Special Issue "World Literature and the Blue Humanities"
Deadline for manuscript submissions: closed (1 September 2019).
Interests: World Literature; World-Ecology; Ecopoetics; Environmental Humanities; Blue Humanities; Critical Ocean Studies; World-Ocean; Contemporary Scottish Literature; Petroculture, Postcolonial Studies
Interests: World Literature; World-ecology; Environmental Humanities; Blue Humanities; Critical Ocean Studies; World-Ocean; Petroculture; Postcolonial Studies
This special issue invites interested scholars to examine the manifold relationships between the burgeoning research area of the ‘Blue Humanities’ and world literature perspectives. Scholars from a variety of backgrounds have demonstrated how the world’s oceans challenge dominant epistemologies (Steinberg 2013; DeLoughrey 2017), demanding new approaches that are both contingent and interdisciplinary. In their manifesto, Our Mother Ocean (2014), Mariarosa Dalla Costa and Monica Chilese detail how large segments of the seawaters of this planet have been privatized and toxified, driving ocean-going life forms (both human and non-human) to extinction or relocation. Fisherpeople have become frustrated with unfair tariffs and quotas, while militarization, “ultradeep drilling” (Lemenager 2014), and the global Blue Revolution have led to myriad regional crises, indicative of a systemic dynamic of dispossession and extractivism playing out on the oceans. In response, coastal communities across the Global North and South are forming new alliances and modes of resistance against the expropriative and appropriate ethos of capitalism (Nixon 2011; Dalla Costa and Chilese 2014; O’Domhnaill 2016). Yet as Rachel Price suggests, Blue Studies perspectives must move beyond merely lamenting ‘deep sea trawling or narrating how the oceans were once free and are now militarized and carved up to facilitate global expansion, since doing so… unintentionally reinforces…the ineluctability of capitalism’s reign’ (Price 2017). To this end we are interested in contributions that seek to cultivate new ‘sea ontologies’ (DeLoughrey 2017) that look beyond the global capitalist order to alternative ways of thinking the ocean.
With many major Blue Studies having focussed on pre-modern and early modern periods, including important works by Margaret Cohen and Steven Mentz, we seek contributions that analyse twentieth-century and contemporary literatures, media, and movements. We seek responses to complex questions: How do representations of coastal pollution, extractivism, or labour mediate environmental crisis? What forms of alliance, both human and non-human, do literary texts enable us to imagine in the face of an anthropocenic endgame? How does the tragedy of the oceanic commons intersect with issues of social justice, gender and race? How might an ‘aesthetics of the oceans’ enable literary and cultural works to imagine ‘the oceans before, after, and aside from capitalism’ (Price 2017)? In what ways does the imaginative work of world literary texts disrupt and suspend the neo-imperial dynamics of ‘ocean grabbing’? We are particularly interested in contributions that are methodologically aligned to world literary approaches, studies of neo-imperialism, postcolonialism, extractivism, and world-ecology.
This Special Issue is attached to a two day research symposium on 5-6Th July 2019 at the University of Warwick to which we invite potential special issue contributors to present early drafts of their work. (Please note: We also welcome submissions from colleagues who wish to contribute articles but may be unable to attend the Symposium). This symposium seeks to bring together academics who wish to analyse the above dynamics from a literary and cultural perspective. This symposium is split into two connected events. Day 1 will consist of short ‘pitching’ sessions, with contributors being asked to deliver concise 5–10-minute presentations on their research. The shorter paper length is designed to allow for sufficient space for panelists to workshop new methodologies or material, and to receive generative feedback from a specialist audience. The core questions and ideas developed across Day 1 sessions will feed into the ensuing scoping event on Day 2. Day 2 will bring together like-minded academics whose works address environmental concerns but who do not hold a shared research agenda, in order to collectively debate what is meant by the term Blue Humanities and to establish a coherent working group, the Blue Humanities Network. We envision this network will subsequently go on to promote the Blue Humanities and act as a catalyst for bringing researchers from many disciplines into the topic. To this end we seek contributions (of around 6-8000 words) that address themes and issues such as:
- water privatization, from rivers to oceans
- challenging the frontier mentality
- gender, race, and oceanic meanings
- oceanic commons/ hydrocommons
- extractivism, consumption, and logistics
- petroculture and oceanic criticism
- world-ecology theory and the ocean
- world literature and the oceans
Please submit a 300-word abstract and short bio to [email protected] and [email protected] by 31 March 2019. Please specify whether you would like your abstract to be considered for inclusion within the Symposium and/or Special Issue. Successful applicants will be notified soon after April 19. The Symposium will take place 5-6 July 2019 with Papers for the special issue of Humanities due 1 September 2019.
Dr. Alexandra Campbell
Dr. Michael Paye
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access quarterly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
- World Literature
- Critical Ocean Studies
- Environmental Humanities
- Blue Humanities
- 20th /21st Century Literature and Culture