All the Colors of the Rainbow: Natural Colorants

A special issue of Colorants (ISSN 2079-6447).

Deadline for manuscript submissions: 31 December 2026 | Viewed by 2053

Special Issue Editor


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Guest Editor
School of Natural and Environmental Sciences, Newcastle University, Newcastle upon Tyne NE1 7RU, UK
Interests: photophysics; optical spectroscopy; dye chemistry; kinetics; energy and electron transfer; physical chemistry
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

We have launched a volume that will focus on colorants found in the natural world. This would cover the identification of natural colorants in their unique environment. How and why are these colorants formed, what is their primary purpose and how might we use them for artificial purposes? The scope is not restricted to living systems. This Special Issue aims to address, from an interdisciplinary viewpoint, the key roles played by natural colorants and/or to identify the chromophores responsible for the coloration. Additional attention might be given to secondary effects, such as refraction, that help distinguish or promote the color. The goal is to enhance our shared understanding of diverse natural colorants, to establish synergies between colorant and local environment, and to identify new chromic phenomena. Submissions from a broad range of disciplines are welcome.

Topics to include the following:

  • Extraction of colorants from minerals, including historical cases such as Egyptian Blue, and their subsequent usage;
  • Colorants found in plants, algae and mushrooms, including their extraction, identification and subsequent synthesis in the laboratory and their application in the food or textile industries;
  • The recognition and properties of colorants produced by animals, such as Indian Yellow;
  • Coloring associated with aging, such as the ripening of fruits and the autumnal change;
  • Classification and structural diversity of natural organic colorants;
  • Functions of color in nature, including aposematism, crypsis and mimicry;
  • Mechanisms of bioluminescence from diverse species such as luminous bacteria, fireflies, jellyfish and mushrooms;
  • Applications of biotechnology for the production of natural colorants and their structural modification to unnatural derivatives.

Reviews of submitted manuscripts will commence upon submission. Early submission may expect an overall quick turn-around time.

Prof. Dr. Anthony Harriman
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 250 words) can be sent to the Editorial Office for assessment.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Colorants is an international peer-reviewed open access quarterly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • natural colorants
  • plant-derived colorants
  • animal-derived colorants
  • microbial colorants
  • bioluminescence mechanisms

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Published Papers (1 paper)

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Research

33 pages, 9062 KB  
Article
Geological Contributions to the History of the Artist’s Iron-Based Natural Earth Pigments and the Case Study of Terra d’Ombra (Umber)
by Luigina Vezzoli
Colorants 2026, 5(1), 2; https://doi.org/10.3390/colorants5010002 - 7 Jan 2026
Viewed by 1686
Abstract
The correct identification of historical artists’ earth pigments is mandatory for cultural, scholarly, and historical applications. This paper focuses on the definition of the distinctive mineralogical, geological, and geochemical properties and the discussion of the geological genesis and place of origin of the [...] Read more.
The correct identification of historical artists’ earth pigments is mandatory for cultural, scholarly, and historical applications. This paper focuses on the definition of the distinctive mineralogical, geological, and geochemical properties and the discussion of the geological genesis and place of origin of the natural Fe-Mn-based earth pigment named terra d’ombra (umber). It one of the dark-brown earth pigment most widely used by Italian and European painters from the Renaissance to the nineteenth century. The terra d’ombra earth pigment is a primary chemical sediment mainly composed of Fe (oxy)hydroxide and Mn oxide, produced by the authigenic precipitation from oceanic or lacustrine waters rich in metal solutes of volcanic hydrothermal origin. The principal areas of provenance are the island of Cyprus and the Monte Amiata volcano (southern Tuscany, Italy). Its peculiar properties in painting derive from this specific mineralogical composition and genetic process, which also exclude its definition as a particular type of ochre and as a clay pigment. Further misinterpretations include confusion with pigments composed of organic materials and the erroneous attribution of the name and area of origin to the Italian region of Umbria. Full article
(This article belongs to the Special Issue All the Colors of the Rainbow: Natural Colorants)
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