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Heritage, Volume 2, Issue 4 (December 2019) – 10 articles
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Cover Story (view full-size image) In this research, the material and technical results on the paintings assigned to the unknown [...] Read more. In this research, the material and technical results on the paintings assigned to the unknown Master of Lourinhã highlight the importance of this luso-Flemish painter technique. A multianalytical methodology was performed on early renaissance paintings representing “São João Baptista no Deserto” (P1) and “São João Evangelista em Patmos” (P2), belonging to the collection of Santa Casa da Misericórdia da Lourinhã. These paintings were compared to “S. Tiago” (P3) and “Sto.António” (P4), from Santuário do Cabo Espichel, Fábrica da Paróquia de N Srª. Da Consolação do Castelo, Sesimbra, now in Capela do Espírito Santo dos Mareantes, Sesimbra. This study unveiled materials and techniques of both Portuguese and Flemish workshops, characterizing the unique work of the Master of Lourinhã, a painter formerly in the shadows.View this paper.