Old Texts, New Insights: Exploring Buddhist Manuscripts

A special issue of Religions (ISSN 2077-1444). This special issue belongs to the section "Religions and Humanities/Philosophies".

Deadline for manuscript submissions: 31 July 2025 | Viewed by 4884

Special Issue Editors


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Guest Editor
Department of Buddhist Studies, Dongguk University, Seoul 04620, Republic of Korea
Interests: early & sectarian Buddhism
Special Issues, Collections and Topics in MDPI journals
1. Department of Buddhist Studies, Dongguk University, Seoul 04620, Republic of Korea
2. Norwegian Institute of Philology, 0302 Oslo, Norway
Interests: Mahāyāna sūtras; Sanskrit manuscripts

Special Issue Information

Dear Colleagues,

We are pleased to announce a call for papers for a Special Issue titled ‘Old Texts, New Insights: Exploring Buddhist Manuscripts’. This Special Issue aims to explore the multifaceted domain of Buddhist manuscripts and their associated culture, positioning them not merely as tangible bearers of material culture, but also as crucial vessels of intangible or immaterial culture in South, East, and Central Asian countries.

Buddhist manuscripts, embodying a rich tapestry of religious, literary, narrative, and intellectual traditions, played an instrumental role in disseminating Buddhist ideologies and practices across diverse geographical landscapes. The very corporeality of these manuscripts, manifested through palm leaves, birch barks, silks, traditional papers, among other mediums, intersects with the ethereal domain of religious thought and cultural ethos. Through meticulous examinations driven by codicology, palaeography, and philology, this Special Issue seeks to traverse beyond the doctrinal contents, delving into the myriad ways these manuscripts were conceived, crafted, and utilized across pre-modern Buddhist communities.

The symbiotic relationship between the material and immaterial facets of Buddhist manuscripts unveils a rich interplay in the religious contexts they were engrossed within. The manuscripts transcended their tangible form, transforming into revered religious objects, thereby becoming integral to the construction of Buddhist metaphysical systems and related practices. The varied materials and technologies employed across regions for manuscript production, ranging from palm leaves in the Indian subcontinent to birch bark in the greater Gandhāran region, not only reflect a vibrant material culture but also epitomize a shared intangible heritage, knitting communities in a shared religio-cultural tapestry. Furthermore, the aesthetic embellishments adorned on these manuscripts and their storage apparatus unveil a profound reverence towards the Dharma, extending their significance beyond mere textual forms to encompass artistic and architectural resonances. As such, the spread of manuscripts across lands not only transmitted Buddhist doctrines but also catalyzed a confluence of artistic styles, fostering rich, shared cultural milieus. This Special Issue seek to amplify the dialogue on how the intangible and material aspects of Buddhist manuscript culture amalgamated to shape religious practices, pedagogical paradigms, and cultural exchanges in antient Buddhist communities.

The research scope extends beyond manuscripts in ancient Indic languages, including Sanskrit, Gāndhārī, and Pāli, to those written in Tibetan, Classical Chinese, and other Asian languages. Regarding research methodologies, we embrace a wide array of topics, such as rigorous philological work on newly discovered manuscript materials, including tasks such as creating transliterations, diplomatic or critical editions, and translations. We also welcome novel interpretations of texts derived from manuscript readings, studies related to manuscript production, as well as paleographic, codicological, and iconographic analyses of manuscripts, among others.

We extend an invitation to scholars affiliated with universities or institutes, as well as independent researchers. Particularly, we encourage contributions from young scholars in the early stages of their careers. Research areas may encompass (but are not limited to) Buddhist Manuscripts in Sanskrit, Tibetan, Chinese, and various Central Asian languages; Philological Research; Codicology; Paleography; Manuscript Preservation; and Digitalization of Manuscripts.

We request that, prior to submitting a manuscript, interested authors initially submit a proposed title and an abstract of 200–300 words summarizing their intended contribution. Please send it to the Guest Editors, Prof. Dr. Soon-Il Hwang (sihwang@dongguk.edu), Dr. Jaehee Han (hanj0405@gmail.com), or to the Assistant Editor of Religions, Ms. Margaret Liu (margaret.liu@mdpi.com). Abstracts will be reviewed by the Guest Editors to ensure that they are within the scope of this Special Issue. Full manuscripts will undergo double-blind peer review.

We look forward to receiving your contributions.

Prof. Dr. Soon-Il Hwang
Dr. Jaehee Han
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • Buddhist manuscripts
  • Sanskrit manuscripts
  • Chinese manuscripts
  • Dunhuang manuscripts
  • philological research
  • codicology
  • paleography
  • iconography
  • manuscript preservation
  • digitalizing manuscripts

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Published Papers (5 papers)

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Research

15 pages, 26486 KiB  
Article
Decorating Tibetan Buddhist Manuscripts: A Preliminary Analysis of Ornamental Writing Frames
by Michela Clemente
Religions 2025, 16(5), 582; https://doi.org/10.3390/rel16050582 (registering DOI) - 1 May 2025
Abstract
Buddhist books have always played a central role in the lives of Tibetan people. This is evident by looking at the hundreds of thousands of manuscripts and xylographs produced by Tibetans, and then copied, multiplied, worshipped, spread, and transmitted uninterruptedly from religious masters [...] Read more.
Buddhist books have always played a central role in the lives of Tibetan people. This is evident by looking at the hundreds of thousands of manuscripts and xylographs produced by Tibetans, and then copied, multiplied, worshipped, spread, and transmitted uninterruptedly from religious masters to disciples over the centuries. Tibetan manuscripts and xylographs have started to be studied in their entirety only recently, and the interest for their visual aspect, material features, and social life has exponentially grown, becoming crucial to progress in different fields of study, to deeply understand the way in which Tibetan Buddhist people interact with such artefacts but also to preserve a disappearing cultural heritage. This essay will focus on a so far neglected element of Tibetan Buddhist manuscripts, namely, decorations of writing frames. Any element found in a Tibetan scripture is essential from care and conservation viewpoints since it contributes to preservation for as long as possible. This is fundamental to spread Buddha’s word and to accumulate spiritual merits to progress on the path towards Enlightenment. The numerous elements exhibited in manuscripts may help locating their provenance and/or narrowing down their dating. This will also lead to a better understanding of the spread of certain scriptures within the various Tibetan areas. This essay attempts to provide a preliminary analysis of decorated writing frames found in Buddhist manuscripts produced in different periods with the twofold aim of tracing their use and codicological aspects and investigating the type of texts that were mostly chosen to be decorated as such. Full article
(This article belongs to the Special Issue Old Texts, New Insights: Exploring Buddhist Manuscripts)
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22 pages, 59621 KiB  
Article
Tracing Scribal Variants and Textual Transmission: A Paleographic Approach to the Nanatsu-dera Manuscript of the Dafangguang Rulai Xingqi Weimizang Jing
by Meiling Lin (Jianrong Shi)
Religions 2025, 16(4), 511; https://doi.org/10.3390/rel16040511 - 15 Apr 2025
Viewed by 303
Abstract
This paper examines the Nanatsu-dera manuscript of the Dafangguang Rulai Xingqi Weimizang Jing (RXWJ) through the lens of scribal practices, with a focus on variant characters (yitizi, 異體字) and textual transmission. As a “separately produced scripture” (bie sheng jing, [...] Read more.
This paper examines the Nanatsu-dera manuscript of the Dafangguang Rulai Xingqi Weimizang Jing (RXWJ) through the lens of scribal practices, with a focus on variant characters (yitizi, 異體字) and textual transmission. As a “separately produced scripture” (bie sheng jing, 別生經), the RXWJ was not included in the woodblock-printed editions of the Chinese Buddhist canon, which limited its circulation and made manuscript copies—such as the Nanatsu-dera manuscript—critical for reconstructing its textual evolution, transmission, and scribal modifications. A detailed paleographic investigation reveals scribal variants, orthographic fluidity, and phonetic substitutions, illustrating both intentional adaptations and unintentional errors in textual transmission. Comparative analysis with Dunhuang fragments and the Taishō Canon further contextualizes these variations, shedding light on the interpretive challenges scribes and readers face. The findings suggest that the Nanatsu-dera manuscript underwent three stages of transmission: (1) it originated from the Fifty-Fascicle edition circulating in China, (2) it was used as a base text (diben, 底本) for manuscript copying in Japan, and (3) it was subsequently re-copied and preliminarily collated by Japanese scribes. By tracing scribal variants and textual transmission through a paleographic approach, this research underscores the critical role of manuscript culture in preserving texts outside the canonical tradition, offering new insights into the mechanisms of Buddhist textual transmission and adaptation in medieval East Asia. Full article
(This article belongs to the Special Issue Old Texts, New Insights: Exploring Buddhist Manuscripts)
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16 pages, 304 KiB  
Article
Other-Emptiness in the Work of an Unknown Mystic Illuminating the Path to Freedom by Jamyang Sarma Sherab Özer
by Georgios Halkias and Tsering Drukgyel
Religions 2025, 16(4), 435; https://doi.org/10.3390/rel16040435 - 28 Mar 2025
Viewed by 311
Abstract
In this article, we investigate the previously unstudied life and works of the late-12th/early-13th century Tibetan polymath Jamyang Sarma Sherab Özer (‘Jam dbyang gsar ma shes rab ‘od zer), an important Buddhist master in the Dro lineage of the Kālacakra Tantra. We will [...] Read more.
In this article, we investigate the previously unstudied life and works of the late-12th/early-13th century Tibetan polymath Jamyang Sarma Sherab Özer (‘Jam dbyang gsar ma shes rab ‘od zer), an important Buddhist master in the Dro lineage of the Kālacakra Tantra. We will focus on his unique syncretic work, Illuminating the Path to Freedom (Thar lam sgron me), and provide an overview of his surviving literary output. Jamyang Sarma predates Dölpopa Sherab Gyeltsen (Dol po pa shes rab rgyal mtshan, 1292–1361) in the use of the term ‘other-emptiness’, or ‘extrinsic emptiness’ (gzhan stong), in his writings, as opposed to the well-known view of Madhyamaka on ‘self-emptiness’ (rang stong). While conventional historiography has predominantly attributed the earliest systematic deployment of the technical term gzhan stong to Dölpopa, whose writings indeed represent the most comprehensive theoretical exposition within the Jonang tradition, current philological evidence suggests more complex lines of transmission through earlier Tibetan masters. This essay will shed new light on this issue by looking into Jamyang Sarma’s Illuminating the Path to Freedom. Full article
(This article belongs to the Special Issue Old Texts, New Insights: Exploring Buddhist Manuscripts)
21 pages, 540 KiB  
Article
Did the Buddha Teach to Be Called ‘Buddha’?―Focusing on the Meaning of Brāhmaṇa and How Buddhist Authors (re)Formulated His Words to Praise Him―
by Efraín Villamor Herrero
Religions 2024, 15(11), 1315; https://doi.org/10.3390/rel15111315 - 28 Oct 2024
Viewed by 1383
Abstract
The attainment of enlightenment by Gautama Buddha is the very beginning of Buddhism as a religious phenomenon. Because of his attainment of enlightenment, he has been remembered as Buddha for centuries, even though it is uncertain whether buddha was the preferred title to [...] Read more.
The attainment of enlightenment by Gautama Buddha is the very beginning of Buddhism as a religious phenomenon. Because of his attainment of enlightenment, he has been remembered as Buddha for centuries, even though it is uncertain whether buddha was the preferred title to remember him by from the earliest times. Previous scholarship has demonstrated that the term buddha was a common noun in the Indian religious context, and it was also employed to refer to his higher disciples. The verses of the Suttanipāta represent a complex corpus rich in many fundamental concepts common to Jain religious thought. Many epithets were introduced by Buddhists to praise their monastic founder as Jains do. Among them, buddha does not seem to be the preferred one among them. Contrarily, by redefining brāhmaṇa, Buddhists participate in the ascetic discourse of praising their master as the one who deserves to be regarded as that ideal. This paper argues that Buddhists advocated their master as a brāhmaṇa, a title that is not only consistent with the teachings of Jains but also one that may have preceded the popularity of Buddha as his most memorable title. Full article
(This article belongs to the Special Issue Old Texts, New Insights: Exploring Buddhist Manuscripts)
18 pages, 691 KiB  
Article
A Preliminary Report on the Sanskrit Manuscript of the Uttaragrantha of the Mūlasarvāstivāda Vinaya
by Hyebin Lee
Religions 2024, 15(6), 669; https://doi.org/10.3390/rel15060669 - 29 May 2024
Viewed by 1239
Abstract
The discovery of the Schøyen–Virginia manuscript of the Uttaragrantha provides significant insights into the Mūlasarvāstivāda Vinaya. This newly identified Sanskrit manuscript offers a fresh perspective on monastic law codes, contributing original Sanskrit terms previously known only through Tibetan and Chinese translations, thereby [...] Read more.
The discovery of the Schøyen–Virginia manuscript of the Uttaragrantha provides significant insights into the Mūlasarvāstivāda Vinaya. This newly identified Sanskrit manuscript offers a fresh perspective on monastic law codes, contributing original Sanskrit terms previously known only through Tibetan and Chinese translations, thereby enhancing our knowledge of Sanskrit–Tibetan–Chinese Vinaya terminologies. Also, by adding itself as a new textual witness to the Mūlasarvāstivāda Vinaya, it demonstrates the complex textual history and underscores the potential multiplicity in the Mūlasarvāstivāda Vinaya traditions or even the “Greater Sarvāstivāda” Vinaya traditions. Variations in chapter sequencing across extant versions of the Uttaragrantha suggest the possibility of the chapters originally existing as independent texts rather than as a collective, the Uttaragrantha. This article presents the latest findings on the Sanskrit manuscript fragments of the Uttaragrantha in the Schøyen Collection and the private collection, Virginia. Furthermore, it attempts to show the role of the S-V manuscript of the Uttaragrantha in improving our textual understanding of the Uttaragrantha and examining the potential multiplicity in the Mūlasarvāstivāda Vinaya traditions. Full article
(This article belongs to the Special Issue Old Texts, New Insights: Exploring Buddhist Manuscripts)
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