Next Article in Journal
CMB Tensions with Low-Redshift H0 and S8 Measurements: Impact of a Redshift-Dependent Type-Ia Supernovae Intrinsic Luminosity
Previous Article in Journal / Special Issue
The Perceived Beauty of Regular Polygon Tessellations
Open AccessArticle

Symmetrical Patterns of Ainu Heritage and Their Virtual and Physical Prototyping

1
Graduate School of Engineering, Kitami Institute of Technology, 165 Koen-cho, Kitami 090-8507, Japan
2
Faculty of Engineering, Kitami Institute of Technology, 165 Koen-cho, Kitami 090-8507, Japan
*
Author to whom correspondence should be addressed.
Symmetry 2019, 11(8), 985; https://doi.org/10.3390/sym11080985
Received: 19 June 2019 / Revised: 29 June 2019 / Accepted: 18 July 2019 / Published: 2 August 2019
(This article belongs to the Special Issue Empirical Aesthetics)
  |  
PDF [25594 KB, uploaded 2 August 2019]
  |  

Abstract

This article addresses virtual and physical prototyping of some symmetrical patterns collected from the Ainu cultural heritage. The indigenous people living in the northern part of Japan (e.g., Hokkaido), known as Ainu, often decorate their houses, clothing, ornaments, utensils, and spiritual goods using some unique patterns. The patterns carry their identity as well as their sense of aesthetics. Nowadays, different kinds of souvenirs and cultural artifacts crafted with Ainu patterns are cherished by many individuals in Japan and abroad. Thus, the Ainu patterns carry both cultural and commercial significance. A great deal of craftsmanship is needed to produce the Ainu patterns precisely. There is a lack of human resources having such craftsmanship. It will remain the same in the foreseeable future. Thus, there is a pressing need to preserve such craftsmanship. Digital manufacturing technology can be used to preserve the Ainu pattern-making craftsmanship. From this perspective, this article presents a methodology to create both virtual and physical prototypes of Ainu patterns using digital manufacturing technology. In particular, a point cloud-based approach was adopted to model the patterns. A point cloud representing a pattern was then used to create a virtual prototype of the pattern in the form of a solid CAD model. The triangulation data of each solid CAD model were then used to run a 3D printer to produce a physical prototype (replica of the pattern). The virtual and physical prototypes of both basic (Hokkaido) Ainu motifs and some synthesized patterns were reproduced using the presented methodology. The findings of this study will help those who want to digitize the craftsmanship of culturally significant artifacts without using a 3D scanner or image processing. View Full-Text
Keywords: symmetrical pattern; Ainu culture; point cloud; geometric modeling; 3D printing symmetrical pattern; Ainu culture; point cloud; geometric modeling; 3D printing
Figures

Figure 1

This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).
SciFeed

Share & Cite This Article

MDPI and ACS Style

Tashi; Ullah, A.S. Symmetrical Patterns of Ainu Heritage and Their Virtual and Physical Prototyping. Symmetry 2019, 11, 985.

Show more citation formats Show less citations formats

Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Related Articles

Article Metrics

Article Access Statistics

1

Comments

[Return to top]
Symmetry EISSN 2073-8994 Published by MDPI AG, Basel, Switzerland RSS E-Mail Table of Contents Alert
Back to Top