1. Introduction
Tourists’ expectations significantly influence their destination choice [
1], perception of the tourism experience, and overall satisfaction [
2]. During the post-pandemic era, research focus on travelers’ expectations, perceptions, and attitudes in marketing has intensified [
3]. For example, aspects such as travelers’ willingness to travel, risk perception, consumer characteristics, suppressed tourism demand, and long-term psychological stress impacting travelers have been scrutinized [
4,
5,
6]. Studies show that the post-pandemic period has seen a rise in tourists choosing nature-based tourism. Many tourists now prioritize closeness to nature and the appreciation of its beauty.
This manuscript explores “nature-based tourism”, which is characterized as tourism activities centered around natural sites and interactions within natural settings [
7]. This form of tourism distinctively prioritizes the appreciation of and engagement with natural environments [
8], setting it apart from other tourism types. Within this framework, “aesthetic expectations” emerge as a pivotal driving force [
9,
10]. It is pertinent to clarify that the term “aesthetics” is interpreted here as encompassing a holistic sensory perception rather than adhering to Kant’s classical philosophical notion of disinterestedness. While the aesthetics of tourism indeed embrace an extensive array of sensory experiences [
11,
12], the present study predominantly concentrates on the visual aspects, recognizing that visual interactions frequently stand out most prominently in tourists’ engagements with the natural world.
Tourists’ predilections for natural landscapes and the aesthetic attributes of destinations play a crucial role in their choice of nature-based tourism [
13,
14]. The intangible nature of tourism services compels visitors to seek comprehensive information about destinations, thereby shaping impressions that significantly influence their decision-making processes [
1,
15]. In an era marked by rapid technological advancements and the seamless flow of information, tourism marketers are crafting strategies that ensure prospective travelers can effortlessly access detailed insights into destinations [
16,
17]. As a result, aesthetic expectations are conceptualized as tourists gathering information from various channels before their trip, thereby forming a comprehensive perception of a destination’s aesthetic aspects and shaping their expectations about the quality of the aesthetic experience.
Research on aesthetic themes in nature-based tourism primarily includes exploring preferences for natural landscapes [
7,
18,
19], aesthetic judgments in tourism [
9,
20], aesthetic experiences [
21,
22,
23], and destination aesthetic marketing [
10,
24]. Studies also focus on how marketing strategies enhancing aesthetic expectations influence tourists’ destination choices [
25] as well as their correlation with tourists’ aesthetic experience quality, destination loyalty, and behavioral intentions [
26,
27,
28]. Despite these scholarly advancements, the nexus between aesthetic expectations, the quality of aesthetic experiences, and overall satisfaction is not thoroughly examined. Moreover, the exploration of strategies aimed at enhancing the quality of aesthetic experiences to align with these expectations remains relatively sparse [
29].
Within the realm of exploring nature-based tourism, forest recreation has garnered our special attention as a key area. This study employs structural equation modeling and survey questionnaires to investigate the intricate relationship between tourists’ aesthetic expectations, the quality of their aesthetic experiences, and overall satisfaction within the context of forest recreation. Centered on the Zhangjiajie National Forest Park, China’s inaugural national forest park, this research applies the Expectation Confirmation Theory (ECT) to dissect the intricate dynamics between tourists’ aesthetic expectations, the quality of their aesthetic experiences, and their overall satisfaction, offering insights into the nuanced interplay of these elements.
The Expectation Confirmation Theory (ECT) plays a pivotal role in understanding consumer satisfaction, especially in assessing perceptions of convenience and utility. This theory highlights the crucial link between consumers’ expectations and their actual experiences, noting its significant impact on satisfaction [
30,
31,
32]. The ECT primarily involves consumers forming expectations about the performance of a product or service, experiencing the actual performance, and perceiving a performance disparity [
33], which, whether positive or negative, influences satisfaction levels. Traditionally used to evaluate consumer satisfaction and repurchase intentions in product-based sectors [
32,
34], the ECT’s applicability has extended to diverse service environments, including marketing and consumer behavior analysis [
35], and is recognized in the tourism sector, particularly in medical and sports tourism [
36].
In service economics, the principle of expectation confirmation is paramount, revolving around the alignment between customers’ perceived performance of a service and their initial expectations [
37]. In resonance with Bhattacherjee’s interpretation, expectation confirmation is perceived as the congruence between antecedent expectations and subsequent perceptions within information systems [
38]. This study tailors this principle to the sphere of tourism aesthetics. It conceptualizes “Aesthetic Expectation Confirmation” as the evaluative process wherein tourists juxtapose the real quality of the aesthetic experience with their pre-visit expectations. This juxtaposition fosters an awareness of any variances in aesthetic perception, thus offering a robust framework to appraise how tourists’ aesthetic expectations and their ensuing experiences shape their overall contentment with the destination. Emphasizing aesthetic expectation confirmation is pivotal for enhancing our comprehension of tourist behavior and satisfaction, particularly within the milieu of forest recreation.
Furthermore, the visiting environment plays a crucial role in tourism. It encompasses the holistic ambiance perceived by tourists, while satisfaction is deemed the comparative result derived from aligning pre-travel expectations with the factual overall experiential ambiance [
26]. Research indicates that tourists’ aesthetic experiences are influenced not only by the natural environment but also by artificial elements and tourism infrastructure [
21,
23,
39]. For instance, a study on island tourism identified three core environmental categories as follows: natural, humanistic, and economic [
40]. These categories were found to significantly influence tourists’ satisfaction, revealing that the satisfaction of tourists is notably affected by the natural, humanistic, and economic environments of islands. Building on this, our study categorizes the visiting environment of the Zhangjiajie National Forest Park into similar segments, examining the impact of tourists’ pre-travel aesthetic expectations and the aesthetic experiential qualities they encounter on their satisfaction.
By pursuing the following two objectives, this study aims to contribute to the understanding of forest recreation, offering insights into how aesthetic factors influence tourists’ satisfaction as follows:
Investigate the dynamic relationship between aesthetic expectations, aesthetic experiential qualities, and satisfaction in forest recreation.
Define and explore the role of the visiting environment in shaping tourists’ aesthetic experiences and satisfaction within forest recreation.
The organization of the rest of this paper is as follows:
Section 2 presents the conceptual model and hypothesis development, and it provides an overview of the questionnaire design and data collection process.
Section 3 introduces the results,
Section 4 presents the conclusions,
Section 5 engages in discussion, and summarizes the research contributions, significance, and limitations of the study.
4. Discussion
This manuscript, grounded in the Expectation Confirmation Theory (ECT), develops and validates a conceptual model for confirming aesthetic expectations. It examines tourists’ pre-visit aesthetic expectations of the Zhangjiajie National Forest Park, their in-visit aesthetic experience quality, and their post-visit confirmation of these expectations. Additionally, the study explores the interconnectedness of these factors and their combined effect on overall satisfaction.
This study found that aesthetic expectations have a direct negative impact on satisfaction. This could be attributed to the possibility that tourists’ high anticipations, particularly regarding the park’s natural beauty, may not always be met, leading to a sense of disappointment. In contrast, the quality of aesthetic experiences exerts a direct positive influence on satisfaction. This highlights the crucial role of actual experiential qualities in shaping tourists’ overall contentment. Furthermore, the study illuminates the key role of aesthetic expectation confirmation as a mediator in this relationship. Aesthetic expectations indirectly diminish satisfaction when they are not met as per the principles of the ECT. This is evident when tourists compare their anticipated aesthetic levels with the actual experience at the destination, forming a benchmark that significantly influences their satisfaction. Conversely, when the aesthetic experiences exceed their initial expectations, a positive confirmation occurs, thereby enhancing their satisfaction. This dynamic interplay between expectations, actual experiences, and their confirmation not only corroborates Oliver and Linda’s perspective on expectations mirroring the anticipated service levels [
47] but also aligns with Keyser et al.’s findings on the impact of expectation–performance gaps [
51]. Our study thus emphasizes the relevance of the ECT in comprehending the complexities of aesthetic perception and its profound impact on tourists’ evaluations and experiences.
This study also unveils a series of notable findings. To further interpret these results, we conducted semi-structured interviews with a range of industry insiders, including local B&B hotel operators, hotel managers, park administrators, and experienced tour guides, who have profound insights into the park’s infrastructure, visitor behavioral dynamics, and aesthetic elements. The interviews predominantly focused on exploring tourists’ pre-visit aesthetic expectations, the actual quality of their aesthetic experiences during the visit, and their resultant overall satisfaction, providing a comprehensive understanding of the interplay between these elements.
The first discovery contradicted our initial hypotheses and diverged from previous research, revealing that aesthetic expectations do not markedly influence the quality of aesthetic experiences. Insights gleaned from the interviews illuminated two key points as follows: (1) the renowned natural environment of the Zhangjiajie National Forest Park eclipses the less developed aesthetic facets of its cultural and economic environments; (2) in the realm of the economic environment, aesthetic planning and governance are comparatively nascent, lacking distinctive merits when juxtaposed with other destinations. As a result, local marketing initiatives predominantly accentuate the natural environment. This developmental disparity and the consequent pivot in marketing emphasis might elucidate why visitors’ aesthetic expectations, which are primarily molded by the park’s natural charm, do not substantially alter their perception of the park’s overarching aesthetic quality.
The second significant finding of this study is the existence of a pronounced hierarchy in the impact of tourists’ aesthetic expectations of the natural, cultural, and economic environments on their overall satisfaction. Specifically, the natural environment exerts the most substantial influence on tourist satisfaction, which was followed by the cultural environment, while the economic environment has a comparatively lesser impact. Interviews elucidated that the uniqueness of the natural environment coupled with focused marketing strategies substantially mold the stratified influence of the aesthetic expectations on overall tourist satisfaction, highlighting the intricate interplay between environmental attributes and marketing efforts.
The third discovery relates to the distinct impact of tourists’ aesthetic experience quality on their satisfaction. It emerged that the quality of aesthetic experiences within the economic environment serves as the most influential factor, surpassing that of the natural environment, while the cultural environment exerts a relatively minor impact. Interview findings indicate that the significant role of aesthetic experience quality in the economic environment reflects how tourists’ aesthetic standards for the economic environment are profoundly influenced by their prior travel experiences, which largely determine their appraisal of the aesthetic experience quality of the current trip.
This study enhances the comprehension of the interplay between aesthetic expectations and the quality of aesthetic experiences within forest park recreation and how these elements collectively contribute to shaping the overall satisfaction of visitors. It provides a deeper insight into the relationship between the aesthetic experiential quality of a forest park’s visiting environment and tourists’ satisfaction. This research underlines the role of aesthetic quality as a key factor in destination competitiveness and value creation in the tourism industry. Importantly, research findings have practical implications for destination marketers and managers. They can utilize this knowledge to devise strategies that enhance the aesthetic experiential quality of tourists in forest parks, thereby boosting overall satisfaction. Additionally, by exploring these dynamics, this study contributes to the theoretical framework of tourism research specifically in understanding the interplay of aesthetic elements in shaping tourist experiences and satisfaction. Such insights are relevant for both academic research and practical applications in the evolving field of nature-based tourism.
5. Conclusions, Contributions, and Study Limitations
5.1. Conclusions
This manuscript delves into the dynamics between aesthetic expectations, the quality of aesthetic experiences, and their combined effect on tourist satisfaction within the context of the Zhangjiajie National Forest Park. The study validates the measurement model, ensuring the research sample’s adequacy for factor analysis and affirming the structural integrity of the investigation. The findings indicate that although aesthetic expectations related to the natural, humanistic, and economic dimensions might impinge negatively on satisfaction, the caliber of aesthetic experiences encountered during forest recreation exerts a positive impact on both the confirmation of aesthetic expectations and, subsequently, on overall satisfaction. This highlights the complex interplay and significant influence of both expectations and experiences in shaping tourist satisfaction. Furthermore, the mediation analysis illuminates the subtle, indirect routes through which the quality of aesthetic experiences contributes to satisfaction, which is mediated by the confirmation of aesthetic expectations, thus unraveling the intricate relationships between these pivotal constructs.
5.2. Contributions
This manuscript extends the research scope of forest recreation aesthetics to some extent. It pioneers the integration of “aesthetic expectations” into this field, moving beyond the traditional confines of marketing and delving into its relationship with aesthetic experience quality and satisfaction. By empirically testing a model of aesthetic expectation confirmation, our research illuminates the intricate dynamics between these variables, thus enriching our comprehension and strategic management of aesthetic elements in forest recreation. This innovative approach not only lays the groundwork for future research in forest recreation aesthetics but also paves the way for exploring aesthetic expectations in broader tourism and leisure contexts.
The second contribution of this manuscript involves clarifying the mediating roles between aesthetic expectations and satisfaction as well as between aesthetic experience quality and satisfaction. By conducting an in-depth analysis, this study discovered that aesthetic expectation confirmation acts as a pivotal mediator. Aesthetic expectation confirmation is based on comparing tourists’ expected aesthetic standards with the actual aesthetic experience quality. When tourists perceive that their actual aesthetic experiences surpass their initial expectations, this leads to positive aesthetic expectation confirmation, thereby enhancing satisfaction. Conversely, experiences that fall short of expectations result in negative confirmation, potentially leading to dissatisfaction. However, the existing literature has paid little attention to managing the differences in aesthetic perceptual performance and the mediating role of aesthetic expectation confirmation between aesthetic expectations and satisfaction as well as between aesthetic experience quality and satisfaction. This study supplemented this examination by investigating the mediating role of aesthetic expectation confirmation. The understanding of the mediating role of aesthetic expectation confirmation not only provides insights into the dynamics of these relationships but also extends the explanatory power of the ECT into the field of tourism aesthetics. This expansion of the theory underscores its relevance and practicality in understanding and managing aesthetic perceptions and experiences in the domain of forest recreation and beyond, paving the way for future research to further explore and validate these relationships in diverse tourism contexts.
In addition to its theoretical significance, this study also provides valuable insights for local tourism businesses and park managers. The findings underscore the pivotal role of aesthetic quality in shaping tourist satisfaction, prompting a strategic shift in park management practices. Specifically, there is a pressing need to enhance the quality of visitors’ aesthetic experiences with a particular emphasis on economic and cultural dimensions. This strategic realignment is crucial in boosting overall satisfaction and solidifying the park’s status as a top-tier destination, thereby aligning operational strategies with visitor expectations and experiences as follows: (1) Formulate and execute all-encompassing aesthetic enhancement initiatives that extend beyond the natural landscape to encompass the economic and cultural facets of the park. This strategy should include the modernization of infrastructure and the enhancement of aesthetic quality for hotels, restaurants, and additional amenities within the park’s precincts. (2) Refine marketing strategies to convey a realistic yet compelling portrayal of the park’s offerings. Ensure that promotional materials accurately reflect the aesthetic experience tourists can expect, thereby aligning their pre-visit expectations with the actual in-park experience and reducing the likelihood of disappointment. (3) Establish robust mechanisms for collecting and analyzing feedback from tourists regarding their aesthetic experiences. Use this feedback to inform continuous improvements in the park’s aesthetic offerings, ensuring that the park remains responsive to the changing needs and expectations of its visitors.
5.3. Study Limitations
Limitations of this study include the following: (1) The use of cross-sectional data may introduce retrospective bias when recalling past experiences. Future longitudinal studies may help to mitigate such biases in investigating the process of aesthetic expectation confirmation and overall satisfaction. (2) The study’s focus on specific tourist routes might limit its applicability to other forest parks and nature tourism sites. To enhance generalizability, future research could extend the research tools to diverse environments for robust construct validation. (3) Uncertainty remains regarding the universal applicability of aesthetic quality perception, expectation confirmation, and satisfaction across various contexts (e.g., cross-cultural settings and different management areas). Therefore, further research exploring these areas may extend the study’s scope. (4) Both variability in the weather and the quality of guide services can significantly shape perceptions of natural beauty and overall satisfaction. Future research should incorporate these factors to fully understand their contribution to enriching the aesthetic experience in forest recreation settings. (5) Although this research introduced the notion of aesthetic expectation confirmation in the context of forest recreation experiences, the examination of this multifaceted concept was not comprehensive. The mechanisms through which aesthetic expectations are validated or refuted during such experiences demand deeper investigation. Future studies should delve into these intricate interactions, thoroughly exploring the genesis and validation of expectations and their consequential effects on overall satisfaction.