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Philosophies, Volume 7, Issue 5

October 2022 - 30 articles

Cover Story: Ockham argues that artifacts are nothing over and above their existing and appropriately ordered parts. Artifacts are notable in that they are real objects that human artisans produce by bringing about a real change: they spatially rearrange an existing natural thing/s or its/their parts for the sake of some end. I show that, for Ockham, artifacts owe what they are and that they are to intelligent and volitional human activity, suggesting that a myopic focus on Ockham’s “reductionist” ontology does not exhaust what is metaphysically interesting and relevant about artifacts. View this paper
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Articles (30)

  • Article
  • Open Access
1 Citations
2,763 Views
11 Pages

Artifact as a Node of Heterogeneous Relationships: A Study with Traditional Natural Packaging in Cooking and Food Preparation Practices in Antioquia, Colombia

  • Carlos Mario Gutiérrez-Aguilar,
  • Maria Isabel Giraldo Vásquez,
  • Juan Pablo Parra Arcila,
  • Javier Ernesto Castrillón Forero,
  • Mariana Ruiz Restrepo and
  • Alvaro David Monterroza-Rios

This article studies natural food packaging as enabling artifacts of the traditional material culture of Antioquia in Colombia. For this purpose, we consider artifacts as objective nodes that combine design and use intentions, functions, materials, h...

  • Article
  • Open Access
3,369 Views
16 Pages

From the 1910s through the 1930s, the American naturalist and photographer Arthur C. Pillsbury made time-lapse and microscopic films documenting what he, in common parlance, called the “miracles of plant life”. While these films are now m...

  • Article
  • Open Access
1 Citations
3,942 Views
16 Pages

This essay analyses the role played by okra in The Underground Railroad, together with how it functions in relation to the soil that sustains it and which allows it to grow. I argue that okra represents an otherwise lost African past for both protago...

  • Article
  • Open Access
1 Citations
3,451 Views
15 Pages

The conventional portrait of Thomas Hobbes that emerged in twentieth century histories of philosophy is that of the quintessential mechanical philosopher, who openly broke with philosophical tradition (together with René Descartes). Hobbes&rsq...

  • Essay
  • Open Access
2 Citations
3,729 Views
27 Pages

When putting semiotics and phenomenology in juxtaposition, the first task necessarily is to find out what a study of meaning, conceiving of itself as an empirical science, has to do with a philosophical school, the business of which it is to secure t...

  • Feature Paper
  • Article
  • Open Access
1 Citations
2,843 Views
12 Pages

This article provides the existential and phenomenological conditions for addiction by applying the concepts of lack, escape and ‘hypervirtuality’ in new ways to the subject matter. There are five sections. The first is a brief review of...

  • Article
  • Open Access
6 Citations
3,124 Views
20 Pages

This paper reconstructs Margaret Cavendish’s theory of the metaphysics of artifacts. It situates her anti-mechanist account of artifactual production and the art-nature distinction against a background of Aristotelian, Scholastic, and mechanist...

  • Article
  • Open Access
11 Citations
3,704 Views
8 Pages

Traditional martial arts continue to be interesting and inspiring to many people around the globe. Some of their contemporary adaptations attract enthusiasts for whom they are especially important. In this article, the author bases his observations o...

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Philosophies - ISSN 2409-9287