Search Results (69)

Our article presents a holistic analysis aimed at discerning patterns from ancient–modern comparative contexts of malaria. The article’s interdisciplinary and consilient methodology is drawn from a range of disciplines: the humanities and social sciences, medical knowledge (particularly epidemiology and pathology), molecular phylogenetics, demography, archaeology, paleopathology, numismatics, complex systems theory, etc. The article begins with a detailed exploration of a 463 BCE epidemic event that likely marked the, ultimately transformative, debut of P. falciparum evolutionary lineage malaria for ancient Roman civilization. It is important to note that the concept of evolutionary lineage is defined herein as a sequence of organisms, descended from a common ancestor and culminating, for the present at least, in the form existing currently. An interdisciplinary retrospective diagnosis methodology is utilized to establish, with what we believe to be a high degree of probability, a conclusion that effectively marks the beginning point for the ancient side of our comparative example. The deep interdisciplinary/historical methods used to elucidate the ancient side of the disease equation both lead to a clear conclusion and suggest potential modern analogies or even “prophecies.” These are used to highlight the threats emanating from the current spread of zoonotic P. knowlesi malaria in Southeast Asia. The article also utilizes six broader holistic and interdisciplinary factors in its contextual and comparative analysis: (A) political, military and security contexts; (B) the effects of cultural perceptions; (C) the role of climate and climate change; (D) additional anthropogenic environmental factors; (E) perceptions, practices and capabilities of prevailing medical systems and (F) holistic underlying states of the health of affected populations. Full article

This study examines the construction of individual and collective identity in pre-Neolithic Egypt and the Levant through the post mortem manipulation of human remains. Focusing on funerary rituals and skull reuse, interpreted using recent anthropological theory frameworks, we propose a totemic framework of ontological identity, in which clans associated with specific animals structured their ritual and spatial practices. Based on archaeological, taphonomic, and ethnohistorical evidence, it is possible to identify how these practices reflect clan-based social units, seasonal mobility, and a reciprocal relationship with the environment, integrating corporeal and mental continuity. Plastered skulls in the Levant acted as intergenerational anchors of communal memory, while early Egyptian dismemberment practices predate the standardization of mummification and reveal the function of some structures of pre-Neolithic sanctuaries. By interpreting these mortuary rituals, we argue that selective body treatment served as a deliberate mechanism to reinforce totemic identity, transmit ancestry, and mediate ontological transitions in response to sedentarization and environmental change. Full article

The objective of this article is to provide a critical analysis of maritime heterotopia as a category for reinterpreting ships, shipwrecks and maritime landscapes between the 16th and 18th centuries. Through an interdisciplinary approach combining history, underwater archaeology, heritage theory and literary analysis, it explores the ways in which maritime spaces, especially ships and shipwrecks, functioned as ‘other spaces’–following Foucault’s concept of heterotopia–in the articulation of imperial projects, power relations, experiences of transit and narratives of memory. A particular focus has been placed on the examination of shipwreck accounts, which are regarded as microhistories of human behaviour in contexts of crisis. These accounts have been shown to offer insights into alternative social structures, dynamics of authority, and manifestations of violence or solidarity. A review of the legal framework and practices related to shipwrecks in the Spanish Carrera de Indias is also undertaken, with particular emphasis on their impact on maritime legislation and international law. This article proposes a reading of maritime heritage as a symbolic and political device in constant dispute, where material remains and associated narratives shape collective memories, geopolitical tensions and new forms of cultural appropriation. Shipwrecks thus become sites of rupture and origin, charged with utopian, dystopian and heterotopic potential. Full article

This paper presents a conceptual and methodological framework for using Geographical Information Systems (GIS) to “deep map” cultural heritage sites along Ireland’s Wild Atlantic Way, with a focus on the 1588 Spanish Armada wrecks in County Kerry and archaeological landscapes in County Sligo’s “Yeats Country.” Drawing on interdisciplinary dialogues from the humanities, social sciences, and geospatial sciences, it illustrates how digital spatial technologies can excavate, preserve, and sustain intangible cultural knowledge embedded within such palimpsestic landscapes. Using MAXQDA 24 software to mine and code historical, literary, folkloric, and environmental texts, the study constructed bespoke GIS attribute tables and visualizations integrated with elevation models and open-source archaeological data. The result is a richly layered cartographic method that reveals the spectral and affective dimensions of heritage landscapes through climate, memory, literature, and spatial storytelling. By engaging with “deep mapping” and theories such as “Spectral Geography,” the research offers new avenues for sustainable heritage conservation, cultural tourism, and public education that are sensitive to both ecological and cultural resilience in the West of Ireland. Full article

The coexistence of three sub-ethnic architectural traditions, Cantonese, Hakka and Teochew, renders Guangdong Province a typical locality for cultural geographical study of Chinese building heritage. Focusing on timber structures as the key indicator of Chinese historical architecture, this paper conducts a typological–chronological study on Cantonese palatial-type (Diantang Shi) timber construction, a previously under-studied building type, aiming to establish for the first time its detailed evolutionary process. Through the interdisciplinary methodology of building archaeology, archaeological theory of material cultural evolution as well as archaeological methods of dating analysis are integrated, achieving more precision in architectural examination both geographically and historically. As a result, 20 cases are dated in the Ming and Qing dynasties with 12 structural elements rapidly evolving, substantiating periodization of Cantonese palatial-type timber construction into three evolutionary phases. Periodization further facilitates the identification of two dramatic structural variations in the second phase, revealing Hakka–Cantonese cultural transmission and political intervention as two different socio-cultural mechanisms underpinning architectural transformations. The typological–chronological study is thus transferred into socio-cultural discourse, presenting a new methodological paradigm for architectural heritage study to incorporate the diachronic scope into the static synchronic approach of cultural geographical scholarship. Full article

Debates about prehistoric Amazonian subsistence, social organization, and landscape use have ranged from ethnographically based characterizations of relatively mobile foragers to archaeological evidence that suggests sedentary agriculturalists. Recently, great antiquity of settled agriculture and complex social organization has been asserted for portions of the northern Amazon. However, the role of theory and inferences drawn from habitat diversity have receded in these debates. This paper synthesizes the current literature regarding long-term evolutionary changes in Amazon Basin societies with an archaeological case study from mound-building sites of Guyana and ethnoarchaeological data from Venezuelan forager–gardeners to develop a hypothesis regarding the critical role of habitat, aquatic resources, and seasonality in the transition from intensified foraging to cultivation. Full article

This article offers a critical analysis of two ‘replicas’ of monuments destroyed by ISIL in 2015: the Institute for Digital Archaeology’s Arch of Palmyra (2016) and the lamassu from Nimrud, exhibited in the Rinascere dalle Distruzioni exhibition (2016). Drawing on Jacques Derrida’s formulation of hauntology and Umberto Eco’s theory of forgery, this study examines the ontological, ethical, and ideological stakes of digitally mediated replication. Rather than treating digital and physical ‘copies’ as straightforward reproductions of ancient ‘originals’, the essay reframes them as specters: material re-appearances haunted by loss, technological mediation, and political discourses. Through a close analysis of production methods, rhetorical framings, media coverage, and public reception, it argues that presenting such ‘replicas’ as faithful restorations or acts of cultural resurrection collapses a hauntological relationship into a false ontology. The article thus shows how, by concealing the intermediary, spectral role of digital modeling, such framings enable the symbolic use of these ‘replicas’ as instruments of Western technological triumphalism and digital colonialism. This research calls for a critical approach that recognizes the ontological peculiarities of such replicas, foregrounds their reliance on interpretive rather than purely mechanical processes, and acknowledges the ideological weight they carry. Full article

The provision of food in pre-Inca/Inca cultures (1000 BC–≈1532 AD) in environments near Lake Titikaka (approximately 4000 m above sea level) was possible through an agricultural technique called “Waru-Waru”, which consists of filling the space (volume) between rows of land containing plants that are cultivated (a series of earth platforms surrounded by water canals) with water, using water as thermal energy storage to store energy during the day and to regulate the temperature of the soil and crop atmosphere at night. The problem is that these cultures left no evidence in written documents that have been preserved to this day indicating the mathematical models, the physics involved, and the experimental part they performed for the research, development, and innovation of the “Waru-Waru” technique. From a review of the existing literature, there is (1) bibliography that is devoted to descriptive research (about the geometry, dimensions, and shapes of the crop fields (and more based on archaeological remains that have survived to the present day) and (2) studies presenting complex mathematical models with many physical parameters measured only with recently developed instrumentation. The research objectives of this paper are as follows: (1) develop a mathematical model that uses finite differences in fluid mechanics, thermodynamics, and heat transfer to explain the experimental and theory principles of this pre-Inca/Inca technique; (2) the proposed mathematical model must be in accordance with the mathematical calculation tools available in pre-Inca/Inca cultures (yupana and quipu), which are mainly based on arithmetic operations such as addition, subtraction, and multiplication; (3) develop a mathematical model in a sequence of steps aimed at determining the best geometric form for thermal energy storage and plant cultivation and that has a simple design (easy to transmit between farmers); (4) consider the assumptions necessary for the development of the mathematical model from the point of view of research on the geometry of earth platforms and water channels and their implantation in each cultivation area; (5) transmit knowledge of the construction and maintenance of “Waru-Waru” agricultural technology to farmers who have cultivated these fields since pre-Hispanic times. The main conclusion is that, in the mathematical model developed, algebraic mathematical expressions based on addition and multiplication are obtained to predict and explain the evolution of soil and water temperatures in a specific crop field using crop field characterization parameters for which their values are experimentally determined in the crop area where a “Waru-Waru” is to be built. Therefore, the storage of thermal energy in water allows crops to survive nights with low temperatures, and indirectly, it allows the interpretation that the Inca culture possessed knowledge of mathematics (addition, subtraction, multiplication, finite differences, approximation methods, and the like), physics (fluids, thermodynamics, and heat transfer), and experimentation, with priority given to agricultural techniques (and in general, as observed in all archaeological evidence) that are in-depth, exact, practical, lasting, and easy to transmit. Understanding this sustainable energy storage technique can be useful in the current circumstances of global warming and climate change within the same growing areas and/or in similar climatic and environmental scenarios. This technique can help in reducing the use of fossil or traditional fuels and infrastructure (greenhouses) that generate heat, expanding the agricultural frontier. Full article

This paper explores Great Basin arid-zone hunter–forager rock art as signalling behaviour. The rock art in Lincoln County, Nevada, is the focus, and this symbolic repertoire is analysed within its broader archaeological and ethnographic contexts. This paper mobilises an explicitly theoretical approach which integrates human behavioural ecology (HBE) and the precepts of information exchange theory (IET), generating assumptions about style and signalling behaviour based on hunter–forager mobility patterns. An archaeological approach is deployed to contextualise two characteristic regional motifs—the Pahranagat solid-bodied and patterned-bodied anthropomorphs. Contemporary Great Basin Native American communities see Great Basin rock writing through a shamanistic ritual explanatory framework, and these figures are understood to be a powerful spirit figure, the Water Baby, and their attendant shamans’ helpers. This analysis proposes an integrated model to understand Great Basin symbolic behaviours through the Holocene: taking a dialogical approach to travel backward from the present to meet the archaeological past. The recursive nature of rock art imagery and its iterative activation by following generations allows for multiple interpretive frameworks to explain Great Basin hunter–forager and subsequent horticulturalist signalling behaviours over the past ca. 15,000 years. Full article

While ethnography has held an essential place in the study of Indigenous rock imagery (i.e., petroglyphs and pictographs) in the United States for the past century and a half, rarely are Tribes and other descendant communities involved throughout the entire research program—from conception to publication. This contrasts with recent developments within more traditional “dirt” archaeology, where over the past 30 years, Tribes have assumed greater roles in decision-making, fieldwork, artifact curation, data management, interpretation of results, and repatriation of ancestral belongings. In concert with these changes, Indigenous archaeology has emerged as a domain of theory and practice wherein archaeological research and cultural heritage management center the voices and interests of Indigenous communities. Collaboration among researchers and Indigenous communities has proven to be an effective means of practicing Indigenous archaeology and advancing its goals, but research into rock imagery all too often still limits Indigenous engagement and knowledge to the interpretation of the imagery. This article highlights a case study in Tribal collaboration from the North American Southwest in the interest of advancing an Indigenous archaeology of rock imagery. Full article

The distribution of archaeological sites in the rural landscape has attracted the attention of researchers over a long period of time, leading to the several site distribution approaches that have been proposed to explain existing patterns. The main disadvantage of some of these approaches is that they assume a priori a site distribution based on some assumed behaviour such as profit maximisation, among others. The objective of this article is to propose a methodological approach, based on network theory and visibility data, that can generate models that emerge from existing data without imposing a priori assumptions on site distribution. In this approach, archaeological sites are seen as nodes, and visibility between them as links. The approach was applied to a sample of Roman Britain sites located in the Marches of the Welsh Borders. As expected, a model of site distribution emerged from the proposed approach, and the results suggest that people in the Roman period organised the landscape in subareas according to functional as well as symbolic considerations. Full article

Amidst the centenary reflections on Franz Kafka’s legacy, this article explores his work’s ongoing resonance with the digital age, particularly through the lens of generative AI and cloud computation. Anchored in a close reading of Kafka’s “Beim Bau der chinesischen Mauer”, this study interrogates how the spatial and temporal codes embedded in the narrative parallel the architectures of contemporary diffusion systems at the heart of AI models. Engaging with critical theory, media archaeology, and AI discourse, this article argues that the rise of large language models not only commodifies language but also recasts Kafka’s allegorical critiques of bureaucratic opacity and imperial command structures within a digital framework. The analysis leverages concepts like Kittler’s code, Benjamin’s figural cloud, and Hamacher’s linguistic dissemblance to position Kafka’s parables as proto-critical tools for examining AI’s black-box nature. Ultimately, the piece contends that Kafka’s text is less a metaphor for our technological present than a mirror reflecting the epistemological crises engendered by the collapse of semantic transparency in the era of algorithmic communication. This reframing invites a rethinking of how narrative, code, and digital architectures intersect, complicating our assumptions about clarity, control, and the digital regimes shaping contemporary culture. Full article

Glazed tiles are a quintessential ceramic creation applied in architectural systems, with Chinese pagodas serving as emblematic symbols that embody the design philosophy and diverse cultural beliefs of construction. Despite enduring wars, extreme weather, and the passage of millennia, glazed pagodas have withstood the test of time. The erosion of glazed components by wind and rain has not diminished their solemnity but has added a profound historical depth, making these surviving ancient-glazed components even more precious. This study examines the structural and stylistic features of Chinese glazed pagodas, exploring the extent of glazed component coverage. Using quantitative methods, the study zones, calculates, and classifies Chinese glazed pagodas, further elucidating their evolution and development through various historical periods. Additionally, based on a comprehensive survey of Chinese glazed pagodas, the study integrates theories from archaeology, art history, and architecture to deeply analyze their distribution areas, chronological spans, and cultural contexts, offering new perspectives for the systematic classification of Chinese glazed pagodas. Full article

Remote sensing techniques provide crucial insights into ancient settlement patterns in various regions by uncovering previously unknown archaeological sites and clarifying the topological features of known ones. Meanwhile, in the northern part of the Southern Levant, megalithic structures remain largely underexplored with these methods. This study addresses this gap by analyzing the landscape around Rujm el-Hiri, one of the most prominent Southern Levantine megaliths dated to the Chalcolithic/Early Bronze Age, for the first time. We discuss the type and extent of the archaeological remains identified in satellite images within a broader context, focusing on the relationships between landscapes and these objects and the implications of their possible function. Our analysis of multi-year satellite imagery covering the 30 km region surrounding the Sea of Galilee reveals several distinct patterns: 40–90-m-wide circles and thick walls primarily constructed along streams, possibly as old as Rujm el-Hiri itself; later-period linear thin walls forming vast rectangular fields and flower-like clusters of ~ 20 m diameter round-shaped fences found in wet areas; tumuli, topologically linked to the linear walls and flower-like fences. Although tumuli share similar forms and likely construction techniques, their spatial distribution, connections to other archaeological features, and the statistical distribution in their sizes suggest that they might serve diverse functions. The objects and patterns identified may be used for further training neural networks to analyze their spatial properties and interrelationships. Most archaeological structures in the region were reused long after their original construction. This involved adding new features, building walls over older ones, and reshaping the landscape with new objects. Rujm el-Hiri is a prime example of such a complex sequence. Geomagnetic analysis shows that since the entire region has rotated over time, the Rujm el-Hiri’s location shifted from its original position for tens of meters for the thousands of years of the object’s existence, challenging theories of the alignment of its walls with astronomical bodies and raising questions regarding its possible identification as an observatory. Full article

Humans are well known to have made paintings and engravings on rock surfaces, both geometric motifs with an unclear representation, and representative motifs that refer to their activities and aspects of their environment. This kind of art is widespread across time and space and has throughout history been subjected to various kinds of approaches. Typically, rock art research focuses on its role in the development of the hominin brain and the capability of abstract thinking, as well as on interpreting representative and non-representative motifs. Ethnography and cognitive research have often stressed that rock art is the result of ritual practises and the expression of a shamanic belief system. However, representative motifs may also shed light on a region’s ecological and human prehistory. Here, we give an overview of the general development of rock art study: we highlight the development of artistic behaviour in humans by discussing aesthetic preferences, and the creation of simple geometric motifs and eventually representative motifs, before describing the theories that developed from the earliest study of rock art. These have largely focused on classification and interpretation of the motifs, and often centred on Palaeolithic material from Europe. We then move on to discuss how ethnography among rock art creating communities often suggests important relationships between specific animals in both the realms of spiritual belief systems and within the local environment. Lastly, we highlight how rock art reflects the local penecontemporaneous environment when it comes to depictions of animals, plants, technologies, humans and their activities. We argue that animal depictions are a useful subject to study on a large scale, as it is the most widespread representative motif, and the most appropriate subject to study when the goal is to draw conclusions on environmental changes. Rock art can fill gaps in the local archaeological record and generate new questions of it, but also offer new insights into the history of local human–animal interaction: animal species depicted and/or referred to in rock art are likely to have been a selection of spiritually important animals and a comparison to known information on human interactions with local species may reveal patterns among which animals are selected for local rock art depictions and which are not. Interregional comparison can in turn shed light on whether humans in general tend to ascribe meaning to the same types of animals. We end the review with suggestions for future study, with a special role for computational methods, which are suitable for the analysis of large databases of visual imagery. Full article