Celestial Light Marker: An Engineered Calendar in a Topographically Spectacular Geoscape
Abstract
:1. Introduction
- Celestial specialists, including sky watchers (or the term astronomers) and light-marking engineers, were needed to produce this complex light marker and associated ceremonial areas.
- Both celestial lights during both the day and night could have been marked.
- Different celestial light sources, such as stars, patterns of celestial objects, planets, our moon, and our sun, were probably involved.
- The documented purpose of marking and keeping track of celestial lights over time, according to tribal representatives, involved knowing the time of the season and coordinating ceremonies needed to balance the world and help it sustain life. Time was a critical marker of life events.
2. Ethnographic Background Studies
2.1. Case One: Solar Calendar in Utah
2.2. Case Two: Arches National Park, Utah
2.3. Case 3: Hovenweep National Monument, Utah and Colorado
2.4. Case Four: Fajada Butte, Chaco Culture National Historic Park, New Mexico
- 1.
- Prayer shrine on top of Fajada Butte;
- 2.
- Contemporary ceremonial area on top, now used by the Native American Church;
- 3.
- Eagle’s Nest edge, rim of the Butte, and falling feathers;
- 4.
- Sun Dagger just below the top of the Butte;
- 5.
- Rooms where astronomers lived along the edge of the upper side;
- 6.
- Calendars and symbols near the roofs of astronomers’ rooms;
- 7.
- Minerals, mostly on top;
- 8.
- Hogan on the lower flank of Fajada Butte;
- 9.
- Petroglyph panel away from the base of Fajada Butte;
- 10.
- Support for family living and cooking quarters—north and south of Fajada Butte;
- 11.
- Plants used by American Indians are widely distributed around the base of the Butte.
3. Tsa’aktuyga (A Hopi Perspective)
Ta’a, pay nu’ yev tuyqat tungway’a, hal owi, pan itam aw wuuwaya kye i’ pamhimu papiq oovi piw tu’awi’ytaqw pam himu taawa haqe’ qalawmaqwtsa’lawngwu; himu tiingaviwngwu. Pam songa put aw awiwaniqw paniqw payoovi itam panwat tungwayani, Tsa’aktuyga. Papiq pam ang tuvoyla’at pe jryunggwhaqe’ taawa pakye’, haqe’ galawmagw put pant hapi tsa’lawngwu so’onge yaapiqooveqa. Pay yan itam son it qa aw oovi panayani, Hopivewat tsa’aktuyga.Tsa’akmongwit hapi i’ tiingappi’ata, tsa’lawpi’at piiwu.(Translated by Hopi Scholar Emory Sekaquaptewa)
Verily, I have given a name to the rock point here, that is to say, we have concluded that this is something that represents the place from which someone [appropriate] makes his announcements giving the positions of the sun [from season to season]; so that preordination of life- giving activities [i.e., ceremonies, planting, harvesting, etc.] can be given. It is undoubtedly used for that purpose, that is the reason we have given it the name, Tsa’aktuyqa. There are line drawings [on the rock] up there for marking sunsets [on the horizon], telling the positions of the sun that he must announce from up there. This is the way we are going to enter it [in the report], that according to Hopi practice this is the announcing point. The Crier Chief uses this as his place of declaring preordinations, his announcements. (Figure 10)
4. A Western Scientific Perspective
5. The Study Area
The Mesa Verde World
6. Methods
6.1. Canyonlands National Park EOA
6.2. BLM Utah Monticello Field Office Ethnographic Information Partnership
6.3. Issues of Ethnographic Analysis
6.4. Group Interpretation Agreement
6.5. Tribally Specific Interpretations
7. The Celestial Light Marker
7.1. Fallen Mesa Remnant
7.2. Upturned and Supported Stone Slab
7.3. Celestial-Light-Marking Peckings
7.4. The Dance Grounds
7.5. The Bracketing Peaks
I am just speculating but, of these two points [Six-Shooter Peaks], I am sure there is something there, a site or something that uses these two as a calendar. Maybe the sun goes far to the left during the summer solstice and comes back during the winter solstice, in between the two. I am sure that it is very significant in some way during that time of the year. There may be something to the west of this area.
So that [solar panel] is the observation point. When you have something like that, there is probably something like the mounds [in Indian Creek] you guys just passed. When you get to that point, you look west and east. There is going to be something prominent, either a structure or something there, or a shrine that they used in ceremonies. So that would tell them the times of year. When it reaches its point, then certain ceremonies or things would happen.
8. Analysis Summary: Eleven Key Features
- It is located in a spectacular geological landscape or geoscape.
- It involves views of distant sacred Sky Islands, which are snowcapped mountains.
- It spans Indian Creek, which is a spiritual area that (a) derives from the Abajo Mountains, a Sky Island, (b) contains miles of continuous rock peckings and paintings, and (c) is a tributary of the sacred Colorado River.
- It is visually bracketed to the west by the tall and narrow sandstone Six-Shooter Peaks.
- It receives celestial light that comes from between the peaks and especially a U-shaped dip between the peaks.
- Celestial lights rise and set as planets, stars, patterns of lights, and the Milky Way.
- It is built from a fallen remnant of a 6601-foot mesa but persists as a geosite isolated on a narrow, high ledge above Indian Creek.
- It is associated with a large flat dance and ceremonial area covered with offerings.
- It is near populous ancient Native American irrigated farming communities.
- It is within the viewscape of lands managed by the Bureau of Land Management and the National Park Service.
- It is touched and valued by millions of national and international tourists, including hikers, ecologists, archaeologists, and technical rock climbers.
9. Indian Creek Geoscape
9.1. Geosite One: Newspaper Rock
The other ones, the circles with asterisks inside of it, some of those represent all edible flowers before they bear fruits. See that is why there is abundance here. And when you see all these associated, next to the baby footprints, it is telling us there is abundance. Especially the left handprint, see that left handprint there? Left hand is a feminine symbol. It means prosperity, it means longevity everything good is a left symbol. A right-hand symbol is completely the opposite. That means challenges. It is masculine. It also means strength or power. The left hand is everything good. Especially if you see baby footprints or handprints next to that. It is really a good story written on this side.
[Newspaper Rock] is saying a lot. A lot of activity going on, like hunting buffalo, deer, and bighorn sheep. A lot of it is drawn over old inscriptions. See the dark ones are underneath and the light ones are on top? See the man on the horse? I believe the most recent ones are Ute.
It is a good name, newspaper, but we call them libraries of our history. Our ancestors left this information behind so that in the future, when their children, us, come back, we can identify what they left behind. I am really thankful that our ancestors had the foresight to look into their future and leave information like this behind.
The footprints and then the handprints, especially the left handprint is a very good symbol. And then baby footprints are a really good sign. There are certain styles of footprints that are modern versus ancient. The one on the left is ancient. This one I think is relatively old. See those baby foots? It symbolizes something, a very good life that they had at that time. A lot of children were born, really good crops and plenty of game, stuffs like that.
9.2. Geosite Two: Medicine Area and Doctor Rock
9.3. Geosite Three: Cliff Complex
10. Heritage of Indian Creek
11. Discussion
The World According to Pimm and Tribal Elders
Supplementary Materials
Author Contributions
Funding
Data Availability Statement
Conflicts of Interest
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Stoffle, R.; Van Vlack, K.; Lim, H. Celestial Light Marker: An Engineered Calendar in a Topographically Spectacular Geoscape. Arts 2025, 14, 25. https://doi.org/10.3390/arts14020025
Stoffle R, Van Vlack K, Lim H. Celestial Light Marker: An Engineered Calendar in a Topographically Spectacular Geoscape. Arts. 2025; 14(2):25. https://doi.org/10.3390/arts14020025
Chicago/Turabian StyleStoffle, Richard, Kathleen Van Vlack, and Heather Lim. 2025. "Celestial Light Marker: An Engineered Calendar in a Topographically Spectacular Geoscape" Arts 14, no. 2: 25. https://doi.org/10.3390/arts14020025
APA StyleStoffle, R., Van Vlack, K., & Lim, H. (2025). Celestial Light Marker: An Engineered Calendar in a Topographically Spectacular Geoscape. Arts, 14(2), 25. https://doi.org/10.3390/arts14020025