Special Issue "Film and Lived Theology"
A special issue of Religions (ISSN 2077-1444).
Deadline for manuscript submissions: closed (4 January 2016) | Viewed by 42043
This special issue of Religions will focus upon overlapping areas of cinema and Judeo-Christian theology in their “lived” or “experiential” dimensions. Both theology and cinema studies have shown recent interest in these lived, experiential aspects, as seen in William Dyrness’s Poetic Theology: God and the Poetics of Everyday Life, Paul Gavrilyuk and Sarah Coakley’s The Spiritual Senses: Perceiving God in Western Christianity, the rise of neo-phenomenological film theory (e.g., Vivian Sobchack, Jennifer Barker), as well as a renewed “embodied” emphasis in the humanities and cognitive film theory.
Rather than a focus on issues of religious representation in film—where and how religious people are exemplified, or religious events are depicted—these essays will outline and detail how film can give us an experience that is theologically loaded and significant. In other words, theological ideas can and will be present, but the emphasis here is on how these ideas are known through living, sensing, and feeling. In this light, the cinema functions more in the mode of sacrament and ritual than dogma, creed, or sermon illustration.
Prof. Dr. Joseph Kickasola
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
Barker, Jennifer. The Tactile Eye: Touch and the Cinematic Experience, Berkeley: University of California Press, 2009.
Dyrness, William. Poetic Theology: God and the Poetics of Everyday Life. Grand Rapids: Wm. B. Eerdman’s, 2010.
Gavrilyuk, Paul and Sarah Coakley. The Spiritual Senses: Perceiving God in Western Christianity, Cambridge: Cambridge University Press, 2014
Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment and the Senses. Durham: Duke University Press, 2000.
Plate, S. Brent. Religion and Film: Cinema and the Re-Creation of the World. New York: Columbia University Press, 2009.
Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004.
- film studies
- film theory