Search Results (17)

Christian communities and Churches in non-Western contexts, such as Lebanon, face numerous challenges, including the distancing of youth from religious practice and reduced belonging. Simultaneously, they experience tensions between attachment to tradition and emerging forms of outreach capable of engaging younger generations. The visit of Padre Guilherme, a Latin Rite Catholic priest known for blending electronic music with religious expression, generated a nationwide debate during his visit in January 2026. While some viewed his outreach as an innovative initiative capable of bringing youth closer to the Church, others rejected it, with some describing it as sacrilegious. This study examines social media reactions to his outreach to explore how contemporary forms of religious engagement are perceived within a tradition-oriented society. Comments from multiple social media platforms were analyzed through thematic reflexive analysis, complemented by a brief sentiment analysis. Positive reactions framed Padre Guilherme’s initiative as a strategy for reconnecting younger generations with the Church. Critical views emphasized the importance of preserving traditional forms of religious expression, particularly within Eastern Christian traditions, with some participants portraying the initiative as heretical or evil. The controversy highlights how new forms of religious outreach can trigger tensions related to identity, tradition, globalization, and institutional adaptation. Full article

This study explores the feasibility of introducing Gregorian chant into contemporary Chinese Methodist worship in Malaysia. Using ethnographic methods including participant observation, interviews, and focus groups, this article documents a pilot study conducted at Sing Ang Tong Methodist Church in Sibu, Sarawak, where seven singers learned and performed the communion chant Gustate et videte. Three different transcription editions were created to bridge the gap between medieval square notation and modern Western notation, which is more familiar to the participants. The chant was translated into Chinese alongside the original Latin text. The majority preferred the quaver-crotchet notation edition and supported performing the chant in both Latin and Chinese to balance authenticity with accessibility. Participants found the modal melodic structure and free rhythm challenging initially but developed appreciation for the chant’s meditative qualities. The performance during Holy Communion services in October 2022 received mixed congregational responses, with many describing it as creating a “calm and prayerful atmosphere” while some expressed discomfort with the unfamiliar musical style. The study demonstrates that Gregorian chant can be successfully integrated into Chinese Methodist worship contexts, particularly during solemn liturgical occasions, when approached with appropriate liturgical sensitivity and cultural adaptation. Full article

This article explores the voices of sailors across time, focusing on how song and prayer animate the nautical cult of St. Nicholas of Myra from the Middle Ages to the present. Drawing on hagiography, poetry, and music, it examines how medieval sources portray sailors’ cries to St. Nicholas during storms at sea, often depicting univocal, affective pleas that provoke divine response. These representations—especially in Latin sequences such as Congaudentes exultemus—highlight the cultural weight of the literal and metaphorical voice within miracle narratives. The article then bridges medieval and modern devotional soundscapes through nineteenth- and twentieth-century ethnographic collections from Apulia, Italy, particularly through the work of folklorists Saverio La Sorsa and Alfredo Giovine. Their records of Barese sailors’ songs and prayers to St. Nicholas—still sung today—provide embodied counterpoints to the mediated voices of medieval texts. Through this transhistorical lens, I argue that voice operates as connective tissue in the devotional lives of seafarers: an expression of fear, faith, and communal identity. By amplifying sailors’ voices in text, song, and performance, both medieval and modern traditions construct a vivid aural archive that affirms the enduring relationship between St. Nicholas and those who navigate the dangers of the sea. Full article

Sacred choral music continues to hold a significant place in contemporary concert settings, with historical and newly composed works featuring in today’s choral programmes. Contemporary choral composers have continued to engage with the longstanding tradition of setting sacred texts to music, bringing fresh interpretations through their innovative compositional techniques and fusion of styles. Irish composer Rhona Clarke’s (b. 1958) expansive choral oeuvre includes a wealth of both sacred and secular compositions but reveals a notable propensity for the setting of sacred texts in Latin. Her synthesis of archaic and contemporary techniques within her work demonstrates both the solemn and visceral aspects of these texts, as well as a clear nod to tradition. This article focuses on Clarke’s choral work O Vis Aeternitatis (2020), a setting of a text by the medieval musician and saint Hildegard of Bingen (c. 1150). Through critical score analysis, we investigate the piece’s melodic, harmonic, and textural frameworks; the influence of Hildegard’s original chant; and the use of extended vocal techniques and contrasting vocal timbres as we articulate core characteristics of Clarke’s compositional style and underline her foregrounding of the more visceral aspects of Hildegard’s words. Clarke’s fusion of creative practices from past and present spotlights moments of dramatic escalation and spiritual importance, and exhibits the composer’s distinctive compositional voice as she reimagines Hildegard’s text for the twenty-first century. Full article

This paper examines the emergence of vernacular liturgies in Latin America, particularly through the incorporation of folk music in Nicaraguan Masses following the Second Vatican Council (Vatican II). In response to the Romanization of the Catholic liturgy in the nineteenth century, folk songs in local languages became a form of theological and cultural resistance, offering an alternative to the Latin-dominated liturgical tradition. Despite Vatican disapproval of certain Mass settings due to their non-traditional texts, these vernacular liturgies transcended their missionary origins, enriching both devotional practice and theological discourse. The study explores key Vatican II documents on liturgical participation, examines the role of liberation theology in framing vernacular and multilingual Masses as tools for social and religious transformation, as well as historical precedent as a lens for understanding the progression of change in the setting of the Mass, particularly in Latin America. Using the Misa Campesina, by Carlos Mejía Godoy, as a case study, the paper demonstrates how Nicaraguan folk Masses embody the intersections of ecclesial reform, cultural identity, and social justice within the broader context of Latin American liturgical innovation. Full article

Augmenting the author’s prior research on lyrical code-switching, as presented in Picone, “Artistic Codemixing”, published in 2002, various conceptual frameworks are made explicit, namely the enlistment of multimodal and intertextual approaches for their methodological usefulness in analyzing and interpreting message-making that incorporates lyrical code-switching as one of its components. Conceived as a bipolarity, the rooted (or local) and the transcendent (or global), each having advantages in the negotiation of identity, is also applied to the analysis. New departures include the introduction of the notion of “curated lyrical code-switching” for the purpose of analyzing songs in which multiple performers are assigned lyrics in different languages, as a function of their respective proficiencies, as curated by the person or persons having authorial agency and taking stock of the social semiotics relevant to the anticipated audience. Moving beyond the negotiation of the identity of the code-switching composer or performer, in another new departure, attention is paid to the musical identity of the listener. As a reflection of the breadth of lyrical code-switching, a rich assortment of examples draws from the musical art of Beyoncé, Jon Batiste, Stromae, Shakira, BTS, NewJeans, Indigenous songsmiths, Cajun songsmiths, Latin Pop and Hip-Hop artists, songs composed for international sports events, and other sources. Full article

After the Council of Trent (1545–1563), the Catholic Church undertook a profound renovation, which affected the spatial configuration of the churches to adjust to the spirit of the Counter-Reformation. The acoustic cultural heritage in these spaces have been studied by different researchers, proposing the joint analysis of 66 Catholic churches from the Baroque period. This study delves into the global characterisation of the sample and establishes correlations between geometric and acoustic parameters. From the acoustic analysis, it is clear that the central floor typology, as opposed to Latin cross churches, presents better average values of musical clarity in relation to their volume. The analysis of the relationship between acoustic and geometric parameters, when the sample of churches is discriminated by typology, allows for the establishment of appropriate correlations for Latin cross floor plans, single naves and basilicas, but not when the analysis is carried out for the entire sample. These correlations are a tool that allows us to evaluate acoustic parameters not measured in situ in Catholic churches of the Baroque period in a predictive way as a function of other measured acoustic or geometric parameters. Full article

This paper discusses hitherto unidentified loose folios of a parchment liturgical and musical book held in the Archdiocesan Archive of Gniezno (Poland), containing the offertory and communion antiphons for the feasts De Trinitate and Corpus Christi. The author provides the codicological description of the leaves (analyzing Latin script, musical notation, ornamentation); identifies the time of their creation (15th century); indicates the type of the liturgical book to which they belong (graduale); seeks a melodic model for them and puts forward provenance hypotheses. He states that the melodics of the antiphons, although closest to the Cistercian tradition, are nevertheless variantly different from the melodic line preserved in foreign and Polish codices. It is possible to narrow down the dating of the leaves thanks to the type of Latin script, the calligraphic ornamentation of the initials and the spelling of certain letters. Full article

The artistic performance of identity by top Latin music artists can be heard on many Top-40 US radio stations, since, as of July 2023, 20% of the Billboard Hot 100 is (Spanish language) Latin music. This study aims to determine the variants found in the pronunciation of coda /s/, a robust phonetic differentiator of regional and social dialects, in the top songs versus in the spontaneous speech of the two top Latin music artists in the global market. Are Bad Bunny and J Balvin holding to the pronunciation of their respective regional variety in their artistic performance speech (APS, my term) or are they shifting to a different pronunciation? What motivations might cause a difference in the pronunciation of their APS and spontaneous speech? Bad Bunny and J Balvin’s pronunciation of coda /s/ is analyzed in depth as sociophonetic data: their performances of songs from 2018 to 2020 that charted at the top of the Hot Latin Songs Billboard chart as well as on The Billboard Hot 100 chart, and their spontaneous speech from their most-viewed Spanish-language interviews and Instagram Live recordings on YouTube recorded between 2018 and 2020. Bad Bunny overwhelmingly used deletions (∅) in his spontaneous speech—which is typical of an island Puerto Rican—but used a statistically significant amount of maintenance of the sibilant [s] and its aspirated variant [h] in his APS (p < 0.0001). J Balvin primarily used [s] in his spontaneous speech—which is typical of Medellín, Colombia—but used about 50/50 [s] and (∅) in his APS. They are both shifting to a different pronunciation in their APS and converging towards each other, and the difference is statistically significant (p < 0.0001). This dialect convergence could be the beginning of an identity-based pan-Latinx dialect leveling that is, on the one hand, the “in-crowd” pronunciation with covert prestige but, on the other hand, is part of the formation of an evolving multi-regional connector variant diffused through popular music and pop culture. Full article

This paper describes how a collective of Latine youth and adult allies used art-based approaches in a participatory action research project to better understand the ways in which young U.S. Latines make meaning of wellbeing. In this study, we interviewed 19 individuals who identified as Latino/a/e, ages 19–24, from Colorado, Washington state and New Jersey. Our team intentionally chose art-based approaches, including music and painting, as analytical tools and healing methods to synthesize the responses of the Latine youth we interviewed. We found that Latine youth and young adults initially struggle with defining wellbeing, considering it to be an overly abstract concept or something only achievable through expensive, Western-based medical practices. We also found that many Latine youth often link the root cause of a majority of their mental health issues to numerous systemic terrors such as racism, capitalism and sexism that directly harm their most intimate and supportive relationships: their immediate or extended family and friendships. Young Latine adults have identified these components as pillars of their wellbeing, along with the need for intergenerational conversations, a sense of convivencia, rootedness with freedom of movement and our right to healing and joy. Full article

Studies on stylistic change in music argue that when singers use stylistic devices in their songs, they have one purpose: to represent their image and their artistic and social identity. In this paper we focus on the singer Rosalía, a Catalan artist who sings flamenco and Latin music. These two musical genres are associated with innovative varieties of Spanish, but this singer is not a speaker of this variety (she uses the Spanish spoken in Catalonia, a conservative variety). So, we want to know whether, when she sings, she linguistically adapts to the associated phenomena of flamenco and Latin music. In order to carry out this work, we have collected two oral corpora: the first is Rosalía’s discography and the second is 40 min of interviews in Spain and America. In our analyses we have verified that, indeed, when Rosalía sings, she uses indexicalized phenomena of the genres. However, in the interviews she keeps her vernacular variety, Catalan, although we have observed signs of accommodation to American Spanish, which also reveal a significant change in the singer’s idiolect. Full article

This theological reflection is a motivation to walk in the footsteps of Marcella Althaus-Reid to discover the disruptive principles of Latin American Queer Theology. Between tangos and popular music, libertine evocations and dissident stories, prosthetic considerations, and transit strategies, this indecent text indicates some revitalizing ideas that manifest the need to think and inhabit the Global South in a more queer way. The voice of the South is powerfully theological and potentially revolutionary. Full article

This study examined the logistical, practical, and cultural preferences of Latinos regarding the design of a healthy eating, physical activity, and body image intervention. Puerto Rican and Mexican men (n = 203) completed an interview as part of an NIH-funded study. Overall, 66.5% preferred the intervention to be in Spanish only or both Spanish and English; 88.67% said it was moderately, very or extremely important for the intervention leader to be bilingual; and 66.01% considered it moderately to extremely important for the leader to be Hispanic or Latino. Most participants (83.74%) reported they would be willing to attend an intervention that met twice per week and 74.38% said they would be willing to attend an intervention that met for 1.5 to 2 h, twice weekly. Overall, the majority said they would be moderately to extremely interested in attending an exercise program if it consisted of aerobics with Latin or salsa movements (74.88%) and if it consisted of aerobics with Latin or salsa music (70.44%). Some participants were moderately to extremely interested in attending an intervention if it included dichos (Latino sayings) (65.02%) and cuentos (folktales or stories) (69.46%). The findings have implications for lifestyle and body image interventions aimed at preventing cardiometabolic diseases. Full article

The university is currently involved in complex processes of open innovation through permanent dialogue with institutions and companies in the economic, social, and political fields. Professors, researchers, students, and other members of the institution take part in these processes. This is a phenomenon that has emerged in today’s network society due to digitalization and globalization. It is therefore essential, in this context of open innovation, to know the behaviors, habits, consumption, or lifestyles of university staff and students to achieve, in the best and most effective way, integration of higher education in this new reality. How we interact and communicate with the surrounding people has transformed with wider access to the Internet and the development of information and communication technologies (ICTs), especially through smartphones and the use of apps and social networks (WhatsApp, Twitter, Facebook, etc.). This digital revolution has reconfigured our interests, dispositions, and social participation. From the university field, knowing the interests of students who access the Internet is of vital importance to guide teaching methodologies, adapt content, facilitate communication processes, develop digital literacy practices, etc. The present research, focused on the Latin American sociocultural space, has a double objective: (GO1) to know which are the issues of most interest and consumption for university students; (GO2) to determine which issues they reject while they surf on the Internet. A quantitative research has been developed (n = 2482) based on the validated questionnaire COBADI^®. The topics of greatest interest to the Latin American university students were, in this order: “use of social networks”, “news”, “music”, “education”, “work”, and “videos”. The fact that they put education in fourth place, as students, shows that it is not a high priority in their use of the network. On the opposite side, those that show more rejection are “celebrity journalism”, “online games”, and “pornography”. Among their topics of rejection is also “politics”, which is not prioritized by university students. These topics have been presented in different proportions according to the country analyzed, depending on their specific social and political circumstances, and have experienced a different evolution from 2012 to 2019—the time covered by the study. Full article

Purpose: The aim of this study was to identify socio-demographic correlates of total and domain-specific sedentary behavior (SB). Methods: Cross-sectional findings are based on 9218 participants (15–65 years) from the Latin American Study of Nutrition and Health. Data were collected between September 2014 and February 2015. Participants reported time spent in SB across specific domains. Sex, age, ethnicity, socioeconomic (SEL), and education level were used as sociodemographic indicators. Results: Participants spent a total of 373.3 min/day engaged in total SB. Men, younger adults, other ethnicities, higher SEL and educational level presented higher total SB when compared with women, older adults, white/Caucasian, and low SEL and educational level. Men spent more time on the playing videogames (b: 32.8: 95% CI: 14.6;51.1) and riding in an automobile (40.5: 31.3; 49.8). Computer time, reading, socializing or listening to music was higher in younger participants (<30 years) compared with those ≥50 years in the total sample. Compared to the low SEL and educational level groups, middle (11.7: 5.7; 17.6) and higher (15.1: 5.3; 24.9) SEL groups as well as middle (9.8: 3.6; 15.9) and higher (16.6: 6.5; 26.8) education level groups reported more time spent reading. Conclusion: Socio-demographic characteristics are associated with SB patterns (total and specific) across Latin American countries. Full article