Many existing historical narrative experiences still rely on screen-based viewing and limited multimodal interaction, which tends to keep users in a passive receiving role and limits their cognitive understanding, reflective thinking, user engagement, and emotional response. To address this, we designed
Vellum of
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Many existing historical narrative experiences still rely on screen-based viewing and limited multimodal interaction, which tends to keep users in a passive receiving role and limits their cognitive understanding, reflective thinking, user engagement, and emotional response. To address this, we designed
Vellum of Lies, an immersive tangible user interface for anti-feudal historical narratives. The work integrates physical props, sensors, motion-based input, and projection mapping, organizing the story into continuous interaction nodes that allow users to participate in narrative progression through embodied interaction, including spatial movement, object manipulation, and final choice-making. The final choice mechanism operationalizes Tragic Agency by allowing users to make meaningful choices while constraining their ability to alter the final tragic outcome, with the aim of evoking tension between perceived choice and narrative inevitability. A mixed-methods user experience evaluation (
N = 32) compared
Vellum of Lies with a video-watching narrative experience. In this small-scale exploratory study, the experimental condition showed significant advantages in the HUQ Overall score, Reflection, the UES-SF Overall score, Aesthetic Appeal, Interest/Enjoyment, Pleasure/Valence, and Arousal, while also showing lower NASA-TLX Overall scores, Mental Demand, and Effort. Other measured subdimensions did not reach statistical significance. These preliminary findings suggest that multimodal tangible interaction may function not only as a presentation technique, but also as a narrative mechanism that coordinates physical input, bodily movement, projected feedback, and constrained choice-making to support selected aspects of understanding, engagement, and emotional reflection in serious historical narratives.
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