Search Results (213)

The research was initiated by the Plečnik House gallery (Ljubljana, Slovenia) and focuses on the 3D architectural reconstruction of the unrealised monument of the Czech military leader Jan Žižka, designed by the Slovenian architect Jože Plečnik. In addition, the experience with the 3D reconstructed monument in the exhibition “Plečnik and the Sacred” was analysed. Using the available references and interpretative approaches, a digital and 3D-printed reconstruction was created that retains Plečnik’s architectural style. The experimental phase included a detailed interpretation of the studied references, 3D modelling, 3D printing, exhibition and experience analysis. The dimensions of the finished 3D-printed model are 52.80 × 55.21 × 44.60 cm. It was produced using stereolithography (SLA) for figurative elements and fused deposition modelling (FDM) for architectural components. The reconstruction was evaluated using participant testing, including semantic differential analysis, comparative studies, and knowledge-based questionnaires. The results showed that architectural elements were reconstructed with an average similarity score of 1.97 out of 5. Statues followed with a score of 1.81, and props, though detailed, met audience expectations, scoring 1.61. Clothing received the lowest score of 1.40. This research emphasises the importance of a hypothetical digital 3D reconstruction of never constructed monument for broader understanding of Plečnik’s legacy. Full article

This article analyzes the role of parish churches, erected after 1945, in shaping the urban and social structures of the Szczecin housing estates, examining their importance and impact on the surrounding space. This research focused on three groups of churches as spatial landmarks and symbols of young heritage, analyzing their location, form, and social significance. The objective of the present research was to determine how contemporary churches perform a dominant function in space and how they affect the social identity of residents, to determine whether these churches can be considered objects of young cultural heritage. This work used field research, spatial and photographic analysis, and typological classification. Six selected churches were subjected to comparative analysis. The results indicate a clear impact of sacred architecture on public spaces and the need to formulate new monument protection strategies for contemporary sacred objects as elements of urban cultural heritage. This article fits into the current discussions on the creation of criteria for evaluating post-war architecture and its place in the structure of a developing city. We noticed the lack of tools and directions for the protection of young heritage, and suggested directions for the sustainable protection of contemporary buildings. Full article

This article traces the historical evolution of mural painting as a medium of cultural expression from prehistoric cave art to contemporary street interventions. Adopting a diachronic and interdisciplinary approach, it investigates how muralism has developed across civilizations in relation to techniques, symbolic systems, social function, and its embeddedness in architectural and urban contexts. The analysis is structured around key historical periods using emblematic case studies to examine the interplay between materiality, iconography, and socio-political meaning. From sacred enclosures and civic monuments to post-industrial walls and digital projections, murals reflect shifting cultural paradigms and spatial dynamics. This study emphasizes how mural painting, once integrated into sacred and imperial architecture, has become a tool for public participation, protests, and urban storytelling. Particular attention is paid to the evolving relationship between wall painting and the spaces it inhabits, highlighting the transition from permanence to ephemerality and from monumentality to immediacy. This article contributes to mural studies by offering a comprehensive framework for understanding the technical and symbolic transformations of the medium while proposing new directions for research in the context of digital urbanism and cultural memory. Full article

Bagheria, located on the northern coast of Sicily, is home to one of the Mediterranean’s most remarkable ensembles of Baroque villas, constructed between the 17th and 18th centuries by the aristocracy of Palermo. Originally situated within a highly structured rural landscape of citrus groves, gardens, and visual axes, these monumental residences have undergone substantial degradation due to uncontrolled urban expansion throughout the 20th century. This study presents a diachronic spatial analysis of Bagheria’s territorial transformation from 1850 to 2018, integrating historical cartography, aerial photography, satellite imagery, and Geographic Information System (GIS) tools. A total of 33 villas were identified, georeferenced, and assessed based on their spatial integrity, architectural condition, and relationship with the evolving urban fabric. The results reveal a progressive marginalization of the villa system, with many heritage assets now embedded within dense residential development, severed from their original landscape context and deprived of their formal gardens and visual prominence. Comparative insights drawn from analogous Mediterranean heritage landscapes, such as Ortigia (Siracusa), the Appian Way (Rome), and Athens, highlight the urgency of adopting integrated conservation frameworks that reconcile urban development with cultural and ecological continuity. As a strategic response, the study proposes the creation of a thematic cultural route, La città delle ville, to enhance the visibility, accessibility, and socio-economic relevance of Bagheria’s heritage system. This initiative, supported by adaptive reuse policies, smart heritage technologies, and participatory planning, offers a replicable model for sustainable territorial regeneration and heritage-led urban resilience. Full article

This study explores the provenance of white marble architectural elements from Roman Philippopolis, with a particular focus on the Eastern Gate complex. By determining the origin of the marble, we aim to elucidate economic, social, and urban dynamics related to material selection and trade networks. The investigation examines the symbolic significance of prestigious marble in elite representation and highlights the role of quarry exploitation in the region’s economic and technological development. The Eastern Gate, a monumental ensemble integrated into the city’s urban fabric, was primarily constructed with local Rhodope marble, alongside imported materials such as Prokonnesian marble. Analytical methods included petrographic examination, chemical analysis of trace elements (Mn, Mg, Fe, Sr, Y, V, Cd, La, Ce, Yb, and U), and stable isotope analysis (δ¹⁸O, δ¹³C). Statistical evaluations were performed for each sample (37 in total) and compared with a comprehensive database of ancient quarry sources. The results underscore the dominance of local materials while also indicating selective use of imports, potentially linked to symbolic or functional criteria. The findings support the hypothesis of local workshop activity in the Asenovgrad/Philippopolis area and shed light on regional and long-distance marble trade during the Roman Imperial period, reflecting broader economic and cultural interconnections. Full article

The crystallization of soluble salts is one of the most significant agents of deterioration affecting porous building materials in historical architecture. This process not only compromises the physical integrity of the materials but also results in considerable aesthetic, structural, and economic consequences. Soluble salts involved in these processes may originate from geogenic sources—including soil leachate, marine aerosols, and the natural weathering of parent rocks—or from anthropogenic factors such as air pollution, wastewater infiltration, and the use of incompatible restoration materials. This study examines the role of capillary rise as a primary mechanism responsible for the vertical migration of saline solutions from the soil profile into historic masonry structures, especially those constructed with calcareous stones. It describes how water retained or sustained within the soil matrix ascends via capillarity, carrying dissolved salts that eventually crystallize within the pore network of the stone. This phenomenon leads to a variety of damage types, ranging from superficial staining and efflorescence to more severe forms such as subflorescence, microfracturing, and progressive mass loss. By adopting a multidisciplinary approach that integrates concepts and methods from soil physics, hydrology, petrophysics, and conservation science, this paper examines the mechanisms that govern saline water movement, salt precipitation patterns, and their cumulative effects on stone durability. It highlights the influence of key variables such as soil texture and structure, matric potential, hydraulic conductivity, climatic conditions, and stone porosity on the severity and progression of deterioration. This paper also addresses regional considerations by focusing on the context of Spain, which holds one of the highest concentrations of World Heritage Sites globally and where many monuments are constructed from vulnerable calcareous materials such as fossiliferous calcarenites and marly limestones. Special attention is given to the types of salts most commonly encountered in Spanish soils—particularly chlorides and sulfates—and their thermodynamic behavior under fluctuating environmental conditions. Ultimately, this study underscores the pressing need for integrated, preventive conservation strategies. These include the implementation of drainage systems, capillary barriers, and the use of compatible materials in restoration, as well as the application of non-destructive diagnostic techniques such as electrical resistivity tomography and hyperspectral imaging. Understanding the interplay between soil moisture dynamics, salt crystallization, and material degradation is essential for safeguarding the cultural and structural value of historic buildings in the face of ongoing environmental challenges and climate variability. Full article

Sustainable architectural heritage conservation focuses on preserving historical buildings while promoting environmental sustainability. It involves using eco-friendly materials and methods to ensure that the cultural value of these structures is maintained while minimizing their ecological impact. In this paper, the use of the hydroxyapatite (HAp) in various combinations on masonry samples is presented, with the aim of identifying the ideal solution to be applied to an entire historical building in Banloc monument. The new solution has various advantages: compatibility with historical lime mortars (chemical and physical), increased durability under aggressive environmental conditions, non-invasive and reversible, aligning with conservation ethics, bioinspired material that avoids harmful synthetic additives, preservation of esthetics—minimal visual change to treated surfaces, and nanostructural (determined via SEM and AFM) reinforcement to improve cohesion without altering the porosity. An innovative approach involving hydroxiapatite addition to commercial mortars is developed and presented within this paper. Physico-chemical, mechanical studies, and architectural and economic trends will be addressed in this paper. Some specific tests (reduced water absorption, increased adhesion, high mechanical strength, unchanged chromatic aspect, high contact angle, not dangerous freeze–thaw test, reduced carbonation test), will be presented to evidence the capability of hydroxyapatite to be incorporated into green renovation efforts, strengthen the consolidation layer, and focus on its potential uses as an eco-material in building construction and renovation. The methodology employed in evaluating the comparative performance of hydroxyapatite (HAp)-modified mortar versus standard Baumit MPI25 mortar includes a standard error (SE) analysis computed column-wise across performance indicators. To further substantiate the claim of “optimal performance” at 20% HAp addition, independent samples t-tests were performed. The results of the independent samples t-tests were applied to three performance and cost indicators: Application Cost, Annualized Cost, and Efficiency-Cost-Performance (ECP) Index. This validates the claim that HAp-modified mortar offers superior overall performance when considering efficiency, cost, and durability combined. Full article

The fire at the Notre Dame Cathedral accentuated the sense that this architectural building is a symbol of unity and identity for the population. This symbol extends beyond its French and Christian origins, reflecting the universal nature of cultural heritage, which has the extraordinary ability to unite people across nations, transcending ideologies, religions, and political divisions. The reopening of the Notre Dame Cathedral marks a profound milestone in the preservation of cultural heritage, embodying resilience, restoration, and the enduring significance of shared human history. This research examines the impacts of the restoration of the cathedral at national and global scales through the implementation of questionnaires to visitors to the cathedral’s inauguration. The restoration process, which gained extensive media coverage, not only revived the cathedral’s architectural grandeur but also sparked international discussions about heritage conservation. Through an analysis of the questionnaire results for different factors, this study highlights the complexities of managing a monumental heritage of this magnitude in a globalized world. It reflects the ethical, financial, and social challenges involved in major restoration projects, using Notre Dame as a paradigmatic example. The paper concludes that the reopening of the cathedral is not only a triumph of physical restoration but also a testament to humanity’s resilience in the face of adversity. It serves as a powerful reminder of the importance of safeguarding cultural heritage for future generations while fostering a sense of collective responsibility. Full article

The purpose of this entry is to introduce the concept of Heritage-based Urban Development and explain its evolution and implications for historic urban landscapes. The term Historic Urban Landscape (HUL) refers to an integrated understanding of historic cities that goes beyond individual monuments or architectural ensembles to encompass the broader spatial, cultural, and functional relationships within the urban fabric. It reflects a shift toward viewing historic areas as dynamic systems with a role in sustainable development. Heritage-based urban development refers to development approaches that take urban heritage—typically within historic urban landscapes—as the starting point, valuing these landscapes in all their specificities, processes, and cultural meanings as resources to be embraced rather than obstacles to be overcome. Full article

The Cathedral of Beauvais remains one of the most enigmatic and ambitious architectural undertakings of the Gothic era. Conceived to surpass all other cathedrals in height and grandeur, it achieved unprecedented verticality but collapsed under the weight of its own aspirations. This article reexamines Beauvais as a case study in Gothic engineering—its structural daring, tragic failures, and enduring legacy—through a multidisciplinary approach combining historical research, technical analysis, and philosophical interpretation. Structured in accordance with standard academic conventions, the article outlines its methodology, presents a detailed reconstruction of the cathedral’s history, and discusses its broader cultural and conservation implications. A dedicated discussion section explores not only the engineering and symbolic significance of Beauvais but also the limitations of the present study and potential avenues for future research. Ultimately, the cathedral is framed not merely as a failed monument, but as a lasting testament to the human drive to build beyond known limits. Full article

High-resolution holographic visualization of built environments remains largely inaccessible due to the complexity and technical demands of traditional 3D data acquisition processes. This study proposes a workflow for producing high-quality full-color digital holographic stereograms of architectural landmarks using Google Earth Studio. By leveraging photogrammetrically reconstructed three-dimensional (3D) city models and a controlled camera path, we generated perspective image sequences of two iconic monuments, that is, the Basílica de la Sagrada Família (Barcelona, Spain) and the Arc de Triomphe (Paris, France). A custom pipeline was implemented to compute keyframe coordinates, extract cinematic image sequences, and convert them into histogram data suitable for CHIMERA holographic printing. The holograms were recorded on Ultimate U04 silver halide plates and illuminated with RGB light-emitting diodes, yielding visually immersive reconstructions with strong parallax effects and color fidelity. This method circumvented the requirement for physical 3D scanning, thereby enabling scalable and cost-effective holography using publicly available 3D datasets. In conclusion, the findings indicate the potential of combining Earth Studio with digital holography for urban visualization, cultural heritage preservation, and educational displays. Full article

In the central Mesa Verde region, rock art occurs on canyon walls and on boulders that are frequently associated with other archaeological remains. Moreover, rock art, together with architecture and pottery, is actually a primary source of archaeological information about the presence of various cultures in the area. It includes paintings and petroglyphs of Ancestral Pueblo farming communities, images and inscriptions made by post-contact Ute and possibly Diné (Navajo) people as well as historical inscriptions of the early Euro-Americans in this area. This paper presents the results of archaeological investigations at four large rock art sites from Sandstone Canyon, southwestern Colorado, within the Canyons of the Ancients National Monument (CANM). Methods of rock art recording included advanced digital photography, photogrammetry, terrestrial laser scanning (TLS), hand tracing, and consultations with members of indigenous societies and rock art scholars. Geophysics and sondage excavations were conducted at one site revealed important information about archaeology, environment, and geology of the area. Analysis of rock art and other material evidence aims to help reconstruct and understand the mechanisms and nature of cultural changes, migrations, and human–environmental interactions and later cross-cultural contacts between indigenous peoples and Anglo-American ranchers and settlers in southwestern Colorado and the US Southwest. Full article

For decades, in historical research, archeological vestiges have been linked with geomancy and cults of the mythical ancestors of a group of the population. This is particularly true in Eastern Asia and especially in China, Korea, and Japan. A fundamental problem of Japanese archeology is that few of the remnants were realized in stone. One of the most important parts of archeological sciences is the study of Necropolises or ancient interments. From the 1970s onwards, in the relatively “new” and promising land of Hokkaido, cemeteries were built with the concept of landscape in mind; this is also due to the lavish vegetation features of this northernmost island of Japan. In the case of the Takino cemetery on the plains of Sapporo, Hokkaido, whose construction began in 1982, solemnity and religiousness were incorporated by producing exact stone replicas of famous funerary landmarks from antiquity as such materials were inexistent in the Nipponese Isles. This trend to grant eternity included traditional Buddhist funereal monuments like the Stupa, Seokguram grotto, and Kamakura sites, but at a certain and exuberant point, under the influence of Isamu Noguchi, it reached Stonehenge in England and the Moai from Easter Island in Polynesia (being after all located in a remote isle of the Pacific Ocean). In this article we will outline such process of generation and overall conception, analyzing the inclusion and architectural assembly of the different compounds and the recent and extraordinary additions projected and built by the celebrity architect Tadao Ando. We expect, in this manner, to facilitate the comprehension of the significance of venerable landscape sublimated through archeology for the Nipponese modern civilization. Full article

Rome, historically regarded as a monumental center of Catholic Christendom, now stands as a multi-layered environment shaped by diverse religious communities whose overlapping architectures, rites, and narratives expand the city’s cultural memory. This article employs Warburg’s Mnemosyne methodology to investigate how symbolic motifs, architectural forms, and intangible practices—from Eastern Orthodox iconography to the Great Mosque of Rome’s transnational design—migrate, adapt, and reconfigure within Rome’s urban fabric. Drawing on interdisciplinary approaches from cultural memory studies, religious studies, and urban geography, it reveals how minority communities—Jewish, Muslim, Orthodox Christian, Protestant, Methodist, and Scientology—act as “memory agents”, negotiating visibility and introducing new heritage layers that challenge monolithic perceptions of Rome’s identity. The analysis underscores that intangible heritage, such as chanting, prayer, and interfaith festivals, is equally central to understanding how collective memory is produced and transmitted. Tensions arise when key stakeholders do not validate these emerging cultural forms or question their “authenticity”, reflecting the contested nature of heritage-making. Ultimately, Rome’s religious plurality, shaped by migration and historical transformations, emerges as a dynamic memoryscape. By recognizing the vital role of minority faiths in heritage-making, this study contributes to broader debates on cultural pluralism, super-diversity, and the evolving definitions of religious and cultural heritage in contemporary global cities. Full article

This pilot study aims to evaluate the state of the natural environment in the Silver Maples Alley (SMA) in Łódź, Poland, by using interdisciplinary research methods combining landscape architecture and environmental microbiology. The research focuses on the ecological condition of the trees in SMA, a historical monument consisting of about 100 century-old silver maples (Acer saccharinum L.). As part of the analysis, the study examines the area’s soil properties, microbiological composition, and air quality, providing a comprehensive approach to assessing environmental quality. Microbial analyses were conducted to determine soil pH, the presence of polycyclic aromatic hydrocarbons (PAHs), and the activity of Bacillus bacteria that produce biosurfactants for pollutant degradation. The results were compared with control sites with different Air Quality Index (AQI) values, including a park, a rural area, and a revitalized urban space. The findings support the hypothesis that environmental cleanliness correlates with the presence of pollutant-degrading microorganisms, particularly in areas with better air quality. This research contributes to understanding the role of green infrastructure, particularly old tree alleys, in urban ecosystems and public health. It also provides valuable insights into future management practices for historical green spaces. It highlights the need for interdisciplinary collaboration between landscape architecture, microbiology, and environmental sciences to address pressing sustainable development challenges. Full article