Search Results (111)

Not enough attention has been paid to the artistic approach of depicting human figures at the center of double-scroll patterns in Chinese Buddhist art. Originating from Greco-Roman culture, this motif entered China from the overland Silk Road around the late 5th century, evolving into two systems. The Hexi Corridor system, centered on Dunhuang, predominantly features lotus-born beings holding vines. The figural types evolved from lotus-born beings to celestial beings, bodhisattvas, and buddhas, with postures ranging from vine-holding to mudra-forming, lotus-tray-lifting, music-playing, and dancing, demonstrating a clear trajectory of development. The Northern Central Plains system, successively centered in Pingcheng, Qingzhou, and Yecheng, developed a relatively complete sequence only in buddha figures. The motif first spread through the Hexi Corridor before influencing the Northern Central Plains. It was adapted from its original Mediterranean context of mythological themes and funerary or temple use to illustrate Buddhist doctrines in China, absorbing elements of Han, Western Regions, and Central Asian cultures. By clarifying the motif’s origin, spread, evolution, and adaptation through systematic analysis of material evidence, this article reveals an intrinsic connection between Greco-Roman culture and Chinese Buddhist art, enriches the history of Sino-foreign cultural exchange, and reflects how Buddhism absorbed diverse cultural elements to achieve Sinicization. Full article

Thangka paintings, as intricate forms of Tibetan Buddhist art, present unique challenges for image segmentation due to their densely arranged symbolic elements, complex color patterns, and strong structural symmetry. To address these difficulties, we propose SPIRIT, a structure-aware and prompt-guided diffusion segmentation framework tailored for Thangka images. Our method incorporates a support-query-encoding scheme to exploit limited labeled samples and introduces semantic guided attention fusion to integrate symbolic knowledge into the denoising process. Moreover, we design a symmetry-aware refinement module to explicitly preserve bilateral and radial symmetries, enhancing both accuracy and interpretability. Experimental results on our curated Thangka dataset and the artistic ArtBench benchmark demonstrate that our approach achieves 88.3% mIoU on Thangka and 86.1% mIoU on ArtBench, outperforming the strongest baseline by 6.1% and 5.6% mIoU, respectively. These results confirm that SPIRIT not only captures fine-grained details, but also excels in segmenting structurally complex regions of artistic imagery. Full article

Historic and cultural towns in China are crucial carriers of vernacular heritage, yet many unlisted historic buildings remain highly vulnerable to urbanization and fragmented governance. This study takes Xiangzhu Town in Zhejiang Province as a case study and develops a multidimensional evaluation framework—integrating value, morphology, and risk—to identify conservation priorities and guide adaptive reuse. The results highlight three key findings: (1) a spatial pattern of “core preservation and peripheral renewal,” with historical and artistic values concentrated in the core, scientific value declining outward, and functional diversity emerging at the periphery; (2) a morphological structure characterized by “macro-coherence and micro-diversity,” as revealed by balanced global connectivity and localized hotspots in space syntax analysis; and (3) differentiated building risks, where most assets are low to medium risk, but some high-value ancestral halls show accelerated deterioration requiring urgent action. Based on these insights, a collaborative framework of “graded management–classified guidance–zoned response” is proposed to align systematic restoration with community-driven revitalization. This study demonstrates the effectiveness of the value–morphology–risk approach for small historic towns, offering a replicable tool for differentiated heritage conservation and sustainable urban–rural transition. Full article

Ethnic minority embroidery from Guizhou is an important part of Chinese culture, reflecting the history, beliefs, and artistic traditions of the region’s diverse ethnic groups. However, challenges in automatic recognition arise due to data scarcity, complex textures, and the flexibility of handmade designs. This study constructs the Guizhou Province Intangible Cultural Heritage Embroidery dataset and proposes an improved MobileViT-DDC model to address the issues of complex textures and data scarcity. The model integrates Dilatefomer, Deformable Dilatefomer (DefDilatefomer), and Context Broadcasting Module (CBM) to capture local details and global information in embroidery patterns. Experimental results show that the MobileViT-DDC model achieves an accuracy of 98.40% on the Guizhou embroidery dataset (a 2.17% improvement over the original baseline model) with a 14% reduction in computational load; on the Pakistani National Dress Dataset, it reaches an accuracy of 79.07%, representing a 2.63% increase compared to the original baseline model of the same scale. This study is the first to apply a CNN-ViT hybrid model to ethnic embroidery recognition, providing a new solution for the digital preservation of cultural heritage. The model’s cross-cultural adaptability was further validated through its application to the Pakistani National Dress dataset. Full article

The Chu-style lacquerware (CSL) dataset is a digital resource specifically developed for the digital preservation and inheritance of Chu-style lacquerware, which constitutes an important component of global intangible handicraft heritage. The dataset systematically integrates on-site photographic images from the Hubei Provincial Museum and official digital resources from the same institution, comprising 582 high-resolution images of Chu-style lacquerware, 72 videos of artifacts, and 37 images of traditional Chinese patterns. It comprehensively demonstrates the artistic characteristics of Chu-style lacquerware and provides support for academic research and cultural dissemination. The construction process of the dataset includes data screening, image standardization, Photoshop-based editing and adjustment, image inpainting, and image annotation. Based on this dataset, this study employs the Low-Rank Adaptation (LoRA) technique to train three core models and five style models, and systematically verifies the usability of the CSL dataset from five aspects. Experimental results show that the CSL dataset not only improves the accuracy and detail restoration of Artificial Intelligence (AI)-generated images of Chu-style lacquerware, but also optimizes the generative effect of innovative patterns, thereby validating its application value. This study represents the first dedicated dataset developed for AI generative models of Chu-style lacquerware. It not only provides a new technological pathway for the digital preservation and inheritance of cultural heritage, but also supports interdisciplinary research in archeology, art history, and cultural communication, highlighting the importance of cross-disciplinary collaboration in safeguarding and transmitting Intangible Cultural Heritage (ICH). Full article

Industrial solid waste fly ash has been widely applied in various fields as a resource for waste repurposing. The use of fly ash can significantly reduce production costs and at the same time reduce environmental pollution to achieve sustainability. This study explores the feasibility of using fly ash as a raw material to formulate high-temperature ceramic glazes, examining the composition, surface phases, and texture patterns of the resultant glazes. This study systematically assesses the impact of formulation modifications on glazing qualities by XRF, XRD, and SEM testing methods. The results show that 1. in high-temperature glazes, the element that determines the degree of transparency in the surface phase is the Ti content; 2. Zinc and Ferrum are important factors that can fine-tune the color shade and crystal mention; and 3. controlling the fly ash content in the glaze can change its color and texture. The novelty of this paper lies in utilizing fly ash to create high-performance, high-value-added ceramic products that feature unique aesthetics and artistic effects. In the future, we can investigate the influence of fly ash on glaze coloration, and the formation of different texture effects, as well as achieve specific color mixing. Full article

Background: This study examined the influence of creative thinking, shaped by different forms of episodic mental representations, on human movement. The primary objective was to investigate how creativity, elicited through distinct cognitive stimuli, affects movement variability. Methods: Twenty-four professional dancers developed two original dance phrases, each inspired by either a visual or a narrative mental representation. Movement data were collected via inertial sensor technology and subsequently analysed to determine differences in motor expression. Results: The results indicated that movements performed under narrative representation conditions exhibited significantly increased risk-taking behaviour, greater movement amplitude, and a higher overall movement volume compared to those guided by visual stimuli. Conclusions: These findings underscore the role of creativity in modulating both the expressive and physical dimensions of human movement. Moreover, this research demonstrates the potential of inertial sensor technology not only to capture kinematic patterns but also to provide insight into the deeper layers of human artistic and cognitive processes. Full article

Background: Circus arts are gaining popularity across the globe and lifespan. Despite growing participation rates, there is limited high-quality evidence describing the physical therapy evaluation and management of injury within this population. The purpose of this scoping review was to identify and summarize evidence related to the injury characteristics and management of circus artists. Methods: With a research librarian, computerized searches were developed and performed using online databases (PubMed, CINAHL, Scopus, SPORTDiscus and Cochrane), gray literature and non-medical databases. Two authors independently voted on article inclusion with a third author blinded to previous voting used in case of conflict. Concept mapping identified five primary themes related to circus injuries and physical therapy treatment. Data was extracted from each article based on content relevant to the classification. Results: In total, 1095 titles were retrieved from electronic searches, of which 49 studies were included. Overall, 20 studies related to injury characteristics, 10 to risk factors, 9 to each psychosocial variables and interventions, and 8 to screening. Acrobats with required ground elements were the most commonly injured discipline, particularly at the shoulder, ankle and spine. Intrinsic and extrinsic risk factors were identified and numerous psychosocial and lifestyle contributing factors were reported. Literature guiding treatment is limited. Conclusions: This scoping review mapped and synthesized evidence related to the evaluation and management of circus artist injuries. While injury patterns and characteristics are generally understood, the treatment of this population is poorly described. Clear gaps in screening, injury prevention strategies, and interventions for this group were identified. Full article

From the 17th century, European leisure travellers sought novel experiences, places and landscapes; they explored them within the context of contemporary, but temporally changing, social norms. Amongst travellers’ earliest motivations were reportage, curiosity and recuperation in managed landscapes. From the late 18th century, images in art galleries and then guidebooks directed leisure travellers into ‘wild’ places. Supporting and part-driving these developments were travel and antiquarian publications. That normalisation of ‘wild places’ exploration coincided with natural history’s popularisation. From the early 19th century, geosites were recognised, scientifically described, and popularised through a range of publications; this marked the beginning of geotourism. This can be contextualised within the rise in resort-based coastal tourism. These various themes are explored in relation to ‘Coastal Southern England’, an important tourism region from the early-18th century. By the Great War’s (1914–1918) close, its tourism patterns and nature, recognisable in present-day offerings, were established. Its development as a geotourism region can be conceptualised through the ‘travellers’ gaze’ and ‘adapted comfort zone’ models. Early geotourism literature and artistic representations, along with their creators’ biographies, could underpin modern geo-interpretation, of which some exemplars are given. General conclusions are drawn and future research suggested. Full article

This study explores the enhancement of spatial vitality in the Historic Center of Macau from the perspective of museumification theory. This research employs GIS technology to analyze Baidu heatmap data, comparing the differences in spatial vitality between the festive and daily periods. Furthermore, experiential quality questionnaire data were collected from 224 tourists visiting the historical district, constructing a theoretical model of “objective vitality–experience quality”. Through objective analysis, the results indicate that the distribution of vitality in the Historic Center of Macau exhibits a clear core–periphery diffusion pattern. During the festive period, the intensity of spatial vitality significantly increases. Through subjective analysis, this study reveals that experiential quality has a significant impact on spatial vitality. Among the dimensions, education and inspiration, cultural exchange, and entertainment enjoyment have a notably positive effect on spatial vitality. The elements of education and inspiration play a crucial role during festive periods—particularly artistic attractions and educational entertainment—which positively influence vitality. This study innovatively applies museumification theory to the research of vitality in a historical district, providing valuable references for the sustainable cultural tourism development and cultural heritage preservation of the Historic Center of Macau. Full article

Style transfer technology has seen substantial attention in image synthesis, notably in applications like oil painting, digital printing, and Chinese landscape painting. However, it is often difficult to generate migrated images that retain the essence of paper-cutting art and have strong visual appeal when trying to apply the unique style of Chinese paper-cutting art to style transfer. Therefore, this paper proposes a new method for Chinese paper-cutting style transformation based on the Transformer, aiming at realizing the efficient transformation of Chinese paper-cutting art styles. Specifically, the network consists of a frequency-domain mixture block and a multi-level feature contrastive learning module. The frequency-domain mixture block explores spatial and frequency-domain interaction information, integrates multiple attention windows along with frequency-domain features, preserves critical details, and enhances the effectiveness of style conversion. To further embody the symmetrical structures and hollowed hierarchical patterns intrinsic to Chinese paper-cutting, the multi-level feature contrastive learning module is designed based on a contrastive learning strategy. This module maximizes mutual information between multi-level transferred features and content features, improves the consistency of representations across different layers, and thus accentuates the unique symmetrical aesthetics and artistic expression of paper-cutting. Extensive experimental results demonstrate that the proposed method outperforms existing state-of-the-art approaches in both qualitative and quantitative evaluations. Additionally, we created a Chinese paper-cutting dataset that, although modest in size, represents an important initial step towards enriching existing resources. This dataset provides valuable training data and a reference benchmark for future research in this field. Full article

The Inverted Swallow (IS) is a rare isometric upper-body skill in artistic gymnastics. Athletes use Preconditioning Strengthening Exercises (PSEs) to develop the strength necessary to hold the IS at competition rings. However, the specific muscle excitation and synergies typical of the IS and its PSEs remain unexplored. Thus, this study analyzed muscle excitations and synergies during the IS and its five common PSEs. Muscle excitation was recorded from the pectoralis major, latissimus dorsi, triceps brachii, infraspinatus, trapezius, serratus anterior, biceps brachii and posterior deltoid muscles in six elite calisthenics athletes (age: 24.5 ± 3.0 years; height: 168.6 ± 5.8 cm; body mass: 65.0 ± 4.7 kg). Non-Negative Matrix Factorization was used to extract synergies. The results showed a predominant role of the posterior deltoid and triceps brachii during the IS. Significant differences were observed in the muscle excitation of the triceps brachii between the IS and its PSEs (p ≤ 0.001; W = 0.765), and in the posterior deltoid (p = 0.002; W = 0.629). Muscle synergy patterns also differed in simultaneous muscle activation between the IS and its PSEs. These findings provide the first detailed evidence of the characteristics of the IS element, providing insights for optimizing strength training and gymnastics performance. Full article

This study investigates the value identification and assessment of architectural heritage in Fujian Overseas Chinese New Village. As representative 20th-century settlements of returned overseas Chinese, these villages demonstrate distinctive architectural integration of Southeast Asian and Minnan architectural traditions while preserving historical memories of diasporic communities, though systematic evaluation remains lacking. An innovative multidimensional assessment framework combining qualitative and quantitative approaches was developed, with spatial analysis and value evaluation conducted on 247 representative structures employing Kernel Density Estimation (KDE), Delphi method, and Analytic Hierarchy Process (AHP). Three primary findings emerged: (1) Spatial distribution patterns revealed core-periphery clustering characteristics, with Xiamen and Zhangzhou forming high-density cores (23.5% concentration ratio) showing KDE values of 4.138–4.976, reflecting historical migration networks and policy-driven site selection logic. (2) Heritage values were categorized into seven dimensions, with historical significance (0.2904), artistic merit (0.1602), and functional utility (0.1638) identified as primary value drivers. (3) A four-tier evaluation system quantified heritage significance through weighted indices, demonstrating 53.89% dominance of intrinsic value components, with historical and cultural factors contributing 29.04% and 18.52% respectively. Assessment outcomes indicated 23.5% of structures scoring above 80 points, particularly highlighting Xiamen’s comprehensive preservation value. This research advances traditional conservation paradigms through its pioneering “value identification–quantitative assessment–conservation and utilization” closed-loop model, providing methodological innovation applicable to similar Overseas Chinese communities. The developed framework fills critical research gaps in the systematic evaluation of Southern Min diaspora architecture while establishing quantitative parameters for decision-making synergy between cultural preservation and urban–rural development. By transcending conventional single-dimensional approaches, this study offers replicable analytical tools for differentiated conservation strategies and policy formulation. Full article

Injury or fear of injury can cause stress for everyone. This is especially true for dancers, whose careers can be ruined by a serious injury. Stress or various psychological problems can play a role in the development of injury. Our research aims to explore the psychosocial patterns associated with injuries among Hungarian professional folk dancers. A cross-sectional study was carried out with 96 professional dancers (47.9% male, 52.1% female, mean age 29.9 years). Data was collected through an online questionnaire survey. Among psychological factors, perceived stress (using the Perceived Stress Scale), burnout (using the Athletic Burnout Questionnaire), coping skills (using the Athletic Coping Skills Inventory), relationship with the leader (using the Coaching Behaviour Questionnaire) and perceived social support (using the Multidimensional Scale of Perceived Social Support) were examined among injured and non-injured dancers. The two groups were compared along psychological subscales using Multivariate Analysis of Variance (MANOVA) followed by a post hoc ANOVA and Mann–Whitney test regarding social support. Our results showed a significant correlation between psychosocial factors and injuries sustained during the study period. Positive correlation was found between injuries and perceived stress (p < 0.001) and burnout (reduced sense of accomplishment p = 0.021; dance devaluation p < 0.001). Factors reflecting dancer’s behavior and coping skills also correlated with injuries, such as a decrease in coachability (p = 0.007), less concern (p = 0.029), and negative reactions to the leader’s behavior (p = 0.019). In addition, perceived social support from family also negatively correlates with injury (p = 0.019). Our findings suggest a multidirectional relationship between physical injuries and the mental state of dancers. Further investigation of the causal relationships is recommended, with the aim of using psychosocial support tools during the prevention and treatment of injuries by the professionals dealing with dance artists. It is also recommended to investigate whether individual psychological factors are directly related to injuries or interact with each other. It would also be useful to introduce prevention programs that help dancers manage their emotions related to injuries. Full article

Stained glass has played important roles in heritage building construction, however, conventional fabrication techniques have become economically prohibitive due to both capital costs and energy inefficiency, as well as high-level artistic and craft skills. To overcome these challenges, this study provides a new design methodology for customized 3D-printed polycarbonate (PC)-based stained-glass window alternatives using a fully open-source toolchain and methodology based on digital fabrication and hybrid crafts. Based on design thinking and open design principles, this procedure involves fabricating an additional insert made of (i) a PC substrate and (ii) custom geometries directly 3D printed on the substrate with PC-based 3D printing feedstock (iii) to be painted after the 3D printing process. This alternative is intended for customizable stained-glass design patterns to be used instead of traditional stained glass or in addition to conventional windows, making stained glass accessible and customizable according to users’ needs. Three approaches are developed and demonstrated to generate customized painted stained-glass geometries according to the different users’ skills and needs using (i) online-retrieved 3D and 2D patterns; (ii) custom patterns, i.e., hand-drawn and digital-drawn images; and (iii) AI-generated patterns. The proposed methodology shows potential for distributed applications in the building and heritage sectors, demonstrating its practical feasibility. Its use makes stained-glass-based products accessible to a broader range of end-users, especially for repairing and replicating existing conventional stained glass and designing new customizable products. The developed custom patterns are 50 times less expensive than traditional stained glass and can potentially improve thermal insulation, paving the way to energy efficiency and economic savings. Full article