Search Results (26)

In the aftermath of the Huichang Persecution 會昌法難 (845), the restoration of scriptural collections became an urgent imperative for local monasteries. This article examines Daolin Temple 道林寺 as a paradigmatic case study of post-persecution reconstruction in the Jiangnan region. Distinguished by Mount Yuelu’s 嶽麓山 deep scholarly tradition and a practice emphasizing both Chan and Doctrine, Daolin Temple emerged as a vanguard in the regional quest to restore the canon. To finance this endeavor, the monk Shuyan 疏言 launched a multi-year fundraising campaign using puman 撲滿 (coin banks) to gather lay donations. However, the persecution had left Jiangnan’s canonical collections decimated, forcing Shuyan to look beyond the region. He ultimately traveled north to Taiyuan 太原 in the Hedong region—an area that had sustained relatively limited damage and was experiencing a vibrant Buddhist revival. This study argues that Hedong’s preserved scriptural resources and strong tradition of official patronage were the decisive factors driving Shuyan’s northward pilgrimage for scriptures. Full article

Humans inherit an ethical condition shaped by suffering: biological, historical, and relational. Buddhism begins by diagnosing this suffering as inherent to embodied life, while Western theology situates suffering and morality as consequences of the Fall. Levinas reframes suffering not as a problem to be extinguished but as the very site of ethical awakening: the Other’s vulnerability commands an infinite responsibility. Maria Dimitrova’s comparative work on Levinas and Buddhist thought reveals how compassion and responsibility illuminate one another and how both exceed purely ontological frameworks. This paper weaves these traditions into a single genealogy of ethics—from Edenic innocence to the historical moral burden of exile, from biological interdependence to the modern “Necropolis,” and finally toward a speculative future in which technology may allow a reconfiguration of suffering itself. The result is a proposal that ethics is neither eternal nor arbitrary but a pilgrimage arising from suffering and oriented toward a horizon of grace made possible not by divine restoration but by human and post-human agency. Full article

This article concerns nōsatsu, also known in Japanese as senjafuda and generally known as “votive slips” in English. Nōsatsu emerged in the 18th century out of popular practices related to pilgrimage in the city of Edo. Nōsatsu practitioners who visited Buddhist temples or Shinto shrines would paste votive slips on walls or other surfaces in the belief that the pasted slip would function as a proxy for the pilgrim, continuing in prayer vigil after the pilgrim had left. Practitioners persisted in their pasting activities in the face of opposition from temples and shrines. Later, nōsatsu evolved into full-color pictorial woodblock prints meant for exchanging and collecting, rather than pasting, but the early history of pilgrimage, proxy devotion, and institutional resistance remained in both the memories of the practitioners and the iconography of the slips themselves. Through close visual analysis of several slips depicting Buddhist themes, this article will describe the attitude of transgressive devotion that characterizes nōsatsu culture. Full article

This study addresses the impact of pandemics, economic limitations, and physical constraints on physical pilgrimage by proposing and evaluating a culturally sensitive, ritual-oriented virtual Boudhanath Stupa environment. Using user-centered design (UCD) and Behavior-Driven Development (BDD), the project created interactive ritual nodes on a Minecraft–VR platform, combining spatial configuration, symbolic elements, and exploratory freedom to move beyond static representation toward participatory engagement. A mixed-methods evaluation with 50 participants from diverse backgrounds and 2 Tibetan Buddhist experts showed positive feedback for aesthetic experience (M = 4.36) and user control (M = 4.62). Despite its non-photorealistic style, the environment was able to evoke a strong sense of presence and was recognized by experts as a “digital Dharma gate” suitable for younger audiences and those unable to travel to sacred sites. Limitations include a small sample size, a short evaluation period, and a lack of social interaction features. Future development will enhance guidance and feedback, expand narratives, support community co-creation, and introduce multi-user functions, providing a scalable framework for virtual religious cultural heritage. Full article

In 1891, the Ceylonese Anagarika Dharmapala made his first pilgrimage to Bodh Gaya, the supposed site where Siddhartha Gautama became the Buddha, in northern India. Following his visit, Dharmapala established the Maha Bodhi Society and himself became a household name in subcontinental Buddhist circles, especially for his campaigns to reclaim Buddhist ownership over the Bodh Gaya site. While Bodh Gaya currently remains a popular pilgrimage location for Buddhists from what is today Sri Lanka—with various governmental, religious, and commercial initiatives established to facilitate pilgrimages—this was not always the case. Indeed, before Dharmapala’s fateful visit, the island’s Buddhists appeared to have little to no engagement with what was, in theory, Buddhism’s holiest site and with the wider Middle Ganges region in which it is located. This article will provide a historical overview of how and why Sri Lankan Buddhists came to first accept, and then venerate, Bodh Gaya as a critical location in their Buddhist practice before Dharmapala. Referencing the scholarship of Indologists and the writings of Buddhists themselves, this article will describe the conditions that led to Dharmapala’s pilgrimage in 1891 and the emergence of both Bodh Gaya and the wider Middle Ganges region in the orbit and memory of Ceylonese Buddhists. This article will further build on existing scholarship on pilgrimage and sacred spaces and demonstrate how Bodh Gaya and its surroundings became part of a tradition of sacred Buddhist geography fixed around northern India for Ceylonese Buddhists. Full article

Alongside historical narratives, there exists, in Old Kalmyk literature, a lesser-known corpus of travel writing that documents pilgrimages to major religious and political centers such as China, Tibet, and Mongolia. One notable and extant example of this genre is the travel account of Baaza Menkedjuev, a Gelung from the Maloderbetovskiy Ulus, more widely known as Baaza Bagshi. His first-person narrative was translated into Russian by A. M. Pozdneev in 1897 under the name “Skazanie o khozhdenii v Tibetskuiu stranu malo-dörbötskago Baaza Bagshi” [Narrative of the travel to Tibet by the Maloderbet Baaza Bagshi] and offers valuable ethnographic insights into a Kalmyk pilgrim’s journey to Tibet in the late 19th and early 20th centuries. Until recently, scholarship on Baaza Bagshi’s Tibetan sojourn has been confined to his own account, with no corroborating evidence found in Tibetan-language sources. This study addresses that lacuna by examining references to Baaza Bagshi in the Tibetan-language biography (Tib. rnam thar) of the 13th Dalai Lama, Thubten Gyatso (Tib. thub bstan rgya mtsho, 1876–1933). The significance of these references lies not only in the information provided about the number of audiences with the Dalai Lama Baaza Bagshi received, the dates of his visits, and the content of their meetings, but also in the fact that they demonstrate how the Kalmyks—despite living in the European part of Russia, the furthest from the Mongolian Buddhist world—did not lose their religious ties with Tibet. The corroboration of Baaza Bagshi’s visit in both Kalmyk and Tibetan sources allows for a more integrated understanding of Kalmyk–Tibetan relations and contributes to the study of interregional Buddhist networks. Methods of historical contextualization, historiographical critique, and comparative source analysis were used for this research. Full article

A Sanskrit manuscript of the Prajñāpāramitā or Perfection of Wisdom in eight thousand verses, now in the Cambridge University Library, Add.1643, is one of the most ambitiously designed South Asian manuscripts from the eleventh century, with the highest number of painted panels known among the dated manuscripts from medieval South Asia until 1400 CE. Thanks to the unique occurrence of a caption written next to each painted panel, it is possible to identify most images in this manuscript as representing those of famous pilgrimage sites or auspicious images of specific locales. The iconographic program transforms Add.1643 into a portable device containing famous pilgrimage sites of the Buddhist world known to the makers and users of the manuscript in eleventh-century Nepal. It is one compact colorful package of a book, which can be opened and experienced in its unfolding three-dimensional space, like a virtual or imagined pilgrimage. Building on the recent research focusing on early medieval Buddhist sites across Monsoon Asia and analyzing the representational potentials and ontological values of painting, this essay demonstrates how this early eleventh-century Nepalese manuscript (Add.1643) and its visual program document and remember the knowledge of maritime travels and the transregional and intraregional activities of people and ideas moving across Monsoon Asia. Despite being made in the Kathmandu Valley with a considerable physical distance from the actual sea routes, the sites remembered in the manuscript open a possibility to connect the dots of human movement beyond the known networks and routes of “world systems”. Full article

From the mid-Ming to early Qing dynasties, Mount Jizu 雞足山 in Yunnan achieved unexpected prominence within China’s Buddhist sacred landscape—an event of regional, national, and transnational significance. Employing an explicit comparative lens that juxtaposes Jizu with China’s core-region sacred sites like Mount Wutai and Emei, this study investigates the timing, regional dynamics, institutional mechanisms, and causal drivers behind the rapid ascent. Rejecting teleological narratives, it traces the mountain’s trajectory through four developmental phases to address critical historiographical questions: how did a peripheral Yunnan site achieve national prominence within a remarkably compressed timeframe? By what mechanisms could its sacred authority be constructed to inspire pilgrimages even across vast distances? Which historical agents and processes orchestrated these transformations, and how did the mountain’s symbolic meaning shift dynamically over time? Departing from earlier scholarship that privileges regional and secular frameworks, this work not only rebalances the emphasis on religious dimensions but also expands the analytical scope beyond regional confines to situate Mount Jizu within national and transnational frameworks. Eventually, by analyzing the structural, institutional, and agential dynamics—spanning local, imperial, and transnational dimensions—this study reveals how the mountain’s sacralization emerged from the convergence of local agency, acculturative pressures, state-building imperatives, late-Ming Buddhist revival, literati networks, and the strategic mobilization of symbolic capital. It also reveals that Mount Jizu was not a static sacred site but a dynamic arena of contestation and negotiation, where competing claims to spiritual authority and cultural identity were perpetually redefined. Full article

In late imperial China, a type of painting known as “panoramic maps” (shengjing tu 聖境圖, literally “sacred realm maps”) depicted Buddhist sacred sites. Often surviving as woodblock prints, examples from Mount Wutai and Mount Putuo are particularly representative. Previous research has often viewed these images as pilgrimage guides or focused on the relationship between pictorial perspectives and actual geography. This study centers on panoramic maps of Mount Wutai and Mount Putuo, examining both vertical and horizontal layouts, to offer a preliminary understanding of this genre. This study argues that: (1) Unlike urban maps, panoramic maps emphasize significant monasteries and landscape features, incorporating local legends and historical narratives, thus possessing strong narrative qualities. (2) These images likely functioned as pilgrimage souvenirs. Diverging from practical roadmaps, their primary goal was not strict realism but rather to convey the site’s sacredness and associated information through landscape painting conventions, allowing viewers to perceive its sacredness. (3) The woodblock print medium facilitated affordable reproduction, accelerating the circulation of the sacred site’s significance among the populace and aiding in its promotion. This research contends that the panoramic maps primarily function as folk landscape paintings reflecting the sacred site, capable only of approximating the relative positions of features. The widespread adoption of late-period woodblock printing enabled the low-cost reproduction and dissemination of the sacredness inherent in these Buddhist landscapes, constructing idealized spatial representations shaped by religious belief and geomantic principles. Full article

This paper examines the regional diversity in Buddhist heritage and its use for tourism in Asia, more specifically, South Asia and Southeast Asia. Based on an analysis of secondary sources and data from national tourism organisations, it illustrates inter-regional and intra-regional aspects of tourism related to Buddhist heritage. It is found that in spite of their archaeological nature, Buddhist sites in South Asia are converging points for Buddhist tourism, as these are directly related to the Buddha, and many international Buddhist monasteries enliven them with transnational Buddhist practice. Whereas in Southeast Asia, Buddhism is more of a cultural landscape that pervades from the village-level practice of Buddhism to monumental places dedicated to Buddha, which collectively form a major resource for cultural tourism. This paper argues that regional connections and religious and cultural similarities of Buddhist heritage in countries of Southeast Asia contribute to the cultural distinctiveness in the Asian paradigm that can foster sustainable development of tourism in the region. Full article

The Huayan Grotto in Anyue County is one of the most typical caves of the grottoes of Sichuan 四川 and Chongqing 重慶. Being well known for its grand scale and the beautiful style of its sculptures, the cave was designed and carved by the Liu-Zhao sect 柳趙教派 in eastern Sichuan during the Southern Song Dynasty. The Liu-Zhao sect is a local religious group that relies on grottoes and statues to state concepts, propagate ideas, and spread doctrines. The sect is good at integrating a variety of Buddhist thoughts to form its own unique theoretical and practical system. The large-scale statue-making activities under the auspices of the Liu-Zhao sect 柳趙教派 are a classic example of the localization of Buddhism in Southwest China. The ideological system of the Liu-Zhao sect is centered on Huayan, and Huayan Grotto is the very concentration of its special philosophy. This paper considers that the cave constitutes a holy place, with a theme of thoughts of Huayan, which was built based on important doctrines of two masters. Through the combination and arrangement of diversified images, the cave is so far the most complex, complete, and systematic visualized representation of the Huayan’s theory and practice. Inside the cave are carved full-length portraits of Li Tongxuan 李通玄, the Elder of Huayan, and Guifeng Zongmi 圭峰宗密, the fifth patriarch of the Huayan sect. There are also statues and inscriptions that illustrate Li’s thoughts, such as the Ten Assemblies in Ten Locations 十處十會and the Sudhana’s Pilgrimage 善財遍參based on Li’s exegetical writings on the Avataṃsaka Sūtra; the Three Saints of the Huayan School (Huayan sansheng 華嚴三聖) carved on the basis of Li’s pioneering idea about the trinity of three saints; and the mind-only verse 惟心偈, emphasizing mind as the foundation of Avataṃsaka practice. Zongmi’s Avataṃsaka thoughts were mainly expounded through a series of commentaries on the Sutra of Perfect Enlightenment 大方廣圓覺修多羅了義經, to which the impressive Twelve Bodhisattvas of Perfect Enlightenment are directly related. In addition to the theoretical system, the cave offers two means for Avataṃsaka practice. Highly qualified Avataṃsaka practitioners practice by viewing the Trinity of Three Saints and the Buddha’s Light, and then they go through five phases of fruition to attain Buddhahood, which is the Avataṃsaka practice dominated by Li Tongxuan’s thoughts. Less qualified practitioners practice through repentance liturgies and sitting in meditation at the Ritual Site of Perfect Enlightenment, which is the practice of Perfect Enlightenment advocated by Zongmi 宗密. Full article

Situated in the mountainous and gorge-ridden region at the junction of the Tibet Autonomous Region, Sichuan Province, and Yunnan Province, the Tibetan–Yi Corridor is home to the Kham Tibetan area, one of China’s three traditional Tibetan areas. Tibetan Buddhism and the establishment of its temples in this region have evolved and propagated from nothing to a diverse landscape since the 8th century. Existing studies, however, have paid little attention to the intricate interplay between the formation of this sacred religious landscape and the specific geographic and sociocultural contexts in which it is situated. By taking temple architecture as a research vehicle, this study begins by extracting spatial data from historical GIS network data resources and 276 local gazetteers of 45 counties in the Tibetan–Yi Corridor. Secondly, it digitalizes and quantifies the geographic information, construction dates, sectarian affiliations, and sizes of 1479 Tibetan Buddhist temples in the region, establishing a database covering four historical periods. Finally, it employs GIS technology to visualize the spatial distribution of these temples, revealing their spatial and temporal patterns and evolution. From a religious geographical perspective, this study reconstructs the historical trajectories and diffusion patterns of the Nyingma, Kagyu, Sakya, Gelug, Jonang, and Bon sects in the Tibetan–Yi Corridor, revealing the complex interplay, succession, and ebb and flow of these sects over time. The research results show that the historical spread and development of Tibetan Buddhism in the Tibetan–Yi Corridor were influenced by a complex interplay of geographical, social, political, and economic factors, including the unique topography of the Qinghai–Tibet Plateau and Hengduan Mountains, the complex interplay of agriculture and pastoralism, the historical influence of dynastic changes and central government policies on border regions, and ancient pilgrimage and trade routes. At the same time, as a multi-ethnic region inhabited by over 20 minorities, including Tibetans, Yi, Qiang, Naxi, and Nu, the Tibetan–Yi Corridor has a cultural identity dominated by religion, which has become an important factor in maintaining multi-ethnic symbiosis throughout its history, highlighting the unique historical status and role of the Tibetan–Yi Corridor in the entire Tibetan Buddhist cultural circle. Full article

Pre-modern Indian subcontinent provides a treasure trove of art historical data in the form of stone sculptures and reliefs to study dance. While significant steps towards understanding the literary and visual language of dance have been made, artistic production from Gandhāra (the ancient region broadly covering the northwestern part of the subcontinent) largely remains absent in scholarly discussions. Ancient Gandhāra readily lends itself to a global approach as an active participant alongside the so-called ancient Silk Roads connecting the Mediterranean regions with China. Furthermore, as part of the Buddhist pilgrimage routes, Gandhāra also developed ties with Buddhist sites located further east and participated in the spread of Buddhism to China. Within this context, this article discusses the most common dance depicted in Gandhāran art to understand how artists represented dance in the static medium. Using this dance as an illustration, this article also argues that the iconographic conventions of the Gandhāran artistic repertoire for dance are shared outside the region, notably in Kizil, which is located alongside the northern branch of the Silk Roads. Full article

A sacred site that draws pilgrims from distant regions is a distinctive resource for studying religion. Research into a site’s relevance to pilgrims and how it came to be founded contributes to a better understanding of religious activity. To address these issues, a thorough historical analysis of a sacred site’s records is essential. Such an analysis endeavors to distinguish the historical facts of a sacred site from its narratives and further discusses the significance of each. With such intent, this study focuses on the Rujing Stupa, a sacred site of significant importance to transnational pilgrimages that has yet to receive sufficient scholarly attention. The stupa, which is located at the Jingci Monastery in Hangzhou, China, is believed to hold the relics of Tiantong Rujing 天童如浄 (1163–1228), a Song Dynasty monk. Although the modern stele inscription at this location indicates that the stupa was founded in the 13th century, shortly after the monk’s death, this paper examines the historical reinventions within the inscription and traces the influence of Japanese narratives on such a reinvention. This study demonstrates that the Rujing Stupa was established by, and for, the Japanese Sōtō Buddhists. The Chinese monk’s connection to the Sōtō pilgrims lies in Rujing’s role as the master who instructed Dōgen 道元 (1200–1253), the founder of the Sōtō tradition, making his stupa a sacred site for the Sōtō community. Concerns of commemoration and reifying doctrinal authenticity motivated two generations of Japanese pilgrims to construct the Rujing stupa in the late 19th and 20th centuries, respectively. On the other hand, Rujing’s significance and the presence of the Sōtō tradition were scarcely acknowledged in China until the early modern period. Only in the late 20th century did Chinese Buddhists begin to appreciate this stupa. Examining the site’s historical reinventions and identifying the factors that shape its narrative, this case study offers insights into the investigation of sacred sites and suggests a concern for narrative in the examination of a site’s history and significance. Full article

Mount Wutai, China’s earliest Buddhist center, dating to the Han Dynasty’s first century (206 BCE–220 CE), boasts over a hundred monasteries, numerous monuments, and ruins, drawing global pilgrims and travelers. Over its long history, as the geographical focus of imperial support shifted, the ideological underpinnings for structuring the monastic habitation on Mount Wutai also underwent a transformation, consequently altering the pilgrimage paths, monasteries, and mountain gates. However, there remains a paucity of understanding regarding these changes. This paper aims to map out the representative dynamic pilgrimage routines influenced by geo-capital shifts and to reveal the changeable Buddhist ideology of monasticism on Mount Wutai. Through archival studies on ancient transcripts and maps, the interpretation selects the three most significant periods in the development of Buddhism in Mount Wutai: the Northern Wei (386–534 CE), the Sui Tang (581–907 CE), and the Qing Dynasty (1630–1912 CE). The article indicates that Mount Wutai’s monastic strategies have transformed significantly, progressing from free monasticism to the Mañjuśrī maṇḍala mode and ultimately adopting a predominant Tibetan Buddhist character. These changes were driven by shifting Buddhist ideologies and heritage, with pilgrimages and monastic construction responding to these shifts. Full article