Human-Animal Interactions in Western Art

A special issue of Arts (ISSN 2076-0752).

Deadline for manuscript submissions: 30 June 2025 | Viewed by 1528

Special Issue Editor


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Guest Editor
Department of Art + Design, Utah State University, Logan, UT 84322-3000, USA
Interests: history of art; animal studies; human-animal interaction in art; historical representations of dogs and wolves

Special Issue Information

Dear Colleagues,

Animals in Western art have long been primarily viewed by art historians as symbols, accessories, or staffage, but careful study can provide new insights into the history of human–animal interactions. For example, Jerome’s lion often seems to take on the role of a companion animal rather than simply serving as a symbolic attribute. Animals that accompany sitters in portraits provide us with an intimate view into the private lives of their human companions that no other accessory can match. The animals that populate narrative scenes operate in a diverse range of ways to embed additional layers of meaning, and they encourage viewers to look and think more deeply about the works in which they appear.

This Special Issue welcomes papers that examine representations of human–animal interactions in Western art. We are particularly interested in submissions that focus on the meaning of these representations and what they tell us about the cultures that produced them. Contributions that use diverse methodologies to uncover these meanings are welcome, as are interdisciplinary approaches. This Special Issue aims to encourage a new focus on representations of human–animal interactions in Western art.

Prof. Dr. Laura Gelfand
Guest Editor

Manuscript Submission Information

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Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • human–animal interactions
  • art history
  • animal studies
  • Western art

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Published Papers (1 paper)

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Research

19 pages, 3001 KiB  
Article
Judith Leyster’s A Boy and a Girl with a Cat and an Eel: An Intersectional Approach
by Elizabeth Sutton
Arts 2024, 13(5), 150; https://doi.org/10.3390/arts13050150 - 1 Oct 2024
Viewed by 1111
Abstract
In A Boy and a Girl with a Cat and an Eel, concerns about class, decorum, and civility intersected with contemporary dialogue about the distinction between humans and animals, specifically, how human children needed to be educated to be distinguished from the [...] Read more.
In A Boy and a Girl with a Cat and an Eel, concerns about class, decorum, and civility intersected with contemporary dialogue about the distinction between humans and animals, specifically, how human children needed to be educated to be distinguished from the wild, uncivilized state of animals and peasants. Both animals held significance surrounding behaviors that separated the moral from the immoral; cats and eels were pets and food, and they were used in baiting pastimes: cat clubbing and eel pulling. Paired with the children, Leyster’s choice of animals raised multiple moral questions and allowed for multiple interpretations, making the work widely appealing and setting Leyster apart in a tight market for genre paintings. These layers of possible meanings continue to make the work compelling today and shed light on how visual culture reflected and reinforced human–animal and social class distinctions. Full article
(This article belongs to the Special Issue Human-Animal Interactions in Western Art)
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Planned Papers

The below list represents only planned manuscripts. Some of these manuscripts have not been received by the Editorial Office yet. Papers submitted to MDPI journals are subject to peer-review.

Title: An Alternative Companionship: Representations of Pets and the Visualization of Solitude in the Nineteenth-Century
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