Memories of World War II in Norwegian Fiction and Life Writing

A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: 1 November 2025 | Viewed by 1066

Special Issue Editor


E-Mail Website
Guest Editor
Department of Nordic and Media Studies, University of Agder, 4604 Kristiansand, Norway
Interests: 19th, 20th and 21st century Scandinavian literature; Norwegian literature

Special Issue Information

Dear Colleagues,

This Special Issue addresses representations of WW II memories in contemporary Norwegian literature, doing so with a comparative glance at tendencies occurring in the entire post-war era. Today, the primary witnesses are mostly gone, and new generations are facing a past they feel an urgent need to thematize. In fiction and life writing, new voices approach this critical phase in Norwegian history and its inherited master narrative from fresh angles and current interests. Informed by family experiences, national and international memory culture, as well as recent historiographic research, literary contributions offer new interpretations of war-time concerns and their post-war afterlife.

Fiction which addresses historical experience is conventionally complete with references to real events and persons, thus implying a certain realism or trustworthiness. An important question is how this tension between the historical credibility and its aesthetical framing is shaped, and how the critics and readers respond to it. Another question concerns the changing norms that a comparative study of attitudes and opinions between past and present reveals. During times of occupation, unconventional relationships occur, and belongings (national, ethnic, gender) become powerful, even existentially decisive. The Special Issue will address these questions and offer comprehensive analyses of selected Norwegian WWII literature.

Abstract deadline: 1 March 2025

Prof. Dr. Unni Langås
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • Norwegian literature
  • memory studies
  • World War II

Benefits of Publishing in a Special Issue

  • Ease of navigation: Grouping papers by topic helps scholars navigate broad scope journals more efficiently.
  • Greater discoverability: Special Issues support the reach and impact of scientific research. Articles in Special Issues are more discoverable and cited more frequently.
  • Expansion of research network: Special Issues facilitate connections among authors, fostering scientific collaborations.
  • External promotion: Articles in Special Issues are often promoted through the journal's social media, increasing their visibility.
  • Reprint: MDPI Books provides the opportunity to republish successful Special Issues in book format, both online and in print.

Further information on MDPI's Special Issue policies can be found here.

Published Papers (1 paper)

Order results
Result details
Select all
Export citation of selected articles as:

Research

15 pages, 238 KiB  
Article
Postmemory Interpretations of Second World War Love Affairs in Twenty-First-Century Norwegian Literature
by Unni Langås
Humanities 2025, 14(7), 135; https://doi.org/10.3390/h14070135 - 24 Jun 2025
Viewed by 610
Abstract
Love and intimate relations between German men and Norwegian women were a widespread phenomenon during WWII. Like in many other European countries, these women were stigmatized and humiliated both by the authorities and by the civilian population. In this article, I discuss four [...] Read more.
Love and intimate relations between German men and Norwegian women were a widespread phenomenon during WWII. Like in many other European countries, these women were stigmatized and humiliated both by the authorities and by the civilian population. In this article, I discuss four postmemory literary works that address this issue: Edvard Hoem’s novel Mors og fars historie (The Story of My Mother and Father, 2005), Lene Ask’s graphic novel Hitler, Jesus og farfar (Hitler, Jesus, and Grandfather, 2006), Randi Crott and Lillian Crott Berthung’s autobiography Ikke si det til noen! (Don’t tell anyone!, 2013), and Atle Næss’s novel Blindgjengere (Duds, 2019). I explore how the narratives create a living connection between then and now and how they deal with unresolved questions and knowledge gaps. Furthermore, I discuss common themes such as the fate and identity of war children, national responsibilities versus individual choice, and norms connected to gender and sexuality. I argue that these postmemory interpretations of wartime love affairs not only aim to retell the past but to investigate the normative frameworks within which these relationships took place. My contention is that the postmemory gaze pays primary attention to the power of cultural constructions—of nationality, identity, and gender—as well as their context-related historical changes. Full article
(This article belongs to the Special Issue Memories of World War II in Norwegian Fiction and Life Writing)
Back to TopTop