Arts, Volume 13, Issue 6

Danielle Abrams’s performance art critically engages with late twentieth-century debates on race, queerness, and identity, positioning her as a vital figure in challenging monolithic and heteronormative structures of identity. Her early work Qu...

The extensive bibliography on medieval architecture highlights that parish church porticoes are one of the most singular features of the Spanish Romanesque tradition. These structures, which regulated the transition to the Aula Dei, provided villager...

Not much is known about the forces of the Hyksos, 15th Dynasty rulers of the Second Intermediate Period in Egypt. This was a time when Egypt and Nubia were divided between several competing royal houses and corresponding dynasties, e.g., the 14th and...

“Nowhere in the world are there cities of art in such close proximity to each other as in Flanders” [...]

This article analyzes the concept of floating cities in the context of increasing threats resulting from climate change. It explores the potential of a floating city concept to provide sustainable and livable conditions on a large scale in response t...

Walking Miracles, a dance/theater project, was created from the stories of six adult survivors of child sexual abuse and completed due to the conscientious work of many collaborators. A psychotherapy group of fourteen sessions was audiotaped and atte...

The article explores the unique friendship and creative synergy between two towering figures of late Soviet underground culture, the avant-garde jazz musician Sergei Kuriokhin and the poet Arkady Dragomoshchenko. Both outsiders in Leningrad, they sha...

The concept of auditory scene analysis, popularized in scientific experiments by A. S. Bregman, the primary architect of the perceptual streaming theory, and his research team, along with more recent analyses by subsequent researchers, highlights a s...

Kris Martin: Altar/Altering Perspectives Flemish artist Kris Martin’s work exists in relationship to the city of Ghent and his reflection on that city’s medieval past. His pieces that implicitly engage with the Ghent Altarpiece by Hubert...

From 1816 to 1817, Anastácio de Sant’Anna, a pardo (mixed-race) artist and cartographer active in Salvador, Bahia, Brazil, produced the Guia de Caminhantes, a manuscript atlas of Brazil and the Americas. Sant’Anna’s Guia is o...