SEM-EDS), and micro-Raman spectroscopy (µ-Raman)—provided complementary data on binder and pigment composition. While both paintings share nearly identical pigments and layering sequences and employ comparable coating techniques, their ground compositions differ subtly. Notably, the Flemish work features extensive gold-leaf application, whereas underdrawing execution takes on principal importance in the Portuguese example. Together, these findings reveal that Jorge Afonso’s workshop developed a distinct Portuguese method—rooted in Flemish practices disseminated by Quentin Metsys—yet adapted to local materials and aesthetic priorities. Full article

This paper argues for a paradigm shift in heritage conservation—one that integrates affective connections, digital technologies, and circular economy principles to respond to the complex realities of urban transformation. Using the case of the Dennys Lascelles Wool Store in Geelong, this position paper contends that current preservation models, rooted in the Authoritative Heritage Discourse (AHD), are inadequate for addressing the nuanced value of industrial heritage, particularly when physical structures are altered or lost. The demolition of the Wool Store’s iconic bow truss structure exemplifies the tension between rapid urban development and heritage conservation. While the physical element has been removed, the site’s cultural and emotional resonance persists, underscoring the role of affect in shaping collective memory and place identity. This paper positions affect as a critical component of heritage discourse—one that expands beyond materiality to include sensory and emotional dimensions often overlooked by institutional frameworks. Digital heritage technologies offer powerful tools to document, represent, and interpret both tangible and intangible aspects of cultural heritage. In the case of the Wool Store, these tools not only preserve what has been lost but also invite public engagement and reinterpretation. However, preservation should not end with digital replication. A circular economy approach calls for the adaptive reuse of remaining structures, allowing historic sites to evolve functionally while retaining their significance. Full article

The Cathedral of Beauvais remains one of the most enigmatic and ambitious architectural undertakings of the Gothic era. Conceived to surpass all other cathedrals in height and grandeur, it achieved unprecedented verticality but collapsed under the weight of its own aspirations. This article reexamines Beauvais as a case study in Gothic engineering—its structural daring, tragic failures, and enduring legacy—through a multidisciplinary approach combining historical research, technical analysis, and philosophical interpretation. Structured in accordance with standard academic conventions, the article outlines its methodology, presents a detailed reconstruction of the cathedral’s history, and discusses its broader cultural and conservation implications. A dedicated discussion section explores not only the engineering and symbolic significance of Beauvais but also the limitations of the present study and potential avenues for future research. Ultimately, the cathedral is framed not merely as a failed monument, but as a lasting testament to the human drive to build beyond known limits. Full article

Non-destructive, specular laser reflectometry, an industrially used and easily accessible method, is adapted in numismatic research to the inspection of coins of the Gallic Roman Empire with the objective of the allocation of mints and/or the identification of different minting techniques. For this purpose, the laser-reflectometric fingerprints of three series of coins each consisting of five antoniniani (or radiates) of the Gallic Roman Empire originating from two mints—Trier and Cologne—are systematically determined, analyzed and correlated with the corresponding XRF element analysis. The results show that the use of an inexpensive red-emitting laser system (wavelength 632.8 nm) with a beam diameter $d<0.5$ mm and a sample mount that can be adapted to the individual shape and thickness of the coins leads to signal intensities that can be systematically recorded over a large angular range with a very good signal-to-noise ratio (SNR $>10$). While the signals cannot be used to assign individual coins to mints, we discuss the possibility of a statistical analysis. Although each coin set consists of only five samples and thus requires further study, the results here suggest that the sets can be distinguished from each other, that there is a correlation to the silver concentration and that it is possible to estimate the refractive index n. Full article

Over the past two decades, transitional justice has become a central concern in Taiwan’s cultural and political landscape. This study investigates how 1029 visitors from Taiwan, Sinophone regions (China, Hong Kong, Macau, Malaysia), and international backgrounds engage with digital interpretation systems at the Chiang Kai-shek Memorial Hall (CKSMH)—a politically sensitive site associated with Taiwan’s authoritarian past. Using a mixed-methods approach combining surveys and qualitative responses, the study analyzes cross-cultural differences in visitor motivation, use of digital tools, perceived experiential value, satisfaction, and behavioral intention. Results show that international visitors reported higher levels of engagement and satisfaction, particularly in educational, esthetic, entertainment, and escapist dimensions. In contrast, Sinophone visitors expressed lower satisfaction and more frequent discomfort with the site’s historical narrative. Key factors such as language accessibility, cultural proximity, and usability influenced how visitors perceived the digital content. The findings suggest that interactive digital tools can support both cultural engagement and critical reflection while also revealing tensions in memory politics at sites of transitional justice. Full article

Digital storytelling in cultural and heritage tourism offers significant potential for youth engagement through social media platforms. However, current digital storytelling frameworks illustrate research gaps in integrating digital storytelling guidelines with social-media-specific requirements. Therefore, this review aims to develop an integrated digital storytelling for social media framework that extends traditional digital storytelling guidelines with four additional elements of contemporary digital engagement. The investigation employs bibliometric analysis through VOSviewer software version 1.6.20 to examine four paired domains: digital storytelling and cultural tourism, digital storytelling and social media, youth and cultural tourism, and youth interaction with digital storytelling through social media. Results revealed thematic clusters informing the development of four new framework elements: (1) social media platform integration, (2) multimedia engagement, (3) community participation, and (4) cultural authenticity. This review contributes to the knowledge by advancing digital storytelling theory through social-media-specific elements, providing methodological innovation through comprehensive domain analysis, and offering practical implementation strategies for cultural tourism practitioners. Full article