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Humanities, Volume 7, Issue 2

June 2018 - 34 articles

Cover Story: ‘The Dark Wood’ by Lyndell Brown & Charles Green (who work together as one artist) share the rare and significant esteem of having been Australian War Artists, deployed to Afghanistan and Iraq in 2007. Their work – along with paintings and photographs by Jon Cattapan and Paul Gough, who have extensive experience of working with the military in Australia and the UK – is at the heart of a creative project explored in this essay. Collaboratively and individually they produce artwork (placed in national collections) and then, as academics, have come to reflect deeply on the heritage of conflict and war by interrogating contemporary art’s representation of war, conflict and terror. The essay reflects on their collaborations and suggests how Australia’s war-aware, even war-like heritage, might be re-interpreted not simply as a struggle to safeguard our shores, but as part of a complex, deeply connected global discourse where painters must re-cast themselves as citizens of the ‘global South’.
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Articles (34)

  • Article
  • Open Access
11,123 Views
17 Pages

14 June 2018

The theme of love as resistance to authority is the centerpiece of a two-millennia-long tradition in Western poetry known as carpe diem (a phrase credited to the Latin poet Horace). This essay begins by analyzing one of the most famous later examples...

  • Feature Paper
  • Article
  • Open Access
4,586 Views
9 Pages

14 June 2018

Ecocinema: (1) analyzes the role of visual media in responding to the environmental crisis; (2) has explicit interest in environmental justice; (3) includes a variety of genres and modes of production; (4) informs viewers of issues of ecological impo...

  • Feature Paper
  • Article
  • Open Access
1 Citations
11,787 Views
13 Pages

7 June 2018

In his work of non-fiction The Great Derangement (2016), Amitav Ghosh examines the inability of the present generation to grasp the scale of climate change in the spheres of Literature, History and Politics. The central premise in this work of non-fi...

  • Article
  • Open Access
4,998 Views
10 Pages

3 June 2018

This paper inspects editorial production in the field of Japanese contemporary architecture, screening the contents of essays written during the last decade (2007–2010) by four selected authors in which a recurring interplay with nature-related...

  • Feature Paper
  • Article
  • Open Access
1 Citations
7,131 Views
12 Pages

2 June 2018

The purpose of this essay is to explore the philosophical and linguistic implications of the French philosopher Edgar Morin’s “complex thought.” In stark contrast to standard communicative models which profess that Homo sapiens are...

  • Feature Paper
  • Article
  • Open Access
1 Citations
6,130 Views
11 Pages

30 May 2018

The article discusses one of the tropes present in the representations of the Whitechapel killer: the waxworks of either the killer or his victims. These images were shaped by contemporary attitudes: from sensationalism in 1888, through the developin...

  • Feature Paper
  • Article
  • Open Access
5,925 Views
16 Pages

25 May 2018

This paper reflects upon my experiences teaching and learning from displaced youth in Greece over a period of eight months in 2017. Following a brief examination of the current challenges in accessing formal education, I examine non-formal education...

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Humanities - ISSN 2076-0787