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Arts, Volume 14, Issue 2

April 2025 - 24 articles

Cover Story: In this paper, I argue for a ‘social art history’ that embraces all protagonists of ancient Egyptian artistic production and integrates them into the global process of creating prestige through art. This paper aims to address the question of defining social value embedded in material artifacts, especially when owned by intermediary social categories such as the New Kingdom metalworkers. The paper will examine goldsmiths’ self-depictions as they were in charge of creating artifacts in gold, a metal connected with solar symbolism and intertwined with the divine, kingship, and membership in the high elite. Ultimately, the paper aims to tackle the question of self-presentation for people who were not part of the elite per se and uses, in a preliminary attempt, some concepts inherited from the Chicago School of Sociology. View this paper
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Articles (24)

  • Article
  • Open Access
1,890 Views
31 Pages

20 April 2025

Late contact-era depictions of inter-group conflict in southern African rock art include references to the image-makers and their opponents, who must also have been able to view the images. Performance theory allows researchers to go beyond the conve...

  • Article
  • Open Access
1 Citations
2,907 Views
26 Pages

16 April 2025

In this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends...

  • Editorial
  • Open Access
2,242 Views
17 Pages

8 April 2025

The contributors to this Special Issue engage in a critical debate on key questions arising from discourses on the history and socio-political foundations of international traveling art exhibitions and cultural exchange [...]

  • Article
  • Open Access
2,231 Views
19 Pages

7 April 2025

Archaeology is a well-established discipline that sheds light on human history and uncovers the mysteries of materials, their origins, production methods, and areas of use. It provides significant insights into various topics such as the production h...

  • Article
  • Open Access
3,251 Views
23 Pages

31 March 2025

It has always been understood that Pablo Picasso imbued his arts with a rich symbolism. Those representations could be understood readily, at times only with some effort, or utterly inaccessible at others. A part of that symbolism is yet to be unders...

  • Article
  • Open Access
1,676 Views
22 Pages

29 March 2025

Soon after the devastating Ansei Edo earthquake in 1855, popular prints known as catfish prints (namazu-e) circulated widely. These prints were rooted in the folk belief that a giant catfish beneath the earth caused earthquakes. Various types of catf...

  • Article
  • Open Access
5,677 Views
53 Pages

27 March 2025

In this paper, I argue for a ‘social art history’ that embraces all protagonists of ancient Egyptian artistic production and integrates them into the global process of creating prestige through art. The raison d’être of artist...

  • Article
  • Open Access
1 Citations
1,458 Views
20 Pages

The Concept of Demonstrating Non-Existent Architecture Using Light Projection

  • Maciej Piekarski,
  • Ewa Kulpińska,
  • Krzysztof Baran and
  • Henryk Wachta

25 March 2025

This article covers the subject of illusory exposure of non-existent architectural objects in their original location. The authors believe that this specific conservation method is a way to disseminate knowledge about the past architectural landscape...

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Arts - ISSN 2076-0752