Search Results (29)

Since 1992, we have promoted the use of descriptions from ethnographic data, including ancient, surviving oral traditions, to aid in explaining the iconography portrayed in pictographs and petroglyphs found in Missouri, particularly those at Picture Cave. The literature to which we refer is from American Indian groups related linguistically and connected to the pre-Columbian inhabitants of Missouri. In addition, we have had on-going conversations with many elder tribal members of the Dhegiha Sioux language group (including the Osage, Quapaw, and Kansa (the Ponca and Omaha are also part of this cognate linguistic group)). With the copious collections of southern Siouan ethnographic accounts, we have been able to explain salient features in the iconography of several of the detailed rock art motifs and vignettes, and propose interpretations. This Midwest region is part of the Cahokia interaction sphere, an area that displays western Mississippian symbolism associated with that found in Missouri rock art as well as on pottery, shell, and copper. Full article

This study aimed to investigate the practical effects of symbolic imagery on shamanic religious rituals, emotional modulation, belief deepening, and alterations in the state of consciousness. Thirty participants were recruited and randomly assigned to either a control group or an experimental group for comparative investigation. The results indicated that participants in the experimental group showed significant increases in supernatural belief scores after the ritual, along with notable decreases in negative emotions such as tension, anger, and fatigue. Additionally, the state of consciousness of both groups of participants changed significantly after the ceremony, and the changes in the experimental group were more significant. These findings provide preliminary empirical support for the hypothesis that shamanic symbolic imagery promotes the transformation of consciousness, and affects emotion regulation and belief formation by activating visual perception and symbolic psychological mechanisms. This study not only provides preliminary empirical evidence for the effectiveness of image-based interventions in inducing altered states of consciousness (ASC), but also deepens the understanding of the role of religious symbolic mechanisms in consciousness transformation and provides a new theoretical direction for applied research in the field of religious psychology and consciousness research. Full article

This paper examines the Daoist stelae of the Northern Dynasties through the lens of Eliade’s religious theory, with particular focus on the transformation of profane objects into sacred ones and the transition of local believers from the profane to the sacred. Utilizing Eliade’s notions of “symbol”, “myth”, and “sacred space”, this study investigates two critical dimensions of the Daoist stelae. First, it analyzes their visuality by closely examining the imagery and symbolic systems presented on the stelae—namely, the “mythical pattern” identified by Eliade—with particular attention to representations of the main deity, the Heavenly Palace, and the Xiwangmu Xianjing (Queen Mother of the West’s transcendent realm). Second, it addresses their materiality by reconstructing the invisible processes associated with the stelae, focusing on the formation of sacred space and the Daoist rituals enacted therein. Applying phenomenology of religion to Daoist stelae analysis helps compensate for the limitations of extant Daoist scriptures and official historical records. Full article

This paper explores Great Basin arid-zone hunter–forager rock art as signalling behaviour. The rock art in Lincoln County, Nevada, is the focus, and this symbolic repertoire is analysed within its broader archaeological and ethnographic contexts. This paper mobilises an explicitly theoretical approach which integrates human behavioural ecology (HBE) and the precepts of information exchange theory (IET), generating assumptions about style and signalling behaviour based on hunter–forager mobility patterns. An archaeological approach is deployed to contextualise two characteristic regional motifs—the Pahranagat solid-bodied and patterned-bodied anthropomorphs. Contemporary Great Basin Native American communities see Great Basin rock writing through a shamanistic ritual explanatory framework, and these figures are understood to be a powerful spirit figure, the Water Baby, and their attendant shamans’ helpers. This analysis proposes an integrated model to understand Great Basin symbolic behaviours through the Holocene: taking a dialogical approach to travel backward from the present to meet the archaeological past. The recursive nature of rock art imagery and its iterative activation by following generations allows for multiple interpretive frameworks to explain Great Basin hunter–forager and subsequent horticulturalist signalling behaviours over the past ca. 15,000 years. Full article

This study explores the archaeoacoustics of rock imagery at Site 26LN211, the northernmost petroglyph site in the White River Narrows (WRN) Archaeological District, Nevada, USA. The research examines the relationship between rock writing placement and acoustic properties, considering their potential significance to indigenous groups such as the Southern Paiute and Western Shoshone. Fieldwork conducted in 2024 employed impulse response recordings to analyze sound behavior in various spatial configurations, including near and distant measurements. The results indicate that, unlike other WRN sites with strong echoes and reverberation, Site 26LN211 exhibits clear sound transmission with limited acoustic reflections. This suggests its suitability for oral storytelling, song recitatives, and ritual practices rather than sound-enhanced ceremonial performances. Additionally, the presence of vision quest structures above the site implies spiritual significance, although the results do not show a significant acoustic relationship between them and the petroglyph zone. Comparative studies with other indigenous sites reinforce the role of acoustics in shaping cultural landscapes. These findings contribute to broader discussions on the interplay between rock writing, sound, and indigenous traditions, emphasizing the need for preservation. Full article

The introduction of Christian angelology during the Ming and Qing dynasties was driven by strong practical needs. As intermediaries bridging the sacred and the secular, angels were endowed with crucial functions in core sacraments such as baptism and the Mass, including the purification of sins, protection, and the connection between God and humanity. Their participation in these rituals not only enhanced the sanctity of the ceremonies but also facilitated a dialogue with traditional Chinese spirits. Missionaries deliberately avoided abstract theological discussions about angels, instead emphasizing their role in accompanying and guiding believers in daily life. The concept of “guardian angels” addressed the spiritual needs of believers, while the imagery of angels in funeral rites helped reconstruct expressions of filial piety, thereby mitigating cultural conflicts between China and the West. At the same time, the localized understanding of angels among Chinese Catholics during this period focused on ritual practices and the affirmation of their own identity. The introduction of Christian angels during the Ming and Qing dynasties, with their practical dimensions, facilitated the indigenization process of Catholicism in China and provided new perspectives and pathways for interreligious and intercultural dialogue. Full article

A conundrum in the cognitive, evolutionary, and anthropological study of religion is how to propose descriptions and explanatory models of the structure and functions of supernatural dreaming and its relationship to action imagery, the use of experience, and, importantly, cultural transmission (factors) associated with these representations. Research has long emphasized the important function and significance of dreams and dreaming in beliefs and practices related to religious phenomena. The literature of anthropology and religious studies shows that dreams, dream experiences, and narratives are often associated with religious ideas and practices, both in traditional societies and in the world religions. Indeed, at the very beginning of the anthropological study of human beings, scholars proposed that dreaming is a primary source of religious beliefs and practices. Another facet of this is the recurrent manifestations of divinities, spirits, ancestors, and demons—in short, imagery of various supernatural agents—together with the occasional ritualization of dreams in the waking state. However, we know less about the associated phenomenon of dreams about ritual imagery. The aim of this paper is to elucidate and map dream imagery about rituals, drawing on simulation theories from dream research and prominent models of ritual behavior in the cognitive and evolutionary science of religion (CESR). This theoretical and methodological endeavor is illustrated by examples from dream narratives collected in Nepal before and after the COVID-19 pandemic. Full article

In the Yi ethnic group in southwest China, the gourd is a prominent symbol, collectively imbued with imaginative and spiritual significance. It maintains a profound connection to the Yi people’s way of life, manifested in both ancient mythological narratives and contemporary social practices. Given the pivotal role of the gourd in the Great Flood, reconstituting the world and birthing humanity, this study delves into its intricate associations with fertile imagery and thinking, provides an interpretation of the gourd’s mythological archetype, elucidates religious practices, and explores the cultural interpretations conveyed through gourd imagery. The cultural traditions of the gourd within Yi culture operate through both mythological narratives and lived practices, forming an integrated cognitive framework through which people perceived and interpreted the world. Presently, research specifically focusing on the gourd symbol in Yi mythology and rituals is limited. This article, offering a perspective grounded in classical textual interpretation, aims to understand the culture of the Yi people. It provides a comprehensive analysis of the gourd’s symbolic significance and enriches broader discussions on cultural diversity in contemporary society. Full article

Humans are well known to have made paintings and engravings on rock surfaces, both geometric motifs with an unclear representation, and representative motifs that refer to their activities and aspects of their environment. This kind of art is widespread across time and space and has throughout history been subjected to various kinds of approaches. Typically, rock art research focuses on its role in the development of the hominin brain and the capability of abstract thinking, as well as on interpreting representative and non-representative motifs. Ethnography and cognitive research have often stressed that rock art is the result of ritual practises and the expression of a shamanic belief system. However, representative motifs may also shed light on a region’s ecological and human prehistory. Here, we give an overview of the general development of rock art study: we highlight the development of artistic behaviour in humans by discussing aesthetic preferences, and the creation of simple geometric motifs and eventually representative motifs, before describing the theories that developed from the earliest study of rock art. These have largely focused on classification and interpretation of the motifs, and often centred on Palaeolithic material from Europe. We then move on to discuss how ethnography among rock art creating communities often suggests important relationships between specific animals in both the realms of spiritual belief systems and within the local environment. Lastly, we highlight how rock art reflects the local penecontemporaneous environment when it comes to depictions of animals, plants, technologies, humans and their activities. We argue that animal depictions are a useful subject to study on a large scale, as it is the most widespread representative motif, and the most appropriate subject to study when the goal is to draw conclusions on environmental changes. Rock art can fill gaps in the local archaeological record and generate new questions of it, but also offer new insights into the history of local human–animal interaction: animal species depicted and/or referred to in rock art are likely to have been a selection of spiritually important animals and a comparison to known information on human interactions with local species may reveal patterns among which animals are selected for local rock art depictions and which are not. Interregional comparison can in turn shed light on whether humans in general tend to ascribe meaning to the same types of animals. We end the review with suggestions for future study, with a special role for computational methods, which are suitable for the analysis of large databases of visual imagery. Full article

Studies on the Indo-European principle of trifunctionality and on the medieval Three Estates imagery provide researchers with precious resources for investigating the ways and means through which social representations become loaded with sacredness, and sacredness progressively transferred from one set of social representations to another. This article focuses on the transformations undergone by the Three Estates religious substratum, first at the time of the birth of Absolutism, and second during and after the French Revolution. In the case of France (and with openings towards other contexts), it shows how trifunctionality has been attributed, alternatively or conjointly, to the bourgeoisie and to the nation. Triune imagery has thus contributed to shape rituals and symbols proper to civil religion in France. Additionally, this contribution draws lessons from our case study for assessing both the resilience and the power of metamorphosis proper to symbolic references once the latter are organized into patterns that nurture a community’s cohesiveness by the putting into motion of images, narratives and ritual practices. Full article

This article explores the pictorial representation of the Buddhist hell in Kamakura (1185–1333) Japan, with a focus on a mid-thirteenth century rokudō-e, or Pictures of the Six Realms, preserved at Shōjuraigōji Temple. The examination revolves around how these scroll paintings convey messages of salvation by representing the symbolic architecture of the hell realm, the lowest level within the six realms. By scrutinizing the visual representation of hell landscapes in four hell scrolls in the Shōjuraigōji set, the study unveils the architectural symbolism of boundaries and pathways. A visual analysis of two hell-tearing narrative scrolls further reveals that the key iconography involves the destruction of the architectural symbols of hell. Through tracing the concurrent processes of constructing and destroying the imaginary space of hell, the study demonstrates that the conceptual and visual construction of hell is coupled with an equally pronounced intent for hell-tearing. Lastly, based on the visuality of the hell-escaping narratives, the medium of hanging scrolls, and the centrality of an Enma scroll within the Shōjuraigōji set, the author proposes a spatial arrangement of this set of fifteen scrolls that could systematically convey the visual massage of “escaping from suffering in the six courses”. Full article

The archetypal symbols of Mazu’s statues and pictorial art are the mapping of a religious concept, a way of belief, and some programmed behaviours and rituals. They are also emotional imagery used to arouse the cultural awareness of international Chinese, inspire them to help and trust each other, to encourage and to comfort each other, to share weal and woe, and to always forge ahead. From the perspectives of historical memory, visual signs, and cultural identity, this paper explores the construction of archetypal symbols for the statues and images of Mazu. In addition, this paper generalizes the foundation and methods of this construction by analyzing the artistic forms and characteristics of the surviving Mazu images and statues and comparing the rules and regulations for making statues of other religions. Moreover, we consider the function of artistic signs that refer to and symbolize broader religious concepts and beliefs. The purpose of this work is to make the image of Mazu more visually present and strengthen cultural identity. Full article

This article presents selected aspects of Marian pilgrimages in the context of lived Catholicism in Poland. Lived Catholic Mariology is a concept introduced in this paper and discussed in terms of the intimate as well as communal relationships people establish with Mary through and in various rituals (e.g., pilgrimages), sites (e.g., shrines) and objects (e.g., images). Links between materializing Mary through images; affective, sensual and corporeal religious experiences; and community bonding are presented. They are discussed by drawing on approaches that refer to material religion, religion as mediation, concepts of sensational forms, and aesthetic formations. When examining the centrality of Marian images in Polish pilgrimage practices, this paper focuses on earlier developments, especially (1) those connected with the growth of Marian shrines during the Counter Reformation period and (2) the role played by traditional and innovative Marian pilgrimages during the Communist period in Poland (1945–1989). The final part of the paper refers to the recent changes connected with political polarization of Polish society, the process of radicalization through right-wing discourses that embrace Marian imagery and pilgrimages, the decline of Roman Catholicism and Catholic practices among Poles, and emerging alternative currents relating to Mary and pilgrimages in religious and secular contexts. Referring to various historical and current examples, this paper proposes seeing pilgrimages through the lived religion approach with a focus on materiality and mediatory dimension of religion. Full article

Serving as a conceptual introduction to the ARTS special issue, the article discusses the importance of archaic imagery and poetics of a major avant-garde actor who often symbolizes the main axis of Slavic radical modernism in its Avant-garde phase. Kazimir Malevich has widely explored religious archaic imagery in his oeuvre, engaging in a dialog with a historical tradition of representation. The article discusses Malevich’s iconic legacy, zooming in on the philosophy of Malevich’s suprematist imagery of peasants, Orthodox icons, and the ways of visualizing of an inner Hesychast prayer. In this context, the paper also analyzes Russian philosophy of language, imiaslavie and Hesychasm as it stemmed out from the creative perception of Byzantine philosophical lore developed by Gregory Palamas and several other thinkers. Full article

This paper presents an analysis of a ritual event memorialised on stone reliefs at the ancient city of Carchemish around 800 BC. It is argued that the reliefs represent a ceremony of investiture, in which boys of royal lineage are handed out toys as oracular instruments to elicit favourable omens for the heir apparent. The inclusion of boys and their toys in the visual commemoration of a political ritual has bearings on three levels of meaning. First, it testifies to a hitherto unrecognised cult practice, involving grouping boys in age classes and harnessing their ludic practices for ritual purposes. Second, it reflects local political preoccupations connected with dynastic controversies, in an attempt to silence counternarratives through the emphatic staging of children. Finally, the chosen imagery conveys complex philosophical ideas about life, education, and individual destiny, connecting with issues of material religion and childhood studies. The study integrates interpretive perspectives from visual semiotics, architectural analysis, and ancient studies to show how, upon specific occasions, marginal groups and everyday material items, such as children and their toys, may play critical roles in collective ritual events. Full article