December 2022 - 23 articles
During the last five decades, the entire Christian religious landscape of the Sea of Galilee has undergone a gradual and steady reshaping, with devotional centers renovated, rebuilt, and even re-invented. Together they frame the area around the Sea o...
The Scythians, nomads who roamed between the Pontic steppe and the Altai mountains throughout the 7th to 3rd centuries BC, are well known for their iconic animal style art. Composed of vivid stylised representations of animals, but depicting few huma...
Euripides’ The Bacchae is a Greek tragedy that relies on its capacity to give double vision, by confusing and dismembering the senses. This idea of doubling is taken to the extreme in the Berlin Schaubühne production Die Bakchen, directed...
This article maps out our critical engagement with the Third Theatre community pre- and post-COVID-19, with a focus on both performer training and the concrete material ways in which group theatres connected to this small tradition have responded to...
In 2007, a late medieval hoard was found in Wiener Neustadt (Lower Austria), which is extraordinary in many respects: the circumstances of its discovery were curious, its composition extremely inhomogeneous in terms of date and quality, and last but...
This essay revisits one of Polish artist Zofia Kulik’s most important ‘photocarpets’, produced in a moment of hope, retrospection yet continuing war in 1993; seen by an international public in 1997. Visually, its composition is dominated by late Sovi...
From genre to interdisciplinary and trans-medial artistic practice, “autotheory” has attracted great attention for formally distilling a troublesome contradiction of dualistic opposition between theory and practice in arts and attempting...
This text emerges from the autotheoretical performance practice of nonstop languaging, developed during my Master Studies at HOME OF PERFORMANCE PRACTICES, ArtEZ University of the Arts. My ongoing artistic research is enacted through this practice an...
The article is dedicated to the role of polychrome solutions of the architectonic order in shaping the mode of expression of Baroque façades. The ancient principles of designing architectural structures, inherited from the Renaissance, were su...
Created in 1984 by the French artists ORLAN, Frédéric Develay and Frédéric Martin and shown for the first time at the Centre Pompidou during the exhibition Les Immatériaux (28 March to 15 July 1985), the telematic m...
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