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Humanities, Volume 11, Issue 2

April 2022 - 28 articles

Cover Story: That the past is certain, the future an illusion is the premise of Miguel Rojas-Sotelo’s article “NO FUTURE: The Colonial Gaze, Tales of Return in Recent Latin American Film.” The text looks into recent films, such as Ivy Maraey: land without evil (2013), Embrace of the Serpent (2015), The Fever (2020), and Bacurau (2020), as border films, from the genre of contact films. Built on the tradition of tercer-cine and afrofuturism, they announce particular indigenous and mestizo visions. The text also introduces a critical perspective on cinema as a colonial tool, producing forms of capture as part of the modern archive. These films present forms of adaptation, reaction, return, and redemption while maintaining the status of cinema as a capturing device, entertainment, and capital investment, the triad of destruction in modernity/coloniality. View this paper
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Articles (28)

  • Article
  • Open Access
3,692 Views
15 Pages

27 March 2022

In this essay I analyze the critically acclaimed movie, Birdboy: The Forgotten Children, a dystopic animated film based on the graphic novel Psiconautas. It takes place on an island populated by anthropomorphic animals, most of them young, who live i...

  • Article
  • Open Access
2 Citations
4,147 Views
14 Pages

25 March 2022

Aside from being part of a vibrant corpus of Indigenous futurism, Claire G. Coleman’s novel Terra Nullius (2017) can also be analysed as an eco-crime novel. Indigenous Australian authors of this genre (e.g., Philip McLaren, Steven McCarthy, Nic...

  • Article
  • Open Access
4,495 Views
16 Pages

24 March 2022

Using statistical data, scholarly research, institutional models from higher education, and highlighting key personages from the academy and the business world, we argue that including Buddhism-related content into the general education of students c...

  • Article
  • Open Access
4,962 Views
15 Pages

18 March 2022

The past is certain, the future an illusion. Contemporary films such as Ivy Maraey: land without evil (Juan Carlos Valdivia 2013), Embrace of the Serpent (Ciro Guerra 2015), The Fever (Maya Da Rin 2020), and Bacurau are border films, from the genre o...

  • Article
  • Open Access
4,616 Views
12 Pages

16 March 2022

The impulse for development and modernization creates rifts between humans and nonhumans, dragging us deeper into the rhythms of capitalism and urban life. In the Peruvian Andes, this impulse has manifested in an intergenerational trend of rural out-...

  • Article
  • Open Access
2 Citations
15,384 Views
25 Pages

14 March 2022

Black children have never been exempt from the violence and abuse that have beset Black adults. Any comprehensive attention to and understanding of systemic racism, anti-Blackness, and intergenerational Black trauma must consider the historical viole...

  • Article
  • Open Access
1 Citations
3,716 Views
10 Pages

11 March 2022

The writer and director Lucía Puenzo expresses herself in two different languages: literary prose and cinematographic narrative. Her work is characterised by a single ethical and aesthetic commitment. She highlights sensitive contemporary issues such...

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Humanities - ISSN 2076-0787