Next Article in Journal
Lovely Ugly Bes! Animalistic Aspects in Ancient Egyptian Popular Religion
Previous Article in Journal
Metaphor to Métier: Kerry Tribe’s “Aphasia Poetry Club” and the Discourse of Disability in Contemporary Art
Previous Article in Special Issue
Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?
Open AccessEditorial

Japan and the “Transnational Cinema”

Department of Cultures and Languages, School of Arts, Birkbeck, University of London, London WC1E 7HX, UK
Graduate School of International Culture and Communication, Waseda University, Tokyo 169-8050, Japan
Authors to whom correspondence should be addressed.
Received: 27 March 2020 / Revised: 8 April 2020 / Accepted: 12 April 2020 / Published: 17 April 2020
(This article belongs to the Special Issue Japanese Transnational Cinema)
Note: In lieu of an abstract, this is an excerpt from the first page.

Since the Western “discovery” of Japanese cinema in the 1950s, there has been a tendency among both Film Studies and Japanese Studies scholars to draw on essentialist visions of Japanese Cinema, understating its uniqueness as a consequence of its isolation from the rest of the world [...] View Full-Text
MDPI and ACS Style

Martín, M.P.C.; Morita, N. Japan and the “Transnational Cinema”. Arts 2020, 9, 50.

Show more citation formats Show less citations formats
Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.

Article Access Map by Country/Region

Search more from Scilit
Back to TopTop