Arts, Spirituality, and Religion

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: 31 October 2025 | Viewed by 1015

Special Issue Editors


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Guest Editor
Department of Tourism, Heritage and Culture, Portucalense University, 4200-072 Porto, Portugal
Interests: archaeology; cultural heritage; preventive conservation; heritage management and spatial planning and sustainable development; impacts and threats to cultural heritage; symbology and semiotics; heritage interpretation and enhancement; museology; universal accessibility; accessibility of heritage; cultural tourism; religious and accessible tourism; pilgrimages
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Guest Editor
Department of Architecture and Multimedia, Portucalense University, 4200-072 Porto, Portugal
Interests: new media arts; multimedia; digital culture; rave culture; music festivals and electronic dance music; memory and documentary; ancestral cultures; symbology and semiotics

Special Issue Information

Dear Colleagues,

Throughout history, art has played a central role in the articulation of spirituality and the experience of the sacred. From its integration into religious rituals and sacred spaces to its capacity to transcend institutional boundaries, art has been a profound vehicle for exploring humanity’s connection to the divine. The historical use of art in religious rituals and sacred spaces forms the foundation of this inquiry, revealing how visual, architectural, and performative arts have facilitated spiritual experiences across cultures and eras. Beyond historical frameworks, artistic expression remains a powerful medium for both personal and collective spirituality, enabling individuals and communities to grapple with existential questions and express devotion in innovative ways. As the relationship between the arts, spirituality, and religion evolves in increasingly secular societies, new questions emerge about their role in navigating metaphysical concerns. For example, digital media arts and electronic music festivals have emerged as transformative spiritual vehicles in contemporary society, offering novel ways to experience connection, transcendence, and meaning in modern contexts. This Special Issue aims to analyze the dynamic intersections of arts, spirituality, and religion, exploring how these domains historically and contemporarily shape the human experience. It seeks to observe and uncover how artistic practises can serve as profound vehicles for expressing the spiritual and the sacred while challenging and reinterpreting traditional religious narratives. Contributions spanning various artistic forms—visual arts, digital media arts, music, literature, performing arts, or architecture—aim to explore the role of fostering spiritual connection, religious devotion, and existential inquiry. Simultaneously, spirituality, which often transcends institutional religious frameworks, finds resonance in abstract and non-representational practises and esthetics, where ambiguity invites subjective interpretation and deeper introspection. This Special Issue invites interdisciplinary perspectives from art, theology, philosophy, sociology, anthropology, cultural studies, and technology, among others, to illuminate the transformative power of artistic languages connected to the metaphysical and the divine. Simultaneously, contemporary reinterpretations of the sacred through abstract and non-representational art challenge conventional religious narratives, inviting subjective engagement and introspection. Contributions are encouraged to explore how the arts foster inter-religious dialogue and cultural inclusion, serving as bridges between diverse spiritual traditions. Examining these intersections seeks to foster a deeper understanding of how the arts continue to shape and be shaped by spiritual and religious experiences in a promptly changing world.

In this Special Issue, original research articles and reviews are welcome. Research areas may include (but are not limited to) the following:

  1. The use of art in religious rituals and sacred spaces throughout history.
  2. Artistic expression as a medium for personal and collective spirituality.
  3. The role of the arts in inter-religious dialogue and cultural inclusion.
  4. Contemporary reinterpretations of the sacred through abstract and non-representational art.
  5. The evolution of the relationship between arts and spirituality in secular contexts.
  6. Digital media arts as spiritual vehicles in contemporary society.
We request that, prior to submitting a manuscript, interested authors initially submit a proposed title and an abstract of 200–300 words summarizing their intended contribution. Please send it to the Guest Editor, or to the Assistant Editor Loretta Chen (loretta.chen@mdpi.com) of Religions. Abstracts will be reviewed by the Guest Editors for the purposes of ensuring proper fit within the scope of this Special Issue. Full manuscripts will undergo double-blind peer review.

We look forward to receiving your contributions.

Prof. Dr. Fátima Matos Silva
Prof. Dr. Emília Simão
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • spirituality and religion
  • arts as a spiritual practice
  • spirituality and technology
  • spirituality and education
  • pilgrimage and celebrations
  • spirituality, health, and well-being

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Published Papers (1 paper)

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Research

42 pages, 3676 KiB  
Article
Domus Sapientiae: A Mariological and Christological Metaphor According to the Patristic, Theological, and Liturgical Tradition
by José María Salvador-González
Religions 2025, 16(3), 289; https://doi.org/10.3390/rel16030289 - 25 Feb 2025
Viewed by 545
Abstract
This article sheds light on the repercussions of the Proverbs sentence “Wisdom has built her house” on Christian doctrine and on the Marian iconography of the Annunciation. To achieve his objectives, the author uses a double comparative analysis as a methodology. To begin [...] Read more.
This article sheds light on the repercussions of the Proverbs sentence “Wisdom has built her house” on Christian doctrine and on the Marian iconography of the Annunciation. To achieve his objectives, the author uses a double comparative analysis as a methodology. To begin with, he analyzes a vast corpus of texts in which numerous Fathers, theologians, and liturgical hymnographers of Eastern and Western Churches interpret this biblical locution according to Mariological and Christological projections. Secondly, he analyzes eight pictorial Annunciations from the Italian Renaissance in which Mary’s house in Nazareth is depicted as a luxurious palace. As a result of these two sets of analyses, the author concludes that the interpretations of the Fathers, theologians, and hymnographers about the house built by Wisdom and the form of the house/palace in images of the Annunciation allude to the dogma of God the Son’s supernatural human conception/incarnation in Mary’s virginal womb. Full article
(This article belongs to the Special Issue Arts, Spirituality, and Religion)
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