The Past Has Ears: Archaeoacoustics and Acoustic Heritage

A special issue of Heritage (ISSN 2571-9408).

Deadline for manuscript submissions: 31 March 2025 | Viewed by 866

Special Issue Editor


E-Mail Website
Guest Editor
Institute d’Alembert, Sorbonne University, CNRS, 75005 Paris, France
Interests: archaeoacoustics; acoustic virtual reality; spatial hearing; audio 3D; room acoustics
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

This joint Heritage/Acoustics Special Issue focuses on the developing field of archaeoacoustics, highlighting the critical role of sound in understanding historical contexts. Archaeoacoustics provides unique insights into the interactions between ancient soundscapes, human experiences, cultural and musical practices, and architectural designs. The aim is to present research and critical insights from a diverse range of disciplines, including acoustics, anthropology, archaeology, architecture, heritage studies, and musicology. We invite contributions that emphasise the significance of sound in history.

The scope of this Special Issue includes the following:

  1. Archaeoacoustic Analysis of Historical Sites: Research employing modern acoustic technology to study the soundscapes of ancient theatres, caves, temples, and other historical sites. These studies will explore how acoustics shaped architectural choices, or vice versa, and the relation to human interactions within these spaces.
  2. Reconstruction of Historical Soundscapes: Research focusing on the recreation and evaluation of past sound environments through experimental archaeology and digital simulations. This includes the use of computer modelling and auralisation techniques to revive and understand the acoustic properties of ancient sites and artefacts.
  3. Acoustic Heritage Preservation and Communication: Efforts focussing on the documentation and preservation of acoustic heritage, including strategies for protecting the unique sound properties of historical locations. This includes challenges in conserving intangible cultural heritage and museography and communication projects of acoustic heritage.
  4. Interdisciplinary Contributions to Acoustic Heritage: Studies that integrate perspectives from anthropology, architecture, musicology, and digital technology are encouraged. Research on the cultural meanings and symbolic roles of sound in ancient societies, including the roles of music, spoken word, and environmental sounds in rituals, communication, and daily life, is invaluable to archaeoacoustics and intangible heritage. Approaching these fields of study from an acoustic perspective can enhance our understanding and offer new methods for studying and preserving acoustic heritage.

“The Past Has Ears: Archaeoacoustics and Acoustic Heritage” aims at fostering a deeper appreciation of the auditory past, promoting a comprehensive narrative of human history enriched by the study of sound. This Special Issue seeks to advance archaeoacoustic research and encourage interdisciplinary efforts to preserve and understand our acoustic heritage.

You may choose our Joint Special Issue in Acoustics.

Dr. Brian FG Katz
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Heritage is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1600 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • archaeoacoustics
  • intangible heritage
  • acoustic digital twins
  • soundscape
  • virtual reconstructions
  • musical heritage
  • acoustic heritage
  • experimental archaeology

Benefits of Publishing in a Special Issue

  • Ease of navigation: Grouping papers by topic helps scholars navigate broad scope journals more efficiently.
  • Greater discoverability: Special Issues support the reach and impact of scientific research. Articles in Special Issues are more discoverable and cited more frequently.
  • Expansion of research network: Special Issues facilitate connections among authors, fostering scientific collaborations.
  • External promotion: Articles in Special Issues are often promoted through the journal's social media, increasing their visibility.
  • e-Book format: Special Issues with more than 10 articles can be published as dedicated e-books, ensuring wide and rapid dissemination.

Further information on MDPI's Special Issue polices can be found here.

Published Papers (1 paper)

Order results
Result details
Select all
Export citation of selected articles as:

Research

15 pages, 2846 KiB  
Article
History and Acoustics of Preaching in Notre-Dame de Paris
by Elliot K. Canfield-Dafilou, Brian F. G. Katz and Beatrice Caseau Chevallier
Heritage 2024, 7(12), 6614-6628; https://doi.org/10.3390/heritage7120306 - 26 Nov 2024
Viewed by 542
Abstract
This article investigates the audibility and intelligibility of preaching in a loud voice inside the Cathedral Notre-Dame de Paris during the Middle Ages, after the construction of the Gothic cathedral, until the late 19th century. Through this time period, the locations where oration [...] Read more.
This article investigates the audibility and intelligibility of preaching in a loud voice inside the Cathedral Notre-Dame de Paris during the Middle Ages, after the construction of the Gothic cathedral, until the late 19th century. Through this time period, the locations where oration took place changed along with religious practices inside the cathedral. Here, we combine a historical approach with room acoustic modelling to evaluate the locations inside the cathedral where one would hear sermons well. In a reverberant cathedral such as Notre-Dame, speech would be most intelligible in areas near the orator. Until the introduction of electronically amplified public address systems, speech would not be intelligible throughout the entire cathedral. Full article
(This article belongs to the Special Issue The Past Has Ears: Archaeoacoustics and Acoustic Heritage)
Show Figures

Figure 1

Back to TopTop