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30 January 2026

The Dead End of Dollar Road: Traces of World War II in Kjartan Fløgstad’s Novels

Department of Linguistic, Literary and Aesthetic Studies, University of Bergen, 5020 Bergen, Norway
This article belongs to the Special Issue Memories of World War II in Norwegian Fiction and Life Writing

Abstract

In his 17 novels, Kjartan Fløgstad (born 1944) has analysed the traces of WWII and possible continuations of right-wing ideology into post-war politics and ideology. In my article, I focus on four novels: Dalen Portland, U3, Grense Jakobselv, and Due og drone (Dove and Drone). Dalen Portland and U3 were published in the context of the Cold War, whereas Grense Jakobselv and Due og drone were published in a context in which history was claimed to have reached its end after the collapse of the Soviet Union. Fløgstad has opposed the end-of-history thesis since it was introduced in the influential study by Francis Fukuyama in 1992. From Fløgstad’s perspective, history has reached a dead end, as democratic ideals are being challenged and economic disparities are widening—even within the welfare states of Northern Europe. In all the novels being discussed, Fløgstad has consistently focused on factual and possible interlinks between right-wing figures of thought and stakeholders of political and economic power. Thus, the only consistent superpower, the United States, has also been an object of Fløgstad’s interest. The importance of the United States is even indicated in the well-chosen title for the English translation of Dalen Portland: Dollar Road. The interpretation of Fløgstad’s novels is simultaneously an interpretation of history. Given the threats to democratic ideals that have emerged in the 2020s, Fløgstad’s analysis has demonstrated notable foresight.

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