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Special Issue "Architecture Is a Luxury"
Deadline for manuscript submissions: closed (31 May 2019).
Luxury is a mutifaceted term and its connotations have changed through time. In an age dominated by global media, speedy fashion cycles and sustainability, luxury has become a belligerent paradigm in architecture. Architecture is also a salvageable luxury. For those searching for luxury fashion brands and goods in extreme locations, such as FENDI’s headquarters housed in the former fascist EUR building in Rome and Studio KO’s Musee Yves Saint Laurent in Marrakech, the buildings themselves offer permanent phenomena and yet the spaces remain exclusive. Alternatively, wilfully marking the entrance into Herzog and de Meuron’s Public Hotel in New York is a continuously operating and glowing escalator, an internal street, directing guests and visitors up to the main lobby, offering luxury for all for a brief moment. Undiagnosed luxury exists within Edward Neuenschwander’s architecture.
Architecture is a luxury and it deserves to be critiqued with a focus on what this means in a contemporary sense. It continues to evolve, but how? Revisiting the six historical categories explored in The Architecture of Luxury (Ashgate, 2014), sybaritic, lucullan, architectural excess, rustic, neoEuropean and modern, this special issue aims to provide a platform for researchers to reexamine the topic and critically analyse case studies, as well underpin future visions. This issue seeks proposals that explore innocuous spaces from contemporary perspectives by synthesizing new research into recent practice and conceptualisation. Questions to consider include, but are not limited to the following: when perusing a space, is it more apt to discuss its smooth or striated/ventilated surfaces, as well as one’s sensory experience, in terms of its sustainable “deluxe” condition? When did luxurious architecture become associated with what is: banal, brutal, gauche, mundane, crass or cheap? Contributions are invited from authors who critique cases located in desolate, fertile, underground or overground, or those air-fashioned in outer spaces.
Dr. Annette Condello
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access quarterly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
- salvageable luxury
- sensory experience
- spatial forms