4.4. Selective Coding: Identifying the Core Category and Building the Theory
The axial-coding integration matrix in
Table 7 is used to provide information about how the six main categories were patternically related to the core category; instead of being discrete themes, the categories constitute a stratified process that reflects the temporal flow of the culinary experience of tourists. Sensory Immersion serves as the opening door through which radical flavors, smells and embodied stimulations occur to form an indication of transition into a special cultural environment. Expanding on this, Building, Atmospheric Energy (often referred to as yanhuoqi) is a layer of interpretation that puts the raw input of sensory stimulations into a socially defined ambience. The process then progresses to the participatory phase of communal eating, where people can engage in shared eating habits that enable interaction, co-presence and social caging. With increased engagement, Procedural Knowledge arises as a form of performance in terms of which visitors can learn and practice locally instantiated rules and rituals (e.g., ordering, mixing sauces, sequences) to assert cultural competence. Historical Symbolism provides a cognitive dimension as a way to connect food practices to narratives of collective memory and place that gives the experience deeper meaning with identity-related meanings. Lastly, Authenticity Seeking is an evaluative and directing orientation that constantly legitimizes the process of immersion and constructs the evaluations by tourists about what is regarded as real Chongqing and synthesizes the entire assembly of the place-based culinary meaning.
Table 8 summarizes cross-category linkages and higher-order conceptual outcomes. These items are not treated as additional main categories; rather, they describe how the six main categories (
Table 7) interact and culminate in a place-based cultural meaning.
The Foundational Stage: On arriving in Chongqing, the tourists want to taste the famous cuisine, and they do not just want to breathe in the satisfaction. Instead, it is a search for a true cultural experience. As soon as they enter, they are faced with the Sensory Immersion third-wave multi-sensory environment with visual intensity (steam, color, movement), auditory overload (noise, conversation, sizzling sounds), aromatic strength (chili, spices, cooking aromas), and the feeling of heat and the crowdedness. This layer of the foundation is the first cue that they have reached a culturally different space, which is completely different from their daily surroundings.
The Interpretive Stage: This does not imply that passive recipients of the sensory input, tourists, process this sensory data through the prism of the Atmospheric Energy. They express the pristine sensory input into relevance of the social ambiance, seeing the busy, multicolored bustle, social buzz and real flow listed as indicators of a place where people are living their day-to-day lives. This process of interpretation is important, as it transforms the intensity of a potentially painful sensory stimulus into an assessed sign of what is perceived as real. The noise and the crowding are what make it real, as one of the participants remarked. It is not a fancy restaurant; it is where people are, in fact, eating. This is the emotional base of this atmospheric interpretation that is more deeply involved.
The Participatory Phase: Having settled on the sensory and atmosphere, the next step of the process for the tourists is to become active participants, which occurs with the Communal Dining experience. This transition is enabled by the style of hotpot, which is known to be collaborative. Tourists gather around a common pot and make a decision together on what to cook, each taking turns to add to the pot and discussing with their peers. It is this communal activity that develops a communal focus and mutual involvement that goes beyond the usual tourist–vendor relationship. As one interviewee explained it: “In case of hotpot, it is all about one central thing. You visit, you talk, you even make meals together. It is not only about eating but it is a communal activity.” This participatory interaction makes tourists eventually get a feeling of belonging to the community, though only on a temporary basis.
The Performative Stage: When tourists are dining in the ways of the group, the Procedural Knowledge they face is unwritten rules, etiquette, and local traditions regarding eating. They come to know how to make the right dipping sauce, the sequence in which they should add ingredients to the pot, the duration of cooking various foods and the social rules of the hotpot table. Local companions or watchful peers tend to be facilitators of this learning process. More to the point, this kind of procedural knowledge plays a performative role: the tourists can utilize it to become socially able to demonstrate cultural competence as a means of showing that they are not outsiders but insiders. One of them commented: One of my friends in Chongqing showed me how to prepare the best dipping sauce… I felt it as a secret I was being drawn in. I was no longer a simple tourist, but I was involved in the local system of doing things.
The Cognitive Stage: Coexisting with the procedural learning, the tourists explore the Historical Symbolism—the tales and symbolic meanings inherent in the food. They get to know that hotpot is the creation of dock hands who made the stale pieces of meat into communal pots, that small noodles (xiaomian) are the breakfast of lean-class Chongqing people and that maoxuewang (blood and tripe hotpot) was the culture of resourcefulness and inclusiveness. These stories provide intellectual quality to the experience of the senses and social life. Because, as one of the participants noted: “When you hear that hotpot was created by workers… you are sampling the history of the city, its struggle and its spirit. It is not only food but it is a tale of the people.” This intellectual activity comprises the meal as not just a sensual experience but also as an attempt to encounter the identity and values of the city in a significant manner.
The Evaluative Stage: During the whole process, the Authenticity Seeking guides the tourists. This aspect acts as an assessment prism that defines all other aspects of involvement. In search of non-commercialized and local recommended experiences, they tend to avoid tourism spots, and they perceive environmental grit the way they understand authenticity. This exploration is not inactive; it is active information-seeking (interviewing the locals, reading reviews, requesting recommendations), tactical venue choice (side alley, instead of the primary streets), and active ongoing judgment as to whether the experience itself is authentic. One of them said: The first thing is do not go to the shiny-looking new places… The treasures actually lie in the side streets. That is where you can have the true experience. The Authenticity Seeking is therefore an indicator and a corroborator of the entire immersion process.
These six major categories are not independent phenomena but are ordered into the central category in a hierarchical and sequential organization. The following are major relationships under which this integration can be seen:
Sequential Integration: The categories are being followed in an interlinked sequence that reflects how the tourist experience proceeds.
The immersion of the senses offers the base layer—the very first layer of sensory input, which indicates cultural difference.
The interpretive layer, being the transformation of the sensory data to a meaningful atmosphere, is the Atmospheric Energy.
The participatory layer—the active approach towards others and food is represented in the Communal Dining.
The performative layer, which is the acquisition and demonstration of cultural competence, is the Procedural Knowledge.
The historic symbolism is the depiction of the cognitive layer—the intellectual response of meaning and identity.
The evaluative layer, which is the principle according to which all other dimensions are drawn, is Authenticity Seeking.
Synergistic Integration: In addition to the sequence of relationships, there is a synergistic relationship between the categories that produce emergent properties, which cannot be viewed as the sum of their respective effects. As an illustration, the intensity of sensory experience and the interpretation of the atmosphere will result in an augmented change in authenticity. The collective meals and the knowledge of the procedure give the feeling of cultural initiation. The feeling of the past and sensory experience resonate emotionally and produce meaning-making. Such synergistic effects show that the taste of place is not the total of the individual components but the resultant effect that they interact in a dynamic way.
Hierarchical Integration: The categories are also hierarchically arranged in that some of them have some foundational roles, and some have integrative roles.
The Atmospheric Energy and the Sensory Immersion have background roles; they give the sensual and emotional base of further involvement.
The public meal and the ritual knowledge perform participatory roles; they facilitate the active participation and performance of the cultures.
The Historical Symbolism has a meaning-making role; it gives depth and sense to the experience.
The Authenticity Seeking has a general evaluative role; it directs and authenticates all other dimensions.
Outcome Integration: As a result of integrating all of these categories via the core category, a final outcome is made, and this is a successful construction of a rich, memorable, and meaningful experience in place, the taste of place. This is not just a sensual memory or some fine dining but a strong cultural knowledge and attachment to the city of Chongqing. Tourists who complete this process declare high satisfaction rates, desire to revisit, and the feeling that they experienced something which is deeply rooted and contributes to the all-inclusive rich essence. It was not only about eating good food, as one of the participants recapped. It was also about knowing a place, knowing the people, knowing their history and knowing their soul. That’s what made it memorable.
This combination of the core category and the six key categories results in the development of an overall theoretical framework that will be used to explain the way in which tourists create the taste of place in Chongqing. The following model can be presented as the structure of a pyramid, with the Sensory Immersion on the bottom, then, the Atmospheric Energy, next, the Communal Dining, next, the Procedural Knowledge, next, the Historical Symbolism, and the most fundamental category, which is the construction of the feeling of place, by cultural immersion, is on the very top.
The pyramid shape is indicative of the linear character of the experience as well as the progressive development of meaning. The successive layers are deeper and more complicated. The sensual base offers the first level of engagement, emotional resonance demands the presence of the atmospheric interpretation, and this sense of belonging allows the social participation. The cultural competence is based on the Procedural Knowledge and finally, the meaning and identity are offered by the presence of the Historical Symbolism, which in turn verifies the sense of authenticity and directs the whole process. What is created is a whole experience of cultural immersion, which is deeply integrated and more than merely eating; it becomes an experience of place, culture and identity.
The core category, according to
Figure 2, is formed out of a cumulative and stratified immersion process. The tourists’ first experience of the destination takes place during the Sensory Immersion (foundation), which is later interpreted as a culturally legible Yanhuoqi ambience (interpretation). It is based on this that the experience expands with Communal Dining (participation), which is then supplemented by the proximity of Procedural Knowledge, which distinguishes between the performance of the tourists performing locally appreciable dining practices (performance) (
Duarte Alonso et al., 2022). This is also enhanced with the effects of Historical Symbolisms that relate dishes to memory and place identity (cognition), leading to an integrated taste of place at the core category level. Notably, the Authenticity Seeking is a cross-cutting judgment layer that cuts across the entire sequence and influences the interpretation that tourists bestow on each layer, as well as authenticating its experience as locally endorsed and not staged.
Moreover, the model shows that the taste of place cannot be an object attribute of the food or the destination, since it is a dynamic process of co-creation between the tourist and the place. Tourists are not passive consumers of a ready-made existence of providing a pre-existing taste of place, but active constructors of interplay with various cultural dimensions in order to construct their own meaningful experience. The implications of this discovery on the concept of culinary tourism, destination marketing and authentic cultural experience are major.
The result of the process is effective building of a rich and memorable taste of place that eventually affects general satisfaction, cultural appreciation, and the desire to come back. This grounded theory offers a model in comprehension of how the cultural aspects of a culinary destination cannot be passively devoured, but are actively created by the tourist.