Search Results (51)

The Singaporean government’s Green Plan 2030 aims to “galvanize a whole-of-nation movement and advance [its] national agenda on sustainable development,” transforming the Garden City into a City in Nature. The state’s #OneMillionTrees campaign, which intends to plant a million trees over a decade, seems less focused on climate adaptation, given Singapore’s unresolved environmental issues such as oil refinement, terraforming, and hyperconsumption. Instead, it appears to superficially address deeper socioenvironmental wounds inflicted on the postcolonial people and land. In this article, I explore the visual culture of Singapore’s ableist-nationalist greening campaigns alongside artworks such as Marvin Tang’s A Guide to Tree Planting and History of 39 Cuttings—Hybrids, and Woong Soak Teng’s Ways to Tie Trees and Rules for Photographing a Scoliotic Patient. I argue that Tang and Woong highlight adaptation issues in the face of eco-ableist sustainability in Singapore, challenging simplistic notions of climate adaptation by attending to vulnerable, sexed and gendered more-than-human bodies. The field of art history has an opportunity to probe ableist visions of ecological sustainability—within an emerging discourse between environmental justice and disability studies—by historicizing and interpreting such art, as it speaks to enduring, more-than-human impairment and climate adaptation. Full article

This paper examines the colonial and postcolonial construction of the underdeveloped Hindu male ego in V.S. Naipaul’s “One Out of Many”, focusing on immigrant Santosh—who migrates from Bombay to Washington—as a site where gender, caste, and race intersect. Using Stephen Greenblatt’s technique of New Historicism as a methodological tool, it argues that Santosh’s posture, psychological and sexual crises epitomize colonial and psychoanalytical discourses that feminized Hindu masculinity through martial race ideology and psychoanalytic tropes. The paper shows how Naipaul employs, in the novella, colonial period’s circulating Hindu symbolic motifs such as Kali, Prayashchittam (purificatory rituals), bronze gods, and brass plates to reinforce images of Hindu men as guilt-ridden, impure, sexually deficient and lacking assertiveness, and gift of vison. The paper further argues by excavating an archived letter of Sudhir Kakar how Naipaul in India: A Wounded Civilization appropriated Sudhir Kakar’s psychoanalytic approaches to undermine Hindu masculinity. It concludes that Santosh is less a universal immigrant and more a culturally historicized projection of colonial, and psychoanalytical discourses on emasculation. Full article

The article discusses contexts of Henry Miller’s works (“Black Spring”, “Tropic of Capricorn”) and the poem Brooklyn Bridge by Vladimir Mayakovsky, which have in common the theme and imagery of a Bridge and the avant-garde era of creation. The authors of the article analyze not so much the “intersection” as the “union” of Miller and Mayakovsky, that is, not so much coincidences and closeness as complements that allow us to trace the entire breadth of the avant-garde literary project. In Henry Miller’s works the semantics of the image of a bridge referring to Nietzche’s Thus Spake Zarathustra is primarily noted and analyzed. In the analysis of Mayakovsky’s poem, special attention is paid to the verse and thematic composition of the text; metaphors; sound repetitions and echoes and their semantics; the specific historicism; and an important concept of reconstruction from traces, remains, and reflexes, turning to which Mayakovsky comes closer to, the unknown to him, Charles S. Peirce (abduction) and Carlo Ginzburg (keys), who was not yet born in the year the text was written. Full article

This paper critiques the discursive knowledge productions in V. S. Naipaul’s Among the Believers by challenging the authority of its purported firsthand observations of practising Muslims across four Muslim-majority societies. It argues the book’s discursive knowledge production is not grounded in empirical ethnography but is instead manufactured through specific narrative and rhetorical strategies. Drawing on theoretical frameworks from Gilles Deleuze and Félix Guattari (deterritorialization), Homi Bhabha (mimicry and ambivalence), and Paul de Man (prosopopoeia), the study demonstrates how Naipaul constructs a civilizational hierarchy by positioning himself against anthropological knowledge, trivializing or appropriating peripheral writers, selectively manipulating canonical and non-canonical texts, and orchestrating encounters with interlocutors. The analysis examines how these techniques create a narrative backdrop for critiquing Islamic institutions and practices, including Sharīʿah, religious pedagogy, and educational systems such as the pesantren. Through Orientalist framing, selective historicism, and rhetorical ventriloquism, Naipaul consistently represents the Islamic world as a site of civilizational deficiency in contrast to his ideal of a Western ‘universal civilization’. The paper further engages the writings of key intellectuals—Geertz, Illich, Foucault, Iqbal, and Maududi—to counter Naipaul’s civilizational diagnosis and to foreground alternative internal critiques of modernity, politics, and education. It concludes that Naipaul’s treatment of Islam participates in a longer discursive tradition shaped by Enlightenment-derived narratives of cultural hierarchy rather than neutral ethnographic inquiry. Full article

Surrealism persistently resisted its own historicization, defining itself not as a literary or artistic movement but as an activity of the mind aimed at total liberation. This essay re-examines surrealism’s internal contradictions: its rejection of literature alongside its dependence on literary institutions; its commitment to psychic freedom alongside political orthodoxy; and its hostility to authorship alongside the production of canonical works. Drawing on manifestos, journals, performance practices, and postwar critical reception, the essay situates surrealism at the fault line between modernism, Dada, and later poststructuralist theory. It argues that surrealism’s most enduring legacy lies less in its aesthetic products than in its reconfiguration of cultural authority among artist, artwork, and reader, a redistribution that continues to shape contemporary literary, media, and performance studies. Full article

This paper proposes a comparative model of “bidirectional transcendence” in Confucian thought by reading the concept of jing (敬) against two kinds of human finitude: “no-more” of being and “not-yet” of being. Drawing on philological analysis of classical lexemes, close readings of Song–Ming Neo-Confucian texts, and a comparison with Western accounts of religious and philosophical transcendence, I show that jing generates two complementary responses. The first is an outward, historicizing form of transcendence—embodied in “revering Heaven and following ancestors” (jingtian fazu 敬天法祖)—which secures communal meaning and a this-worldly continuity of ethical life in the face of the “no-more.” The second is an inward, realm-oriented transcendence—articulated in “being serious in order to straighten one’s inner life” (jing yi zhi nei 敬以直內)—realized through self-cultivation (gongfu 工夫) and the integration of mind and the principle of Heaven, and oriented toward the “not-yet.” This bidirectional framework reconciles readings that cast Confucianism as either purely ethical or essentially religious, clarifies recurring comparative and translational pitfalls, and offers a concise, textually grounded basis for Sino–Western dialogue about varieties of transcendence and ultimate concern. Full article

This article argues that Thomas Kuhn’s The Structure of Scientific Revolutions developed a historicized and developmental account of cognition in which scientific transformation depends on encounters with what is not yet discernible within existing conceptual frameworks. Drawing on Kuhn’s early writings and archival materials, the study situates his thought within a transatlantic intellectual lineage that includes William James, Susanne K. Langer, Jean Piaget, Michael Polanyi, and Ludwik Fleck, as well as anti-foundational models of inquiry associated with Otto Neurath. Kuhn’s notion of a “fringe of vague meaning” designates a cognitive condition in which non-objects exert directive force prior to conceptual articulation. Indiscernibility is not treated as subjective confusion or phenomenological experience but as a historically situated and socially mediated phase of cognitive reorganization. Scientific revolutions, like religious transformations in domains that permit conceptual reorganization, share a common cognitive structure: both depend on the capacity to dwell within indiscernibility long enough for new structures of intelligibility to form. By historicizing the invisible, Kuhn offers a post-holistic account of transformation grounded in developmental cognition, symbolic mediation, and collective inquiry rather than metaphysical unity. Full article

As Francis Dodsworth argues, histories of nineteenth-century British policing and detection have neglected to examine the extent, influence and legacy of corruption, scandal and organisational mismanagement within the police itself. Rather than face these issues head on, studies generally prefer to touch upon the subject carefully, incidentally, and in a perhaps ‘curated’ manner, leaving a significant gap in the history of police reform driven by public outrage and political influence. However, this also means that the influence of scandal and corruption in the police force on the development and representation of police officers and detectives in contemporaneous fiction also remains under-examined. This essay contextualises the presence of police officers and detectives in popular fiction from the mid-to-late nineteenth century against a swathe of contemporaneous scandals and corruption cases, as well as organisational mishaps and the resultant downturn in public opinion of the police, as they were reported in the periodical and newspaper press. It builds a more sophisticated picture of the relationship between the police, the press, and the publishing industry in the latter half of the nineteenth century, using events such as the 1867 Clerkenwell Prison bombing, the 1877 ‘Great Detective Case,’ the 1888 Whitechapel Murders, and the 1888 Thames Torso Murders, among others, as anchor points, and contextualises them against contemporaneous writing to argue that the history of ‘detective’ fiction should be historicized alongside ‘detection’ itself. Full article

In 1844, Hermann Müller, a Catholic law professor from Würzburg, published a hefty volume on Nordic Greekdom and the Original History of North-Western Europe. The study claimed to hold definitive proof of the north-European origins of Hellenism, Abrahamic monotheism, and the entire human race. Germanic history was not German at all, Müller argued, but Celtic, and underneath it lay another hidden history of Nordic Greekdom, of which Southern Hellenism had been but a minor branch. Though it is today largely forgotten, Müller’s book elicited several responses upon publication and as late as the 1920s in Nazi literature. This article examines the reception of Nordic Greekdom as a striking example of the politicization of antiquity as an origin myth, arguing that the array of modern historicizations of antiquity and of Christianity’s place within it forms a ruptured and incoherent continuity of which ideologies as dissimilar as liberalism, Christian conservatism, and fascism—to name but a few—were all a part. Tracing this variety across ideological divides avoids overly rigid dichotomies such as the distinction between theological and racial antisemitism, while acknowledging the persistent, vast significance of Christianity within these discussions, whether as a living faith or as a discarded inheritance. Full article

The 19th century witnessed an upsurge of periodicals in China, among which the Chinese newspapers and periodicals by Protestant missionaries were of profound impact. This paper begins with a chronological division of Protestant missionary Chinese periodicals, highlighting the most memorable and influential titles, and analyzes the three-phase development of initiation, development and transformation within the broader sociohistorical context. Additionally, the study explores their evolutionary instrumental functions in terms of content and readership, ranging from the handmaid of religion, the bridge of eastern–western cultures to the carrier of diverse knowledge and the manipulator of politics. This shows that the knowledge selected and translated by Protestant missionaries functioned as a dynamic tool in adaptation to historicized requirements. Ultimately, the study argues that these periodicals served as an enlightener of Chinese minds, a promoter of Chinese press and a facilitator of China’s sociopolitical revolution, advancing religious communication, knowledge dissemination and political reform in China during the contemporary and subsequent eras. Full article

This article examines tropes of (proto)colonialism in medieval European culture and Raymonda (Раймoнда), a ballet that premiered in St. Petersburg in 1898 and is set during the Fifth Crusade (1217–1221). Juxtaposing premodern travel accounts with a postmedieval dance creation, this study illuminates how religious otherness, imperial ambitions, and feminine resistance frame representations of dance spectacle and spectatorship. Following a synopsis of the ballet, the subsequent section considers Raymonda’s Muslim characters vis-à-vis medieval texts and images. Here, I incorporate Crusades-era sources, travel literature, and their accompanying iconography alongside the characterizations and aesthetics that pervade Raymonda. These comparisons apprehend the racializing and (proto)colonial thrust of crusader ideology and Russian imperialism. The final section historicizes Raymonda through medieval lyric and gestures toward an Afro-Islamicate ancestry of lyricism and ballet medievalism. Therefore, while traditional versions of Raymonda project Islamophobia, I posit that a rigorous examination of the Middle Ages imbues this ballet with profundity and intercultural nuance. Ultimately, this article demonstrates how a combined study of premodern travel and postmedieval dance may help scholars challenge the Eurocentrism, colonialism, and Whiteness that pervade medieval studies and the art of ballet. Full article

Studying natural hazards in the context of human-induced landscape transformation is complex, especially in regions with limited information. The narratives of the elderly can play a role in filling these knowledge gaps at the multi-decadal timescale. Here, we build upon a citizen-based elderly approach to understanding natural hazard patterns and landscape transformation in a tropical mountainous environment, the Kigezi Highlands (SW Uganda). We engaged 98 elderly citizens (>70 years old) living in eight small watersheds with different characteristics. Through interviews and focus group discussions, we reconstructed historical timelines and used participatory mapping to facilitate the interview process. We cross-checked the information of the elderly citizens with historical aerial photographs, archives, and field visits. Our results show that major land use/cover changes are associated with a high population increase over the last 80 years. We also evidence an increase in reported natural hazard events such as landslides and flash floods from the 1940s until the 1980s. Then, we notice a stabilization in the number of hazard events per decade, although the two most impacted decades (1980s and 2000s) stand out. Despite this new information, an increase in natural hazard frequency due to land use/cover change cannot yet be quantitatively validated, especially when the probable modulator effect of climate variability is considered. Nevertheless, the increase in the exposure of a vulnerable population to natural hazards is clear, and population growth together with poor landscape management practices are the key culprits that explain this evolution. This study demonstrates the added value of historical narratives in terms of understanding natural hazards in the context of environmental changes. This insight is essential for governments and non-governmental organizations for the development of policies and measures for disaster risk reduction that are grounded in the path dependence of local realities. Full article

Globalization’s impact on design has raised concerns about the erosion of local cultural identities, particularly in interior design. This study examines the preservation of cultural identity in interior design amidst the homogenizing forces of globalization, emphasizing heritage-inspired critical regionalism and reflexive modernism. A literature review addresses the interconnected themes of globalization, design identity, reflexive modernism, and critical regionalism forming the theoretical foundation of this research. Through a qualitative systematic review, three core strategies are identified as essential for preserving local identity: Historical Revival, Eclectic Historicism, and Free Historicism. These strategies offer innovative approaches to integrating heritage elements within contemporary interiors, balancing cultural preservation with modern functionality. Selected case studies illustrate the successful application of these strategies in interior projects, underscoring their significance in maintaining cultural identity and advancing material heritage research. This study contributes to the state of research by synthesizing and contextualizing these strategies within the discourse on interior design, providing actionable insights for professionals navigating global trends. Full article

Recent developments within American politics have witnessed an increase in the use of history to highlight the need for social justice and civic engagement. Yet, on its own, history is an altogether impotent means of doing so, for it fails to provide the public with the moral framework necessary for evaluating past injustices on an objective basis. To remedy this problem, this essay suggests that historians and other scholars and activists who are interested in civic engagement and social justice should look to the classical and common law traditions; the answer to the theoretical need for a solution to problems within presentist activism has, in other words, been the law. Doing so would provide a more universal and shared conception of past injustices and help increase a polity’s moral consciousness. Practically, this strategy can be implemented through a classical or liberal education, with the additional help of state legislatures. In all, this essay argues that history on its own is insufficient for moral education, that the best moral education is offered through the classical model, and that, as a practical matter, it is necessary for a legislative solution to mandate that education, if it will ever be possible to find an objective basis for civic engagement and social justice. Full article

The “multiple secularities” framework may be regarded as a recent ambitious contribution to the comparative analysis of secularisms across Western and non-Western societies. While I argue in this article for the “historicization” of secularities as proposed by the framework, I also point out the latter’s lack of empirical attention to the subjective dimension of historical secularities. More specifically, the article attempts to show the theoretical relevance of analyzing historical secularities in post-colonial societies from the perspective of the subjects and their complex selves. Through a genealogical analysis of the subjectivities of three influential positivist intellectuals in 19th-century Mexico, I argue that the analytical axes of the multiple secularities framework may be refined and broadened. I discuss how the framework’s search for local forms of “conceptual distinctions” should be complemented by the search for conceptual erasures and how the analysis of “semantic hybridity” should be broadened and include the analysis of experiential and emotional forms of hybridizations. I also argue that the analyses of historical secularities should account for “sacred-secular” hybrids, as well as more specific hybridizations, such as ecclesiological–secular and theological–secular transpositions. Full article