Controversial Heritage, Museums and History Education Challenges and Experiences from Democratic Culture and Critical Intersectionality

A special issue of Heritage (ISSN 2571-9408).

Deadline for manuscript submissions: 31 October 2026 | Viewed by 1082

Editors


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Guest Editor
Mathematics and Social Sciences Teaching, Faculty of Education, University of Murcia, 30100 Murcia, Spain
Interests: history education; historical thinking; museum education; teacher training; heritage education
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Guest Editor
Departamento de Didácticas Aplicadas, University of Santiago de Compostela, Galicia, Spain
Interests: heritage education; teacher training; history of art; history education

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Guest Editor
Department of Education, University of Almeria, 04120 Almería, Spain
Interests: heritage education; teacher training; education technologies; history education

Special Issue Information

Dear Colleagues,

With this special issue, we would like to create a forum for discussion through experiences, theoretical analysis and research based on the representation of dissident narratives and controversial social issues in museums and other heritage interpretation centers, as well as their connection with history education and the critical intersectionality. This approach converges with the educational changes that museums are undergoing, reinterpreting the narratives of their pieces and modifying both the subjects and the narratives themselves. This transformation is connected to new trends in history education that propose teaching history based on historical thinking, the analysis and interpretation of sources and the simulation of the historian's method as well as historical consciousness, reflecting on connections between the past and the present, alternative narratives and controversial heritage. Furthermore, we raise the need to recover collective narratives, linked to historiographical currents that, in the mid-20th century, shifted the focus of study from the political trajectory of institutions or national kings to society. The aim is to showcase research on teaching experiences with students from primary education, secondary education, teacher training and non-formal education in museums or raised in collaboration with museum education teams. With this approach, we specially focus on the following topics:

  • Analysis of museum educational programs about the incorporation of critical intersectionality and democratic culture topics.
  • Analysis of questionnaires, interviews or focus groups with museum education staff on how they develop educational programs that incorporate critical intersectionality and democratic culture themes.
  • Analysis of teacher perceptions and opinions about how to work with museum education staff to raise history education and democratic culture.
  • Strong theoretical analyses about the role of museums in history education based on democratic culture competencies.
  • Comparative national and international analyses of the transformations raised by museums in the narratives of their collections.
  • Research of teaching experiences with the representation of narratives centered on intersectionality topics (race, economic inequality, sexual and gender diversity, functional diversity, etc.) raised in museums or in collaboration with museum education staff.
  • Research of teaching experiences with the representation of narratives centered on violence, conflict, migration and the construction of democracy and rights raised in museums or in collaboration with museum education staff.

Dr. Cosme Jesús Gómez-Carrasco
Dr. Belén Castro Fernández
Dr. Álvaro Chaparro-Sainz
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 250 words) can be sent to the Editorial Office for assessment.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-anonymized peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Heritage is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • heritage education
  • museum education
  • history education
  • historical thinking
  • historical consciousness
  • critical intersectionality
  • democratic culture

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Published Papers (2 papers)

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Research

16 pages, 277 KB  
Article
The Power Behind Choice: Cultural Heritage Organizations’ Ability to Address Information Literacy Through Engagement with the Public
by Jessica BrodeFrank
Heritage 2026, 9(8), 293; https://doi.org/10.3390/heritage9080293 - 29 Jul 2026
Viewed by 286
Abstract
Cultural organizations, like museums, libraries, and archives, are trusted spaces for discovery, innovation, interrogation, and encouraging agency and exploration. They go beyond the physicality of objects, focusing on dissemination of knowledge as the very mission of the organization. By adopting this mission around [...] Read more.
Cultural organizations, like museums, libraries, and archives, are trusted spaces for discovery, innovation, interrogation, and encouraging agency and exploration. They go beyond the physicality of objects, focusing on dissemination of knowledge as the very mission of the organization. By adopting this mission around using collection items, crowdsourcing projects, and programming to expose digital literacy concepts like bias, algorithms, and more, institutions have a new opportunity to become essential to life-long learning geared towards this second quarter of the 21st century. Through hands-on experiences that expose the bias and choice in all description and knowledge creation, these organizations can reinsert human-in-the-loop frameworks into machine learning and artificial intelligence platforms. Full article
23 pages, 1408 KB  
Article
Unlearning the Past: The Politics of Exclusion at the Golan Archaeological Museum in Israel–Palestine
by Ronit Milano
Heritage 2026, 9(7), 267; https://doi.org/10.3390/heritage9070267 - 7 Jul 2026
Viewed by 293
Abstract
This article examines the Golan Archaeological Museum as a site where archaeology, museum pedagogy, and political power intersect in producing historical knowledge. Established after the Six-Day War and inaugurated shortly after Israel’s 1981 annexation of the Golan Heights, the museum emerged from archaeological [...] Read more.
This article examines the Golan Archaeological Museum as a site where archaeology, museum pedagogy, and political power intersect in producing historical knowledge. Established after the Six-Day War and inaugurated shortly after Israel’s 1981 annexation of the Golan Heights, the museum emerged from archaeological practices conducted alongside military occupation and territorial consolidation. Drawing on archival documents, excavation reports, museum display analysis, and theories of visuality and heritage, the article argues that the museum functions as a continuation of wartime practices of erasure through curatorial and pedagogical means. The study shows how archaeological material is selectively transformed into a narrative of continuous Jewish presence in the region, while Islamic and Syrian histories are marginalized or rendered invisible despite their substantial presence in the archaeological record. Through exhibition design, visual framing, and educational mediation, the museum constructs a singular historical narrative that aligns archaeological evidence with contemporary territorial sovereignty. The article contends that the museum operates not only as a cultural institution but also as an agent of political visuality, shaping the boundaries of historical consciousness, democratic representation, and public memory in a contested landscape. Full article
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