Search Results (155)

This paper examines the philosophy of language in The Platform Sutra of the Sixth Patriarch (六祖壇經), demonstrating its centrality to Zen Buddhism and Buddhist sinicization. The sutra emphasizes the ineffability of ultimate truth (至道無言) and the principle that words falter in encapsulating the Dao (言語道斷), framing language as a provisional “raft” (筏) that must be instrumentalized yet transcended through a dialectic of employing and abandoning (用離辯證). It ontologically grounds this view in Buddha-nature’s (佛性) pre-linguistic essence, advocating transcending reliance on words and letters (不假文字) while strategically deploying language to dismantle its own authority. Historically, this constituted a revolt against Tang scholasticism’s textual fetishism. The text adopts a dynamic dialectic, neither clinging to nor rejecting language, exemplified by Huineng’s awakening through the Diamond Sutra, where recitation catalyzes internal insight. Operationally, it utilizes negational discourse, the “Two Paths Mutually Condition” method (二道相因) embedded in the “Twelve Pairs of Dharmic Forms” (法相語言十二對) in particular, to systematically deconstruct dualisms, while promoting embodied unity of speech, mind, and action (口念心行) to critique empty recitation. Ultimately, the sutra orchestrates language as a self-subverting medium: balancing acknowledgment of its limitations with pragmatic instrumentality, it presents an Eastern paradigm where language actively disrupts conceptual fetters to facilitate direct insight into Buddha-nature, reframing it as a dynamic catalyst for “illuminating the mind and seeing one’s nature” (明心見性). Full article

Through an examination of his core doctrinal points, I argue that Shinran’s conception of Pure Land Buddhism (Jōdo Shinshū) should not be so readily dismissed as one that is only salvific in an otherworldly sense, with no relevance to contemporary, everyday life, nor should it be reduced to a purely ethnic form of Buddhism without any reference to its universal dimension. Through this analysis, we will find that Shinran’s adoption of a unique and honest evaluation of our inner lives through receiving the wisdom and compassion of Amida Buddha can offer people of today’s world a way to embrace a spirit of self-acceptance so that one can live with confidence, integrity, and a modest joy, despite the manifold shortcomings of the human condition. Through the radical transformation of one’s dissatisfaction and suffering, an uncontrived ethical impulse is able to emerge, accompanied by a keen awareness of deep empathy for others, leading to an existence informed by empathy instead of animosity. Full article

This paper explores the perspectives of Master Taixu (太虛, 1890–1947) and Master Hsing Yun (星雲, 1927–2023) on the practice of the Buddhist Five Vehicles (五乘), particularly focusing on the relationship between the Vehicles of Men and Gods (人天乘) and the Bodhisattva Vehicle (菩薩乘). Master Taixu advocated “Buddhism for Human Life” (人生佛教), emphasizing the improvement of real life as the foundation for Buddhist practice in daily life. He proposed the principle of “following the practice and fruition of the Human Vehicle to cultivate the Mahāyāna path” (依人乘行果，趣修大乘行), suggesting a gradual progression from the human vehicle to the Mahāyāna Bodhisattva path. He introduced the concept of “The perfection of human character leads to Buddhahood” (人圓佛即成) and “Present Bodhisattva Practice” (今菩薩行), highlighting the importance of adapting Buddhist practice to contemporary society and actively engaging in social service. Master Hsing Yun’s advocacy of “Humanistic Buddhism” (人間佛教) emphasizes the diversity of practice, asserting that any action aligned with Buddhist teachings, beneficial to human well-being, and conducive to the welfare of all beings constitutes a form of practice, thereby expanding its definition. He elaborated on the Five Vehicles, viewing the Vehicle of Men and Gods as a preliminary stage, advocating a gradual progression towards the Bodhisattva Vehicle, ultimately culminating in Buddhahood. He proposed the principle of “undertaking worldly affairs with an otherworldly mindset” (以出世的思想，做入世的事業), highlighting the importance of practicing the Bodhisattva path in everyday life. With “Buddha Light Pure Land” (佛光淨土) as the ultimate goal, he sought to integrate the essence of various Pure Lands traditions to achieve earthly peace and purification. Both masters highlight the importance of practicing Humanistic Buddhism, advocating for the application of the Bodhisattva practice in daily life, guiding all beings with compassion and wisdom, and actively engaging in society to address real-world issues, ultimately realizing a Humanistic Pure Land. However, their perspectives also differ: Master Taixu focused more on the theoretical construction and an exposition on the order of practice, whereas Master Hsing Yun placed greater emphasis on the diversity and flexibility of practice and the integration of Buddhist teachings into modern life. Full article

Vajrayāna teaching places the guru outside space and time, while simultaneously manifest in the teacher’s physical body. Those who regard Danzanravjaa primarily as a Buddhist teacher even today have his poems as a potent source of his teaching and consequently as a catalyst for their own spiritual development. But what can we hear across two centuries, and how can we actively listen to his religious teaching through his singular, aphoristic, and complex poetics? And to what extent can we understand today his nomadic perspective on Buddhist teaching in order better to understand the particular nature of Mongolian Buddhism? This paper will examine Danzanravjaa’s poetry in both Mongolian and Tibetan through the intertwining outer, inner, and secret levels of Tibeto-Mongolian Vajrayāna Buddhism, listening to how his poetic language and down-to-earth themes might have spoken to his contemporaries, as well as how they might speak to us today. In doing so, it presents Danzanravjaa’s poetry in a different light—not in terms of nineteenth century literature but as actionable spiritual wisdom from a teacher who, like any other, presents his own direct apprehension of Buddha nature in a challenging, personal style. Full article

In the 19th century, the British archaeologist Sir Alexander Cunningham identified the remains of an unidentified Buddhist monastery at Jamāl Gaṛhī, an ancient site located approximately 13 km from present-day Mardān, Pakistan. Subsequent excavations by the Archaeological Survey of India between 1920 and 1921 unearthed a schist inscription dated to the year “359”. Heinrich Lüders, the renowned German Indologist and epigraphist, attributed this inscription to the Dharmaguptaka sect/school. Despite this early attribution, the Monastery’s precise sectarian characteristics have remained largely unexplored in later scholarship. This article reevaluates the site’s sectarian identity by employing a “ground-to-text” methodology that integrates archaeological evidence with textual analysis, with a particular focus on the Chinese translation of the Dharmaguptaka Vinaya. Through this comparative framework, this study seeks to elucidate the religious ideas reflected in the site’s material culture and their relationship with Dharmaguptaka disciplinary thought. The analysis encompasses the architectural remnants of the stūpa excavated by Cunningham and the “Fasting Buddha” statuary, now preserved in the National Museum of Pakistan, the British Museum, and other sites, situating these artifacts within the distinctive visual and contemplative traditions linked to the Dharmaguptaka Vinaya. By integrating architectural, sculptural, textual, and epigraphic materials, this article provides a nuanced understanding of sectarian developments at Jamāl Gaṛhī and argues that an explicit emphasis on the ‘Middle Way’ ideology constituted a defining feature of the Dharmaguptaka tradition during this period. Full article

Buddha’s hand, citron, and galangal are widely used in the food and pharmaceutical fields. In this study, the type of yeast, Saccharomyces cerevisiae addition, pH, extract content, and fermentation temperature were used as the investigating factors, and the sensory scores, alcohol, reducing sugar, total phenol content, and total flavonoid content of fermented wine were used as the investigating indexes. The fermentation conditions of fermented wine were optimized using the Box-Behnken design-response surface method combined with the entropy weighting method; HS-SPME-GC-MS performed the compositional analyses. The results demonstrated that the wine made from Buddha’s hand, citron, and galangal exhibited a unique aroma, seamlessly blending herbal and fruity notes. This product contained components at relatively high concentrations that are known to possess potential anti-inflammatory, antioxidant, and sleep-promoting properties, among others. These findings provide a valuable foundation for the further development and resource utilization of this innovative product. Full article

In the Pāli discourses of the Buddha, ‘conditioned co-origination’ (paṭicca-samuppāda) is the key insight that underpins the Buddha’s own awakening and his teaching. This paper aims to shed light on three connected aspects of conditioned co-origination: the synchronic and non-linear nature of the conditional relations it establishes, the non-causal nature of this relation, and how the whole teaching can be seen as a deepening and expansion of the Buddha’s core insight about the impermanence and uncertainty (anicca) of all conditioned phenomena, which is also central in several forms of Buddhist meditation. These three points are connected. (1) By realizing how any given experience arises out of the systematic conditional relationship among several factors, (2) the practitioner’s attention is directed to contemplate the constitutively conditional nature of phenomenal experience as a whole (instead of focusing on specific causal relations), (3) by thus becoming able to directly see that ‘whatever has the nature of arising, all of that has the nature of ceasing’ (SN 56.11), which is the key insight that unlocks the path towards nibbāna. Full article

The issue of transcendence is a pivotal philosophical proposition in the contemporary development of Humanistic Buddhism, continuously provoking academic debates within the fields of religious studies and Buddhist scholarship. In response to the controversy over whether Humanistic Buddhism possesses transcendence, Master Hsing Yun (星雲大師) addresses this question through three theoretical dimensions: constructing spiritual transcendence at the level of faith, achieving inner transcendence at the level of consciousness, and realizing a creative transcendence that integrates tradition and modernity within a historical context. Through the tripartite interaction of the Buddhist practice system, worldly engagement, and the philosophy of the Middle Way (中道), individuals can transcend their own lives and attain the perfection of their inherent Buddha-nature, ultimately achieving a unity of humanity and transcendence. Full article

Buddhist books have always played a central role in the lives of Tibetan people. This is evident by looking at the hundreds of thousands of manuscripts and xylographs produced by Tibetans, and then copied, multiplied, worshipped, spread, and transmitted uninterruptedly from religious masters to disciples over the centuries. Tibetan manuscripts and xylographs have started to be studied in their entirety only recently, and the interest for their visual aspect, material features, and social life has exponentially grown, becoming crucial to progress in different fields of study, to deeply understand the way in which Tibetan Buddhist people interact with such artefacts but also to preserve a disappearing cultural heritage. This essay will focus on a so far neglected element of Tibetan Buddhist manuscripts, namely, decorations of writing frames. Any element found in a Tibetan scripture is essential from care and conservation viewpoints since it contributes to preservation for as long as possible. This is fundamental to spread Buddha’s word and to accumulate spiritual merits to progress on the path towards Enlightenment. The numerous elements exhibited in manuscripts may help locating their provenance and/or narrowing down their dating. This will also lead to a better understanding of the spread of certain scriptures within the various Tibetan areas. This essay attempts to provide a preliminary analysis of decorated writing frames found in Buddhist manuscripts produced in different periods with the twofold aim of tracing their use and codicological aspects and investigating the type of texts that were mostly chosen to be decorated as such. Full article

Taking Jiaxiang Jizang’s (嘉祥吉藏, 549–623) statement that “grasses and trees possess Buddha-nature” (草木有佛性, cao mu you foxing) as an example of Early Chinese Madhyamaka ethics, I provide an analysis of the two main propositions of his claim and discuss the ethical significance thereof to highlight the characteristics of Early Chinese Madhyamaka ethics. Although the two propositions appear contradictory in a literal sense, differing criteria are employed in each to establish whether or not grasses and trees and sentient beings possess Buddha-nature—namely, dependent origination and emptiness in the first and non-attainment in the second. I also point out that the ethical significance of the first proposition exhibits a shift from ontology to moral awareness and then to moral disposition as the practitioner in moral accomplishment, while the approach of the second proposition is instead an ontological inquiry into the origins of morality, with an ethical outlook founded on the soteriological aspect of self-discipline. I conclude by showing that no single theory of Western ethics can be suitably applied to the Chinese Madhyamaka ethics of Jizang, as any such attempt would prove incompatible with his philosophical standpoint of non-attainment. Full article

This article compares the precept revival movements in Korean and Japanese Buddhism in the early modern period. It examines how monks in both countries, in particular, in the Korean Hyujŏng lineage and the Japanese Shingon sect, restored and utilized the precept tradition to re-establish Buddhist identity in the midst of rapid political and social change. Although in different ways, Buddhism in the early modern period in both countries experienced state control and an anti-Buddhist milieu, making it difficult to maintain its religious identity. Various efforts were made to overcome this hardship, the most prominent of which was the precept revival movement. In the early 19th century, in Chosŏn Korea, Taeŭn and Paekp’a sought to restore the bhikṣu lineage by overhauling the bhikṣu ordination rituals through the “reception of the precepts through an auspicious sign” and “the reception of the ten wholesome precepts”, respectively, while in mid-to-late 18th-century Japan, the Shingon master Jiun advocated a return to the teachings of Śākyamuni through the Shōbō-ritsu movement. While both countries focused on precept revival as a way to solidify Buddhist religious identity, Korea emphasized the restoration of the bhikṣu lineage, while Japan, especially in the Shingon-shū, emphasized a return to the fundamental teachings of the Buddha. These differences stem from the unique historical backgrounds of the two countries and the distinctive developments of their Buddhist traditions. By comparing the precept revival movements in both countries, this study examines how different precept traditions influenced the identity of East Asian Buddhism in the early modern period and how these efforts have been fundamental in maintaining Buddhist orthodoxy into the modern era. Full article

This study proposes an innovative framework integrating geographic information systems (GISs), water quality index (WQI) analysis, and advanced machine learning (ML) models to evaluate the prevalence and impact of organic and inorganic pollutants across the urban–industrial confluence zones (UICZ) surrounding the National Capital Territory (NCT) of India. Surface water samples (n = 118) were systematically collected from the Gautam Buddha Nagar, Ghaziabad, Faridabad, Sonipat, Gurugram, Jhajjar, and Baghpat districts to assess physical, chemical, and microbiological parameters. The application of spatial interpolation techniques, such as kriging and inverse distance weighting (IDW), enhances WQI estimation in unmonitored areas, improving regional water quality assessments and remediation planning. GIS mapping highlighted stark spatial disparities, with industrial hubs, like Faridabad and Gurugram, exhibiting WQI values exceeding 600 due to untreated industrial discharges and wastewater, while rural regions, such as Jhajjar and Baghpat, recorded values below 200, reflecting minimal anthropogenic pressures. The study employed four ML models—linear regression (LR), random forest (RF), Gaussian process regression (GPR), and support vector machines (SVM)—to predict WQI with high precision. SVM_Poly emerged as the most effective model, achieving testing CC, RMSE, and MAE values of 0.9997, 11.4158, and 5.6085, respectively, outperforming RF (0.9925, 29.8107, 21.7398) and GPR_PUK (0.9811, 68.4466, 54.0376). By leveraging machine learning models, this study enhances WQI prediction beyond conventional computation, enabling spatial extrapolation and early contamination detection in data-scarce regions. Sensitivity analysis identified total suspended solids as the most critical predictor influencing WQI, underscoring its relevance in monitoring programs. This research uniquely integrates ML algorithms with spatial analytics, providing a novel methodological contribution to water quality assessment. The findings emphasize the urgency of mitigating the fate and transport of organic and inorganic pollutants to protect Delhi’s hydrological ecosystems, presenting a robust decision-support system for policymakers and environmental managers. Full article

This paper examines the regional diversity in Buddhist heritage and its use for tourism in Asia, more specifically, South Asia and Southeast Asia. Based on an analysis of secondary sources and data from national tourism organisations, it illustrates inter-regional and intra-regional aspects of tourism related to Buddhist heritage. It is found that in spite of their archaeological nature, Buddhist sites in South Asia are converging points for Buddhist tourism, as these are directly related to the Buddha, and many international Buddhist monasteries enliven them with transnational Buddhist practice. Whereas in Southeast Asia, Buddhism is more of a cultural landscape that pervades from the village-level practice of Buddhism to monumental places dedicated to Buddha, which collectively form a major resource for cultural tourism. This paper argues that regional connections and religious and cultural similarities of Buddhist heritage in countries of Southeast Asia contribute to the cultural distinctiveness in the Asian paradigm that can foster sustainable development of tourism in the region. Full article

Soon after the devastating Ansei Edo earthquake in 1855, popular prints known as catfish prints (namazu-e) circulated widely. These prints were rooted in the folk belief that a giant catfish beneath the earth caused earthquakes. Various types of catfish prints were published: some depicted a punished earthquake catfish and served as protective charms against future quakes, while others functioned as sharp social commentary. In the latter type, the catfish was portrayed as a popular deity capable of bringing favorable societal change for people in the lower social class, symbolizing hope for commoners through reduced economic disparities after the disaster. The print “Prodigal Buddha” positioned the catfish as an antihero, criticizing the Tokugawa government’s inefficacy and the failure of religious institutions to provide spiritual salvation. By juxtaposing the catfish—now a newly popular deity—with a thunder god, formerly a fearsome deity but now submissively obeying the catfish, the print effectively visualizes the shift in status between the two. This article examines the criticism directed at political and religious authorities in the aftermath of the disaster, analyzing the layered symbolism of the thunder gods in the print. Full article

The Huayan Grotto in Anyue County is one of the most typical caves of the grottoes of Sichuan 四川 and Chongqing 重慶. Being well known for its grand scale and the beautiful style of its sculptures, the cave was designed and carved by the Liu-Zhao sect 柳趙教派 in eastern Sichuan during the Southern Song Dynasty. The Liu-Zhao sect is a local religious group that relies on grottoes and statues to state concepts, propagate ideas, and spread doctrines. The sect is good at integrating a variety of Buddhist thoughts to form its own unique theoretical and practical system. The large-scale statue-making activities under the auspices of the Liu-Zhao sect 柳趙教派 are a classic example of the localization of Buddhism in Southwest China. The ideological system of the Liu-Zhao sect is centered on Huayan, and Huayan Grotto is the very concentration of its special philosophy. This paper considers that the cave constitutes a holy place, with a theme of thoughts of Huayan, which was built based on important doctrines of two masters. Through the combination and arrangement of diversified images, the cave is so far the most complex, complete, and systematic visualized representation of the Huayan’s theory and practice. Inside the cave are carved full-length portraits of Li Tongxuan 李通玄, the Elder of Huayan, and Guifeng Zongmi 圭峰宗密, the fifth patriarch of the Huayan sect. There are also statues and inscriptions that illustrate Li’s thoughts, such as the Ten Assemblies in Ten Locations 十處十會and the Sudhana’s Pilgrimage 善財遍參based on Li’s exegetical writings on the Avataṃsaka Sūtra; the Three Saints of the Huayan School (Huayan sansheng 華嚴三聖) carved on the basis of Li’s pioneering idea about the trinity of three saints; and the mind-only verse 惟心偈, emphasizing mind as the foundation of Avataṃsaka practice. Zongmi’s Avataṃsaka thoughts were mainly expounded through a series of commentaries on the Sutra of Perfect Enlightenment 大方廣圓覺修多羅了義經, to which the impressive Twelve Bodhisattvas of Perfect Enlightenment are directly related. In addition to the theoretical system, the cave offers two means for Avataṃsaka practice. Highly qualified Avataṃsaka practitioners practice by viewing the Trinity of Three Saints and the Buddha’s Light, and then they go through five phases of fruition to attain Buddhahood, which is the Avataṃsaka practice dominated by Li Tongxuan’s thoughts. Less qualified practitioners practice through repentance liturgies and sitting in meditation at the Ritual Site of Perfect Enlightenment, which is the practice of Perfect Enlightenment advocated by Zongmi 宗密. Full article