Creating Musical Experiences

A special issue of Arts (ISSN 2076-0752).

Deadline for manuscript submissions: 15 September 2025 | Viewed by 397

Special Issue Editors


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Guest Editor
School of Theology, Philosophy, and Music, Dublin City University, D09 N920 Dublin, Ireland
Interests: choral studies; conducting and leadership; music in its historical and cultural contexts; creative collaboration; music performance and recording
Special Issues, Collections and Topics in MDPI journals

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Guest Editor
School of Creative Arts, Trinity College Dublin, D02 PN40 Dublin, Ireland
Interests: choral conducting; practice-led research; historical and contemporary repertoire; interpretation, style and performance

Special Issue Information

Dear Colleagues,

The experience of musical performance often represents the culmination of an extensive artistic journey involving many considerations and inspirations, whether aesthetic, practical, literary, thematic, context-specific, or otherwise. For this Special Issue, we invite scholarly articles that explore the creation and curation of artistic experiences in the field of music. Research may encompass areas such as repertoire and programming, concert design and performance, collaborative composition or collaborative creative processes more broadly, and may pertain to live music or to non-live contexts, such as recordings, as a means of achieving experiential artistic outcomes. Topics may have a historical or contemporary focus and may arise from practitioner–researcher and/or academic musicologist perspectives, among others. Individual and collaborative articles are welcome.

Dr. Róisín Blunnie
Dr. Orla Flanagan
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • music performance
  • artistic programming
  • concert design
  • curating musical experiences
  • historical and contemporary performance design
  • collaborative creativity and performance

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Published Papers (1 paper)

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Research

10 pages, 195 KiB  
Article
“I Wanna See It Boil”: Satire as Eco-Political Performance in Talking Heads’s “(Nothing But) Flowers” (1988) and Anohni’s “4 Degrees” (2015)
by Håvard Haugland Bamle
Arts 2025, 14(4), 96; https://doi.org/10.3390/arts14040096 - 15 Aug 2025
Abstract
This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical [...] Read more.
This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical performance and the sentiments expressed in the song lyrics. A rhetorical framework informs how an examination of such discrepancies may enable new perceptions of the environmental theme to come to mind through what Charles A. Knight calls a satiric “frame of mind”. The satire in these songs not only targets attitudes to convey a moral judgment on them but also provokes audiences to undertake the task of self-examination. If successful, satire in popular song lyrics can contribute to the reconfiguration of listeners’ perceptions of the relationship between humans and nonhuman nature. Full article
(This article belongs to the Special Issue Creating Musical Experiences)
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