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Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?
Open AccessEditorial

Japan and the “Transnational Cinema”

1
Department of Cultures and Languages, School of Arts, Birkbeck, University of London, London WC1E 7HX, UK
2
Graduate School of International Culture and Communication, Waseda University, Tokyo 169-8050, Japan
*
Authors to whom correspondence should be addressed.
Received: 27 March 2020 / Revised: 8 April 2020 / Accepted: 12 April 2020 / Published: 17 April 2020
(This article belongs to the Special Issue Japanese Transnational Cinema)
Note: In lieu of an abstract, this is an excerpt from the first page.

Since the Western “discovery” of Japanese cinema in the 1950s, there has been a tendency among both Film Studies and Japanese Studies scholars to draw on essentialist visions of Japanese Cinema, understating its uniqueness as a consequence of its isolation from the rest of the world [...] View Full-Text
MDPI and ACS Style

Martín, M.P.C.; Morita, N. Japan and the “Transnational Cinema”. Arts 2020, 9, 50.

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