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The Uses of Heritage in Post-Disaster Reconstruction

A special issue of Sustainability (ISSN 2071-1050). This special issue belongs to the section "Tourism, Culture, and Heritage".

Deadline for manuscript submissions: closed (1 September 2020) | Viewed by 17553

Special Issue Editors


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Guest Editor
Department of the Built Environment, Birmingham City University, City Centre Campus, Birmingham B4 7BD, UK
Interests: urban form; design and conservation; postcatastrophe reconstruction
Special Issues, Collections and Topics in MDPI journals

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Guest Editor
School of Geography, Earth and Environmental Science, University of Birmingham, UK
Interests: urban planning, urban morphology, post-disaster reconstruction

Special Issue Information

Dear Colleagues,

Disasters resulting from natural events, war or other human-induced actions are surprisingly common; and climate change increases the likelihood of more, and more severe, catastrophes resulting from, among other causes, more severe weather events.  Many organisations, disciplines and professions have focused on disaster prevention, planning, relief and reconstruction. All of these activities carry a strong, though often under-acknowledged, link with sustainability.

The use of heritage in post-disaster reconstruction is often evident, although often not explicitly acknowledged.  As in other contexts, ‘heritage’ is a multi-dimensional concept and its use in the particularly problematic cases of post-disaster reconstruction can raise critical issues.  What remains of the pre-disaster physical heritage - from the scale of urban layouts to individual buildings or smaller cultural artifacts?  Whose heritage is being re-used or reconstructed - particularly if an original population is killed or displaced by the catastrophe - and for whose benefit?  What processes or agencies select heritage and how it is dealt with, and does this process impose external cultural values, practices and economic power?  Over what period of time does such heritage appropriation bear results, and with what sort of results - indeed is there ever any meaningful post-implementation evaluation?  And is the heritage being considered actually the heritage of the pre-disaster situation, or of the disaster itself?  If the disaster becomes heritage, it is often a particularly difficult heritage - complex, often contested and divisive.

Examples of these heritage issues are well covered.  Yet many relate to the catastrophe of war rather than to other forms of disaster.  The post-Second World War near-facsimile reconstruction of parts of the medieval old town of Warsaw is much discussed, for example, although it served as much as a sanitised heritage for a new national identity as a reminder of an actual pre-war urban heritage.  Similarly, facsimile reconstruction served symbolic purposes in post-First World War Ypres, whereas in other places and countries, facsimiles were very little used and reconstruction took other forms.  For more localised, city-wide disasters, the variety of plans proposed for the City of London after the 1666 fire are well known, with some keeping closely to the pre-fire heritage of street and plot alignments, although this is likely to be more for reasons of established landownership interests and inertia than considered heritage.  The post-1755 earthquake reconstruction of central Lisbon has likewise created a new urban form, which itself serves as the longest-lasting and largest-scale commemoration of the tragedy.

This Special Issue seeks to generate debate widely across the relevant disciplines and professions.  We seek to identify and evaluate different practices, and suggest lessons for dealing with heritage in and of future post-disaster reconstructions.  This is particularly relevant in the light of recent moves to provide official guidance from national and international organisations such as the Council of Europe and Historic England.  We encourage contributions covering a wide range of disaster types and scales, and historic periods.  Large-scale comparisons and individual case studies at the city or project scale are equally welcome.  We are particularly interested in under-represented issues such as landscape fires, social and intangible heritages, and natural heritages.

We invite researchers to submit original papers that include theoretical/conceptual, analytical, or design/practice- based approaches related to the interplay between disaster, heritage and reconstruction.  Comparative studies and case studies are welcome.  Topics of interest include, but are not restricted to:

  • Replanning / redesign / reconstruction / rebuilding
  • Replication
  • Originality and authenticity
  • The nature and heritage impact of disaster
  • Selecting the heritage for the reconstruction
  • Whose heritage?
  • Complex, contested and dissonant heritages
  • The use of heritage in the post-disaster period
  • Longer -term perspectives and evaluations
  • Theoretical approaches
  • Policy approaches
  • Public and user perspectives
  • Changing perspectives and interpretations of post-disaster heritage use
  • Sustainability and the long-term use of heritage

Prof. Dr. Peter J. Larkham
Dr. David Adams
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Sustainability is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 2400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Published Papers (4 papers)

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Research

23 pages, 2805 KiB  
Article
Vernacular Heritage as Urban Place-Making. Activities and Positions in the Reconstruction of Monuments after the Gorkha Earthquake in Nepal, 2015–2020: The Case of Patan
by Christiane Brosius and Axel Michaels
Sustainability 2020, 12(20), 8720; https://doi.org/10.3390/su12208720 - 21 Oct 2020
Cited by 10 | Viewed by 3622
Abstract
In an analysis of the reconstruction measures in the old city or Lalitpur (Patan) after the 2015 earthquakes in Nepal, it is shown that, contrary to usual assumptions, the reconstruction was not only concentrated on the prominent, strongly internationally promoted and financed world [...] Read more.
In an analysis of the reconstruction measures in the old city or Lalitpur (Patan) after the 2015 earthquakes in Nepal, it is shown that, contrary to usual assumptions, the reconstruction was not only concentrated on the prominent, strongly internationally promoted and financed world cultural heritage sites, but took also place at smaller sites—especially at arcaded platform (phalcā), small monasteries and shrines throughout the city. While the larger royal squares, often at the heart of tourism and heritage policies, are important for the status and hierarchy of kings, queens and associated castes, the smaller and possibly less visually spectacular buildings and rituals ‘off the 5-Star map’ (the intangible heritage) are not less and are possibly even more relevant to inhabitants. Understanding this intangible heritage requires a different approach to what heritage means and how it is experienced from a more vernacular perspective. Rather than being firmly defined, heritage, and the reconstruction thereof, dynamically and controversially shapes how the disaster of the earthquake has been experienced, and is also connected to larger discourses on urban and social transformation and to concepts of ethnicity, nation and citizenship as well as social, symbolic prestige and economic status and distinction. The Gorkha Earthquakes have also produced a rich field of vernacular heritage formations and processes that enable us to consider heritage as placemaking. In this context, controversial concepts like ‘authenticity’ as well as various qualities and temporalities of ‘community’ participation and formation should be considered. Full article
(This article belongs to the Special Issue The Uses of Heritage in Post-Disaster Reconstruction)
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20 pages, 5644 KiB  
Article
Adaptive Reuse of Architectural Heritage and Its Role in the Post-Disaster Reconstruction of Urban Identity: Post-Communist Łódź
by Julia Sowińska-Heim
Sustainability 2020, 12(19), 8054; https://doi.org/10.3390/su12198054 - 29 Sep 2020
Cited by 14 | Viewed by 6140
Abstract
The article examines the role of the adaptive reuse of architectural heritage in urban identity reconstruction and strengthening undertaken after the disaster caused by a strong economic and social crisis. The main research material includes activities and projects implemented in post-communist Łódź, one [...] Read more.
The article examines the role of the adaptive reuse of architectural heritage in urban identity reconstruction and strengthening undertaken after the disaster caused by a strong economic and social crisis. The main research material includes activities and projects implemented in post-communist Łódź, one of the largest Polish cities. The city developed extremely dynamically at the beginning of the 19th century as a centre of textile industry. Characteristic factories located in the city centre operated continuously until the end of the 1980s, when the transformation brought about radical political changes, as a result of which Łódź experienced a rapid process of deindustrialisation. The nineteenth-century architectural heritage played an important role in the search for ways to regenerate the city and redefine its identity. Starting from the local, i.e., historical, social or identity contexts, the reader is led to universal conclusions, concerning important problems, issues and challenges related to the confrontation of architectural heritage with contemporary needs and expectations. Full article
(This article belongs to the Special Issue The Uses of Heritage in Post-Disaster Reconstruction)
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21 pages, 12422 KiB  
Article
Relational Authenticity and Reconstructed Heritage Space: A Balance of Heritage Preservation, Tourism, and Urban Renewal in Luoyang Silk Road Dingding Gate
by Xiaoyan Su, Gary Gordon Sigley and Changqing Song
Sustainability 2020, 12(14), 5830; https://doi.org/10.3390/su12145830 - 20 Jul 2020
Cited by 13 | Viewed by 3808
Abstract
Authenticity is a controversial concept in heritage studies. This is particularly the case where the reconstruction of heritage spaces is carried out to facilitate multiple objectives, namely, preservation, tourism development and improving the quality of life of local residents. Based on a qualitative [...] Read more.
Authenticity is a controversial concept in heritage studies. This is particularly the case where the reconstruction of heritage spaces is carried out to facilitate multiple objectives, namely, preservation, tourism development and improving the quality of life of local residents. Based on a qualitative methodology with a case study approach, this paper uses participant observation, in-depth interviews and textual analysis to explore the varying perceptions of authenticity for a reconstructed heritage site from the point of view of heritage experts, tourists and local residents. We identify a form of ‘relational authenticity’. Using the Dingding Gate, part of the Luoyang World Heritage section of the Silk Road, this paper highlights the phenomenon of ‘reconstructed heritage space’ with the relational authenticity of different actors in the Chinese context. We argue that relational authenticity is embedded in the networks between people, place, and (re)materialized space, which is the assemblage of excavated original objects and reconstructed buildings and spaces. Relational authenticity is acquired through a rematerializing process engaged by actors, who focus on the material qualities, instead of material authenticity and originality, of the original excavated objects and later reconstructed space. Full article
(This article belongs to the Special Issue The Uses of Heritage in Post-Disaster Reconstruction)
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17 pages, 3764 KiB  
Article
Reassembling Heritage after the Disaster: On the Sungnyemun Debate in South Korea
by Seunghan Paek and Dai Whan An
Sustainability 2020, 12(9), 3903; https://doi.org/10.3390/su12093903 - 11 May 2020
Cited by 3 | Viewed by 3256
Abstract
This article explores the changing values of heritage in an era saturated by an excess of media coverage in various settings and also threatened by either natural or manmade disasters that constantly take place around the world. In doing so, we focus on [...] Read more.
This article explores the changing values of heritage in an era saturated by an excess of media coverage in various settings and also threatened by either natural or manmade disasters that constantly take place around the world. In doing so, we focus on discussing one specific case: the debate surrounding the identification of Sungnyemun as the number one national treasure in South Korea. Sungnyemun, which was first constructed in 1396 as the south gate of the walled city Seoul, is the country’s most acknowledged cultural heritage that is supposed to represent the national identity in the most authentic way, but its value was suddenly questioned through a nationwide debate after an unexpected fire. While the debate has been silenced after its ostensibly successful restoration conducted by the Cultural Heritage Administration in 2013, this article argues that the incident is a prime example illustrating how the once venerated heritage is reassembled through an entanglement of various agents and their affective engagements. Methodologically speaking, this article aims to read Sungnyemun in reference to the growing scholarship of actor-network theory (ANT) and the studies of heritage in the post-disaster era through which to explore what heritage means to us at the present time. Our synchronic approach to Sungnyemun encourages us to investigate how the once-stable monument becomes a field where material interventions and affective engagements of various agents release its public meanings in new ways. Full article
(This article belongs to the Special Issue The Uses of Heritage in Post-Disaster Reconstruction)
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