New Encounters Between Philosophy and Literature II

A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: closed (1 November 2017) | Viewed by 37687

Special Issue Editor


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Guest Editor
Department of Comparative Literature, College of Arts and Sciences, University at Buffalo, 638 Clemens Hall, Buffalo, NY 14260-4610, USA
Interests: comparative literature; philosophy and literature; literary theory; 20th and 21st century poetry and poetics
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Special Issue Information

Dear Colleagues,

This Special Issue plans to continue and develop the theme of “New Encounters Between Philosophy and Literature.” The first Special Issue on this topic brought together ten essays, ranging from texts examining this topic in Ancient Chinese thought to essays on Benjamin, Fanon, empire, metaphor, avant-garde poetry, and even The Hunger Games. Although it can be argued that the tension between philosophy and literature is intrinsically Western--pace Plato, who mentions the then already “old” quarrel between philosophy and poetry—it nonetheless provides a productive frame for questioning such fundamental terms as ”experience,” “reality,” “truth,” and their different articulations in diverse traditions. It also focuses on language and the discursive forms that make possible experience and understanding of reality. In the West, this ancient, often tense relation between philosophy and literature assumed various forms from Renaissance humanism and the Enlightenment, through the revolt of Romanticism and the systematic ambitions of German Idealism, to the more recent reconsideration of this relationship through the prism of phenomenology or poststructuralism. This second Special Issue raises, once again, the question of how our notions of what counts as literature, of what counts as philosophy, might change when we step outside the confines of the West and its tradition(s), and compare them to other cultures. We are especially interested in how the intersection between philosophy and literature facilitates not only the critique of the West but also intercultural dialogue.  Can this intersection become a fruitful place for critical engagement with globalization and its forms of technological and economic power? This Special Issue of Humanities aims at the reappraisal of this contested “between” of literature and philosophy, West and “non-West,” in the context of the globalized and multi-cultural world of the 21st century and the increasing pressure of the technocratic society and global operations of capital on the humanities. Not simply humanities as a discipline but humanities as a way of thinking—of reflection, even meditation, and thus also critique, non-conformism, and challenge to normative and normalizing tendencies—that is increasingly contested and marginalized by the thought of efficiency, measures and assessment, preconceived norms and criteria, etc. We invite contributions that expressly investigate this encounter between literature and philosophy from the following, though not exclusive, perspectives: Western and non-Western cultures; ancient, modern, or contemporary societies; comparative contexts; language and translation; aesthetics, truth, event; race and gender theory. While all these approaches are welcome, this time we hope to elicit submissions also from perspectives not represented in the first issue: African thought and literature, Eastern European cultures, Islamic cultures, the Middle East, and Latin America and decolonial critique.

Prof. Dr. Krzysztof Ziarek
Guest Editor

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Keywords

  • literature
  • philosophy
  • critique of globalization
  • non-western and western worlds
  • language
  • poetics
  • event
  • power
  • technology
  • humanities

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Published Papers (7 papers)

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Research

15 pages, 234 KiB  
Article
On the Philosophical Determination of Literature
by Jason Kemp Winfree
Humanities 2018, 7(2), 56; https://doi.org/10.3390/h7020056 - 2 Jun 2018
Viewed by 3454
Abstract
This paper traces the influence of German Idealism on the conceptions of literature proffered by Bataille and Blanchot, and it aims to show how that influence registers as a proto-ethics. In the demand that freedom be actualized in the world, German Idealism frames [...] Read more.
This paper traces the influence of German Idealism on the conceptions of literature proffered by Bataille and Blanchot, and it aims to show how that influence registers as a proto-ethics. In the demand that freedom be actualized in the world, German Idealism frames the determination of literature as one-sided, subjective, and abstract. Literary expression is never adequate to what it represents. Precisely because it has no direct bearing on the world of action, however, literature is free to pursue that which the world of action excludes: the density and obscurity of existence itself. In this pursuit, literature recasts the philosophical aspiration of self-knowledge in terms of a fidelity to existence and life in excess of individuality. Full article
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
18 pages, 287 KiB  
Article
Approaching Impersonal Life with Clarice Lispector
by Fernanda Negrete
Humanities 2018, 7(2), 55; https://doi.org/10.3390/h7020055 - 31 May 2018
Cited by 2 | Viewed by 7598
Abstract
Clarice Lispector’s concern with writing life beyond the limits of identity and representation leads her to posit the univocity of being in a series of surprising corporeal and linguistic gestures to reveal a fundamental shift in time. I explore the convergence between this [...] Read more.
Clarice Lispector’s concern with writing life beyond the limits of identity and representation leads her to posit the univocity of being in a series of surprising corporeal and linguistic gestures to reveal a fundamental shift in time. I explore the convergence between this project in Lispector and both major and minor terms in the philosophy of Gilles Deleuze (from “encounter” and “immanence” to “savage” and “birth”), shedding light on some fundamental aspects of the latter’s transcendental empiricism. Furthermore, focusing especially on the 1973 fiction Água Viva, I show that Lispector’s work insists on impersonal life’s relational condition, which extends to the creation of an original reader-writer relationship, through a mode of receptivity beyond meaning in which feminine and natal approaches are crucial. Full article
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
12 pages, 654 KiB  
Article
The Self without Character: Melville’s The Confidence-Man and Murakami’s Kafka on the Shore
by Jason M. Wirth
Humanities 2018, 7(1), 25; https://doi.org/10.3390/h7010025 - 12 Mar 2018
Viewed by 5862
Abstract
This essay explores the gap between character, that is, the habitual persona or mask that can be consistently recognized and represented, and the underlying self. If the self is conflated with the persona, the latter rings hollow. If the self emerges in the [...] Read more.
This essay explores the gap between character, that is, the habitual persona or mask that can be consistently recognized and represented, and the underlying self. If the self is conflated with the persona, the latter rings hollow. If the self emerges in the gap between itself and its persona, it is no longer hollow but rather empty in the positive Mahāyāna Buddha Dharma sense of śūnyatā (lack of a self-same self or identity). This essay disambiguates the hollowness of character from the emptiness of the self through a study of Melville’s The Confidence-Man: His Masquerade (1857) and Murakami’s contemporary classic, Kafka on the Shore (2002). Bringing Murakami into proximity with Melville not only highlights the originality of both but also affords a co-illuminating confrontation that brings Buddhist and Shinto insights to bear upon the problem of the self. Full article
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
26 pages, 314 KiB  
Article
Can the Fetus Speak?: Revolutionary Wombs, Body Politics, and Feminist Philosophy
by Nicole Sparling Barco
Humanities 2018, 7(1), 24; https://doi.org/10.3390/h7010024 - 9 Mar 2018
Viewed by 4585
Abstract
Ariel Dorfman’s La última canción de Manuel Sendero (The Last Song of Manuel Sendero) and Carlos Fuentes’s Cristóbal Nonato (Christopher Unborn) explore conception, gestation, and birth as points of origin for humanity and citizenship alike by giving voice to [...] Read more.
Ariel Dorfman’s La última canción de Manuel Sendero (The Last Song of Manuel Sendero) and Carlos Fuentes’s Cristóbal Nonato (Christopher Unborn) explore conception, gestation, and birth as points of origin for humanity and citizenship alike by giving voice to life/lives that cannot speak for itself/themselves. Dorfman and Fuentes employ metafictional techniques and postmodern aesthetics, interrogate history in order to express their political commitments to rights, resistance, and revolution, and link textual production and human reproduction in order to posit national futures. Reading these works through a feminist lens, I weigh the poetic and philosophical implications of telling a story from the point of view of gametic, embryonic, or fetal, but decidedly male, narrators against the symbolic exclusion and silencing of mothers that bear them. When rendered a biopolitical frontier in symbolic or actual terms, the pregnant body poses particular philosophical quandaries that require further investigation. As such, this essay weaves together discourses on poetics, philosophy, and politics in order to uncover the perplexity that the pregnant mother, as figure for the nation, induces. Full article
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
11 pages, 201 KiB  
Article
The Encounter with the Identical Other: The Literary Double as a Manifestation of Failure in Self-Constitution
by Michal Tal
Humanities 2018, 7(1), 13; https://doi.org/10.3390/h7010013 - 29 Jan 2018
Viewed by 5940
Abstract
Literary pieces featuring the double depict an encounter between the protagonist and another person, who is her identical other. Therefore they face various difficulties related to a threat cast on their unique identity, and this encounter challenges their process of self-definition. Martin Buber [...] Read more.
Literary pieces featuring the double depict an encounter between the protagonist and another person, who is her identical other. Therefore they face various difficulties related to a threat cast on their unique identity, and this encounter challenges their process of self-definition. Martin Buber sees the existence of the other as essential for the occurrence of self-constitution within an individual. He maintains that any person needs another person to obtain confirmation of what she is and is born equipped with the ability to confirm her fellow-person in the same way (1959). However, as the other encountered by a doppelgänger protagonist is not truly “other”, the latter might confront a difficulty in the different stages of Buber’s self-constitution process. This paper seeks to shed light on the inter- and intra-personal relationships depicted in literary pieces focusing on the theme of the double, such as The Double (Dostoyevsky [1846] 1997; Saramago 2002), Despair (1965), and Too Much Nina (Orbach 2011), emphasizing the limitations cast by the encounter with the identical other on the protagonist’s self-constitution, as put forward by Buber. Full article
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
19 pages, 600 KiB  
Article
“Time is Production”: Process-Art, and Aesthetic Time in Paul Valéry’s Cahiers
by Berkay Ustun
Humanities 2018, 7(1), 4; https://doi.org/10.3390/h7010004 - 5 Jan 2018
Viewed by 5054
Abstract
This paper offers a contextually inflected discussion of the extensive investment Paul Valéry makes in going beyond formal understandings of time. To this end it takes the processual work Cahiers as both a repository of insights, and a practical motor of conceptual creation [...] Read more.
This paper offers a contextually inflected discussion of the extensive investment Paul Valéry makes in going beyond formal understandings of time. To this end it takes the processual work Cahiers as both a repository of insights, and a practical motor of conceptual creation for new time concepts through its very writing and production. In a speculative engagement with Valérian concepts such as phase, prolongation as well as reconfigured relations between central categorical pairings such as quality-quantity and succession-simultaneity, the paper situates Valéry’s writings on time with regard to their ambiguously critical attitude to a given image of philosophy as a form of verbal exercise ungrounded in empirical observation of local systems. Full article
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
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262 KiB  
Article
“Sot’s Skull Subsiding, Sweet Nothingness Betide Me”: Suttree and Sartrean Bad Faith
by Elijah Guerra
Humanities 2017, 6(2), 38; https://doi.org/10.3390/h6020038 - 5 Jun 2017
Cited by 1 | Viewed by 4536
Abstract
Cormac McCarthy’s Suttree is a literary representation of existentialism. The eponymous protagonist seeks his meaning and purpose in a universe that offers none. Jean-Paul Sartre’s existentialism proposes that people must fill the blank slate of the self and establish their own values through [...] Read more.
Cormac McCarthy’s Suttree is a literary representation of existentialism. The eponymous protagonist seeks his meaning and purpose in a universe that offers none. Jean-Paul Sartre’s existentialism proposes that people must fill the blank slate of the self and establish their own values through their actions. However, instead of establishing his values according to his constantly becoming self, Suttree restrictively bases his values on his material, monetary, functional and social existence. Sartre’s theory of bad faith provides a means to understand Suttree’s identity conflict and argues that the individual should identify not with any particular state of being, but rather with the constant process of becoming. Bad faith is a mode of self-deception in which one believes he is something he is not, or believes he is not something that he is. Suttree’s many forms of bad faith—material, monetary, functional, and social—hinder his ability to live a more meaningful and fulfilling life and embrace his responsibility to create himself. Of all the forms of bad faith Suttree suffers, perhaps the most detrimental to his project of self-creation is his failure to let go of the past. His obsession with past failures and deaths impedes his progress to a new, productive self. By transcending his oppressive past and realizing that he is a combination of his constituent parts and never solely one of them, Suttree understands his responsibility to embrace his past and propel himself into new identities in the constant quest of becoming. Suttree exemplifies a responsible embrace of the project of self-creation in the midst of materialism and nihilism. Full article
(This article belongs to the Special Issue New Encounters Between Philosophy and Literature II)
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