Acknowledgment to the Reviewers of Prosthesis in 2022
| Afshan Bey | Khaled Q. Al Hamad |
| Agata Żółtowska | Kiran Kumar Ganji |
| Ahmed Abu-Awwad | Koh Inoue |
| Albert Manero | Lenard Conradi |
| Alexandre Luiz Souto Borges | Leonardo Azael García-García |
| Alexandru Eugen Petre | Leonardo Puppulin |
| Ali Merdji | Lidia Gavic |
| Alireza Abouhossein | Linda Paternò |
| Ana Paula Macedo | Loganathan Rangasamy |
| Andrea Cochis | Lucian Toma Ciocan |
| Andrew Dickenson | Luigi de Napoli |
| Anish Shivaram | Łukasz Pałka |
| Arbind Prasad | Márcio de Carvalho Formiga |
| Arturo Sanchez-Perez | Marco Degidi |
| Aydin Bordbar-Khiabani | Marco Ferrari |
| Bernd W. Sigusch | Marco Tallarico |
| Bojan Petrović | Margarita A. Khimich |
| Carlos Fernando Mourão | Marta Krasny |
| Carolyn M Primus | Massimo Capoccia |
| Chiara Cosenza | Massimo Carossa |
| Christian Mertens | Massimo Mariello |
| Claudia Todaro | Matthew Dyson |
| Claudine Wulfman | Matthew Leineweber |
| Corrado Piconi | Maximilian Kollmuss |
| Cosimo Gentile | Meng-Fang Lin |
| Cosmin Sinescu | Michael A. Saliba |
| Dandan Xia | Michael Iosifidis |
| Debora Colangelo | Michele Boffano |
| Dick H. Plettenburg | Milton Carlos Elías Espinosa |
| Dinesh Rokaya | Ming Liu |
| Domagoj Glavina | Mohammad Tauviqirrahman |
| Domenico Ciavarella | Mohammed Akl |
| Dominik Promny | Mohanraj Thangamuthu |
| Dragana Gabrić | N.A. Abd Razak |
| Edoardo Manfredi | Neha Desai |
| Edoardo Rella | Nicola Pranno |
| Ejay Nsugbe | Oana Almasan |
| Enrico Lemma | Oriol Cantó-Navés |
| Eugenio Pedullà | Paul F. Egan |
| Evangelia Vouvoudi | Paweł Zmarzły |
| Faisal Raza | Petros Mourouzis |
| Firooz Salami | Réka Barabás |
| Francesca Cattoni | Renzo Guarnieri |
| Francisco Lozano | Reza Ranjbar |
| Franziska Schmidt | Riadh Elleuch |
| Gaetano Paolone | Ricardo Castro Alves |
| Garrett W. Melenka | Richard Bibb |
| Gherlone Felice Enrico | Rizwan Shahid |
| Giacomo Fabbri | Roberta Gasparro |
| Gianmaria D’Addazio | Roberto Lo Giudice |
| Giovanna Iezzi | Rocco Franco |
| Giuseppe Minervini | Rüdiger Pryss |
| Giuseppina Gini | Salvatore Bocchieri |
| Giuseppina Nocca | Salvatore Scolavino |
| Goeran Fiedler | Samuel Romero |
| Grzegorz Budzik | Santo Catapano |
| Haiyang A. Yu | Sara Zapico |
| Hamid Charkhkar | Satish B. Alapati |
| Hang Nga Mai | Satoshi Komasa |
| Heithem Ben Amara | Sebastian Wolf |
| Helena Francisco | Senthil Kumaran Selvaraj |
| Himanshu Arora | Sepanta Hosseinpour |
| Hiroaki Suzuki | Shankar Subramaniam |
| Honda Hsu | Shankargouda Patil |
| Ibrahim Tulunoglu | Shepard Hurwitz |
| Ignacio Gonzalez-Gonzalez | Shifra Levartovsky |
| In-Sung Yeo | Shiv Dutt Purohit |
| Ioan Petean | Su Keng Tan |
| Irina Iuliana Costache | Sudarat Kiat-amnuay |
| Jakub Hadzik | Susannah Engdahl |
| Jan Frederik Güth | Swee Leong Sing |
| Jee Hwan Kim | Ting-Hsun Lan |
| Jeroen Bergmann | Tudor Claudiu Spînu |
| Jiehao Li | Tudor Sorin Pop |
| Ji-Man Park | Ukadike Chris Ugbolue |
| Ji-Suk Shim | Vasiliki Christina Panagiotopoulou |
| João Manuel Mendes Carames | Walter Lam |
| Jonathon S. Schofield | Wei-En Yuan |
| Jörg Miehling | Wojciech Wolanśki |
| José Alexandre Reis | Xin Cui |
| Jose Manuel Ferrandez | Yangzhi Zhu |
| Julfikar Haider | Yoon-Ji Kim |
| Jumaa Salman Chiad | Yuanxi Sun |
| Karol Alí Apaza Alccayhuaman | Yueping Wang |
| Katarzyna Mańka-Malara | Yuka I. Sumita |
| Ketij Mehulić | Zbigniew Raszewski |
| Khaled Elsayed Ahmed |
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© 2023 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).
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Prosthesis Editorial Office. Acknowledgment to the Reviewers of Prosthesis in 2022. Prosthesis 2023, 5, 100-101. https://doi.org/10.3390/prosthesis5010008
Prosthesis Editorial Office. Acknowledgment to the Reviewers of Prosthesis in 2022. Prosthesis. 2023; 5(1):100-101. https://doi.org/10.3390/prosthesis5010008
Chicago/Turabian StyleProsthesis Editorial Office. 2023. "Acknowledgment to the Reviewers of Prosthesis in 2022" Prosthesis 5, no. 1: 100-101. https://doi.org/10.3390/prosthesis5010008
APA StyleProsthesis Editorial Office. (2023). Acknowledgment to the Reviewers of Prosthesis in 2022. Prosthesis, 5(1), 100-101. https://doi.org/10.3390/prosthesis5010008