Genealogy

Intergenerational wealth transfer represents a central mechanism through which genealogical bonds, family continuity, and economic stability are maintained across generations. This article examines inheritance law and financial regulation from a genealogical perspective, focusing on the role of family property as both a legal institution and a socio-economic structure rooted in kinship and lineage. By integrating approaches from genealogy, legal studies, and financial analysis, the study explores how inheritance frameworks shape intergenerational relations, preserve family identity, and influence patterns of economic inequality. The article analyzes inheritance law as a key instrument through which genealogical continuity is institutionalized, highlighting the ways in which legal norms regulate the transmission of assets, rights, and obligations within families. Particular attention is given to the interaction between financial regulation and family-based wealth, demonstrating how legal structures affect long-term economic sustainability and social cohesion. The study adopts a qualitative and theoretical methodology, supported by comparative references to selected legal traditions, in order to illustrate how inheritance systems reflect broader cultural, historical, and genealogical values. By situating inheritance and wealth transfer within the broader framework of genealogical relations, this article contributes to interdisciplinary discussions on family, law, and the economy. It argues that inheritance law should be understood not merely as a financial or legal mechanism, but as a genealogical process that shapes intergenerational bonds, social structures, and economic outcomes over time.

This article draws on my doctoral research, Reconciliation Rescue: An Original Blak Comedy Series and Aboriginal Cultural Perspectives on Humour, to examine how Aboriginal humour operates as a mode of resistance, truth-telling, and cultural continuity. My thesis consists of two components Reconciliation Rescue, an original scripted Blak comedy series, and an accompanying exegesis that situates the work within broader discussions of Aboriginal sovereignty, identity, and the politics of reconciliation. In this article, I extend that research to demonstrate how Aboriginal voices, when centred in comedic storytelling, challenge colonial paradigms and reframe national narratives. Grounded in my lived experience as an Aboriginal woman and my longstanding creative practice, I explore the ways in which Aboriginal humour addresses intergenerational trauma, racism, and stereotypes. I contrast the collectivist values and relational worldviews of Aboriginal cultures with the individualism of Whitestream society, arguing that humour particularly the oration of humorous storytelling has long served as a powerful tool of healing, resilience, and community cohesion. This distinctive form of ‘Blak Humour’ confronts harmful assumptions, empowers our people, and strengthens cultural identity. By reflecting on the development of Reconciliation Rescue and the principles that shape First Nations comedic expression, this article illustrates how Aboriginal comedy can act as an educational and transformative force. It highlights humour’s potential to foster understanding, unsettle entrenched power structures, and contribute meaningfully to more culturally informed and socially just approaches to reconciliation in Australia.

This article introduces my mother and maternal grandmother into the American story. I bring together sources like the census and family bible, documented history, and my memory to demonstrate that genealogy and family history expand the archive on black women and the black family. I also reflect on the way history and memory are dichotomized and argue that autobiography/memoir holds a key to freeing black women’s history from the violence of the archive.