Words and Images Serving Christianity

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: 31 January 2026 | Viewed by 519

Special Issue Editors


E-Mail Website
Guest Editor
Institute of Medieval Studies, University of Navarre, 31009 Pamplona, Spain
Interests: medieval studies; metaphysic

E-Mail Website
Guest Editor
Philosophy Department, University of St. Thomas, Houston, TX 77006, USA
Interests: philosophy of religion and ethics
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

Throughout history, Christianity has drawn upon words and images that compose a sacral worldview. From the expressions found in the first book of Genesis to the Gospel of John—known as the "Gospel of the Word" par excellence—Christian thought has been interwoven with language and imagery. This is reflected in everything from the early frescoes of the Roman catacombs to the magnificent stained-glass windows of Gothic cathedrals. Time and again, words and images converge to serve as vehicles for expressing the Christian faith, often pointing towards theosis or henosis.

Christian imagery has played a central role in creating a spiritual vision that seeks to unite heaven and earth. It invites believers to contemplate the mysteries of the sacred, acting as a bridge between the human and the divine. Similarly, words have expressed the Christian sense of the sacred. For instance, the notion of meaning (sensus) in Medieval exegesis conveys the intimate connection between human life and the created world, preparing the way for the contemporary "meaning of life." In Eastern Christianity, the concept of Panaghia (all-holy) carries deep significance.

Words and images such as logos, light (light of light, the binomial light-darkness), manifestation, vision, the good and its diffusive nature, beauty, and the controversial notions processio and emanatio are key features in the Christian sacral worldview. Likewise, the concept of imago (image), the dynamics of similarity between humanity and God, the tradition of the mirror (speculum), or the idea of the soul as a steed also figure prominently. They aim to make the invisible visible through a thought process that could be described as "brilliant", as it often employs visual colors or igneous elements.

These artistic and visual manifestations have served not only to narrate sacred history but also to form a bridge between the human and the divine. Through words and images, the Christian tradition seeks to express the inexpressible, render the unseen tangible, and bring spiritual truths into human understanding.

We invite papers that explore these themes in various fields, such as theology, philosophy, religious studies, literature, and art.

Prof. Dr. María Jesús Soto-Bruna
Prof. Dr. Mirela Oliva
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • word—verbum
  • meaning—sensus
  • processio—emanatio
  • creation
  • mirror—speculum
  • light
  • darkness
  • visio
  • colors
  • image—imago
  • soul
  • sacred
  • spirituality
  • Christianity

Benefits of Publishing in a Special Issue

  • Ease of navigation: Grouping papers by topic helps scholars navigate broad scope journals more efficiently.
  • Greater discoverability: Special Issues support the reach and impact of scientific research. Articles in Special Issues are more discoverable and cited more frequently.
  • Expansion of research network: Special Issues facilitate connections among authors, fostering scientific collaborations.
  • External promotion: Articles in Special Issues are often promoted through the journal's social media, increasing their visibility.
  • e-Book format: Special Issues with more than 10 articles can be published as dedicated e-books, ensuring wide and rapid dissemination.

Further information on MDPI's Special Issue policies can be found here.

Published Papers (1 paper)

Order results
Result details
Select all
Export citation of selected articles as:

Research

36 pages, 5676 KiB  
Article
Verbum Verbo Concepisti. The Word’s Incarnation in Some Images of the Annunciation in the Light of Medieval Liturgical Hymns
by José María Salvador-González
Religions 2025, 16(4), 456; https://doi.org/10.3390/rel16040456 - 1 Apr 2025
Viewed by 319
Abstract
This article aims to explain why, in some European representations of the Annunciation, a bundle of rays of light comes from the mouth of God the Father toward the head/ear of the Virgin Mary. In order to find a satisfactory answer to this [...] Read more.
This article aims to explain why, in some European representations of the Annunciation, a bundle of rays of light comes from the mouth of God the Father toward the head/ear of the Virgin Mary. In order to find a satisfactory answer to this problem, the author first studies a series of biblical, patristic, theological, and liturgical sources referring to the supernatural human conception of the Word of God in Mary’s immaculate womb. He then analyzes eleven images of the Annunciation that present this peculiarity. Finally, through a comparative analysis between the doctrinal texts and these exceptional images, the author concludes that the latter illustrate as visual metaphors the textual metaphors contained in the writings of some Church Fathers, medieval theologians, and liturgical hymnographers; that is to say, the beam of rays of light emitted by the mouth of the Most High to the Virgin’s head/ear metaphorizes the human conception/incarnation of the Word of God in the virginal womb of Mary. Full article
(This article belongs to the Special Issue Words and Images Serving Christianity)
Show Figures

Figure 1

Back to TopTop