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Arts, Volume 3, Issue 2

2014 June - 7 articles

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Articles (7)

  • Book Review
  • Open Access
1 Citations
10,771 Views
5 Pages

16 June 2014

While there is a long well-documented tradition of poets walking and writing about the landscape, for at least the past fifty years visual artists have been laying out walks as various kinds of artwork. More recently, with the technology of mapping m...

  • Article
  • Open Access
18 Citations
34,940 Views
19 Pages

13 June 2014

The Metabolist movement, with its radical and visionary urban and architectural schemes, drew the attention of an international architecture community to Japan in the 1960s and 1970s. Seen from a contemporary perspective, the movement’s foremost conc...

(This article belongs to the Special Issue Sustainable Architecture)
  • Review
  • Open Access
12 Citations
16,440 Views
34 Pages

5 June 2014

As in Australia, Pleistocene rock art is relatively abundant in Europe, but it has so far received much more attention than the combined Ice Age paleoart of the rest of the world. Since archaeology initially rejected its authenticity for several deca...

(This article belongs to the Collection World Rock Art)
  • Article
  • Open Access
22 Citations
25,546 Views
30 Pages

2 June 2014

The snake is a potent entity in many cultures across the world, and is a noticeable global theme in rock art and inscribed landscapes. We mobilise our long-term ethnographic research with southern African KhoeSan peoples to situate and interpret the...

(This article belongs to the Collection World Rock Art)
  • Discussion
  • Open Access
2 Citations
9,991 Views
6 Pages

8 May 2014

The Pech Merle spotted horses have been one of the key lines of evidence put forward in support of the notion Upper Palaeolithic cave depictions relate to a concern for the supernatural. Recent findings from genetics has cast doubt on this notion in...

(This article belongs to the Collection World Rock Art)
  • Review
  • Open Access
8 Citations
13,226 Views
17 Pages

4 April 2014

In contrast to the great time depth of Pleistocene rock art and mobiliary ‘art’ in the four other continents, the available evidence from the Americas is very limited, and restricted at best to the last part of the final Pleistocene. A review of what...

(This article belongs to the Collection World Rock Art)
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Arts - ISSN 2076-0752