Climate Change versus Cultural Heritage: Past, Present and Future

A special issue of Quaternary (ISSN 2571-550X).

Deadline for manuscript submissions: closed (31 May 2024) | Viewed by 2790

Special Issue Editor


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Guest Editor
Tourism, Heritage and Culture Department, Portucalense University, Dr. António Bernardino de Almeida Street, n.º 541/619, 4200-072 Porto, Portugal
Interests: humanities and social sciences, with a focus on archaeology; cultural heritage; preventive conservation; heritage management and spatial planning and sustainable development; impacts and threats to cultural heritage; heritage interpretation and enhancement; museology; universal accessibility; accessibility of heritage; cultural tourism; religious and accessible tourism; pilgrimages
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Special Issue Information

Dear Colleagues,

Cultural heritage is one of the pillars of society and forms the identity of peoples. Since prehistoric times, humankind has created and built objects and structures with a diverse range of organic and inorganic supports. Over time, these have transformed into objects of cultural heritage, telling the stories of a (more or less) distant past and preserving the memory and culture of the peoples that preceded us.

In recent decades, cultural heritage sites have hosted thousands of visitors, boosting the social and economic sustainability of nearby populations. However, the degradation of cultural heritage sites has increased to an unprecedented scale due to climate change.

The climate crisis directly and indirectly threatens all kinds of cultural heritage, whether it is a World Heritage Site, a small chapel in rural areas, cave paintings and rock engravings, an Iron Age hillfort, or a medieval castle. Extreme weather events—including abundant rainfall, floods, rising sea levels, prolonged heat waves, drought, strong winds, fires, and erosion—which will become increasingly frequent, have immediate consequences, and naturally speed up the rate of natural degradation processes. These processes, anthropic, chemical, physical, or biological in origin, cause the degradation of materials, leading to a greater need for conservation and restoration of cultural heritage, including outdoors sites and objects of cultural significance stored in museums, libraries, and archives.

Despite rising concerns regarding cultural heritage degradation, little is known about the impacts of the climate crisis on cultural heritage and how this potentiates the usual factors of deterioration. The scientific literature in this area and studies focused on preventive solutions remain scarce. As such, with this Special Issue, we intend to address some of these gaps, encouraging researchers from different backgrounds to explore, via a multidisciplinary, interdisciplinary and transversal approach, climate change’s impact on cultural heritage.

The topics of interest for this issue include, but are not limited to, the following:

  • current and emerging climate change impacts and threats to cultural heritage
  • cultural heritage adaptation and mitigation practices to curb effects of climate change
  • cultural heritage monitorization to reduce climate-change-related impacts
  • cultural heritage damage mechanisms
  • cultural heritage and factors of deterioration over time
  • challenges and actions for preservation and conservation
  • preventive conservation of cultural heritage
  • methods and technics of study and monitorization
  • coastal erosion and sea level rise as threats to cultural heritage
  • floods and landslides and their impact on cultural heritage
  • windstorm and heavy rainfall as threats to cultural heritage
  • heat waves and fires as threats to cultural heritage

Prof. Dr. Fátima Matos Silva
Guest Editor

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Published Papers (1 paper)

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Review

23 pages, 2662 KiB  
Review
Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats
by Mirte Korpershoek, Sally C. Reynolds, Marcin Budka and Philip Riris
Quaternary 2024, 7(4), 48; https://doi.org/10.3390/quat7040048 - 7 Nov 2024
Viewed by 1495
Abstract
Humans are well known to have made paintings and engravings on rock surfaces, both geometric motifs with an unclear representation, and representative motifs that refer to their activities and aspects of their environment. This kind of art is widespread across time and space [...] Read more.
Humans are well known to have made paintings and engravings on rock surfaces, both geometric motifs with an unclear representation, and representative motifs that refer to their activities and aspects of their environment. This kind of art is widespread across time and space and has throughout history been subjected to various kinds of approaches. Typically, rock art research focuses on its role in the development of the hominin brain and the capability of abstract thinking, as well as on interpreting representative and non-representative motifs. Ethnography and cognitive research have often stressed that rock art is the result of ritual practises and the expression of a shamanic belief system. However, representative motifs may also shed light on a region’s ecological and human prehistory. Here, we give an overview of the general development of rock art study: we highlight the development of artistic behaviour in humans by discussing aesthetic preferences, and the creation of simple geometric motifs and eventually representative motifs, before describing the theories that developed from the earliest study of rock art. These have largely focused on classification and interpretation of the motifs, and often centred on Palaeolithic material from Europe. We then move on to discuss how ethnography among rock art creating communities often suggests important relationships between specific animals in both the realms of spiritual belief systems and within the local environment. Lastly, we highlight how rock art reflects the local penecontemporaneous environment when it comes to depictions of animals, plants, technologies, humans and their activities. We argue that animal depictions are a useful subject to study on a large scale, as it is the most widespread representative motif, and the most appropriate subject to study when the goal is to draw conclusions on environmental changes. Rock art can fill gaps in the local archaeological record and generate new questions of it, but also offer new insights into the history of local human–animal interaction: animal species depicted and/or referred to in rock art are likely to have been a selection of spiritually important animals and a comparison to known information on human interactions with local species may reveal patterns among which animals are selected for local rock art depictions and which are not. Interregional comparison can in turn shed light on whether humans in general tend to ascribe meaning to the same types of animals. We end the review with suggestions for future study, with a special role for computational methods, which are suitable for the analysis of large databases of visual imagery. Full article
(This article belongs to the Special Issue Climate Change versus Cultural Heritage: Past, Present and Future)
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