Search Results (208)

Given the increasing challenges posed by frequent extreme climatic events, understanding the climate–human connection between the climate system and the transitions of ancient civilizations is crucial for addressing future climatic challenges, especially when examining the relationship between the abrupt events of the Holocene and the Neolithic culture development. Compared with the globally recognized “4.2 ka collapse” of ancient cultures, the initial start time and the cultural significance of the 5.5 ka climatic fluctuation are more complex and ambiguous. The Hongshan culture (6.5–5.0 ka) is characterized by a complicated society evident in its grand public architecture and elaborate high-status tombs. However, the driving mechanisms behind cultural changes remain complex and subject to ongoing debate. This paper delves into the role of climatic change in Hongshan cultural shifts, presenting an integrated dataset that combines climatic proxy records with archaeological data from the Hongshan culture period. Based on synthesized aeolian, fluvial-lacustrine, loess, and stalagmite deposits, the study indicates a relatively cold and dry climatic fluctuation occurred during ~6.0–5.5 ka, which is widespread in the Horqin dune field and adjacent areas. Combining spatial analysis with ArcGis 10.8 on archaeological sites, we propose that the climatic fluctuation between ~6.0–5.5 ka likely triggered the migration of the Hongshan settlements and adjustment of survival strategies. Full article

The Xixia Imperial Tombs (XITs) represent a crucial, yet still largely mysterious, component of the Tangut civilization’s legacy. Located in northwestern China, this extensive necropolis offers invaluable insights into the Tangut state, culture, and burial practices. This study employs an integrated approach utilizing multi-resolution and multi-temporal satellite remote sensing data, including Gaofen-2 (GF-2), Landsat-8 OLI, declassified GAMBIT imagery, and Google Earth, combined with deep learning techniques, to conduct a comprehensive archaeological investigation of the XITs’ burial landscape. We performed geomorphological analysis of the surrounding environment and automated identification and mapping of burial mounds and mausoleum features using YOLOv5, complemented by manual interpretation of very-high-resolution (VHR) satellite imagery. Spectral indices and image fusion techniques were applied to enhance the detection of archaeological features. Our findings demonstrated the efficacy of this combined methodology for archaeology prospect, providing valuable insights into the spatial layout, geomantic considerations, and preservation status of the XITs. Notably, the analysis of declassified GAMBIT imagery facilitated the identification of a suspected true location for the ninth imperial tomb (M9), a significant contribution to understanding Xixia history through remote sensing archaeology. This research provides a replicable framework for the detection and preservation of archaeological sites using readily available satellite data, underscoring the power of advanced remote sensing and machine learning in heritage studies. Full article

The detection of archeological sites in satellite imagery is often hindered by environmental constraints such as vegetation cover and variability in meteorological conditions, which affect the visibility of subsurface structures. This study aimed to develop predictive models for assessing archeological site visibility in satellite imagery by integrating vegetation indices and meteorological data using machine learning techniques. The research focused on megalithic tombs associated with the Funnel Beaker culture in Poland. The primary objective was to create models capable of detecting archeological features under varying environmental conditions, thereby enhancing the efficiency of field surveys and reducing associated costs. To this end, a combination of vegetation indices and meteorological parameters was employed. Key indices—including the Normalized Difference Vegetation Index (NDVI), Normalized Difference Water Index (NDWI), Normalized Difference Moisture Index (NDMI), and Normalized Archeological Index (NAI)—were analyzed alongside meteorological variables such as wind speed, temperature, humidity, and total precipitation. By integrating these datasets, the study evaluated how environmental conditions influence the visibility of archeological sites in satellite imagery. The machine learning models, including logistic regression and decision tree-based algorithms, demonstrated strong potential for predicting site visibility. The highest predictive accuracy was achieved during periods of high soil moisture variability and fluctuating weather conditions. These findings enabled the development of visibility prediction maps, guiding the optimal timing of aerial surveys and minimizing the risk of unsuccessful data acquisition. The results underscore the effectiveness of integrating meteorological data with satellite imagery in archeological research. The proposed approach not only improves site detection but also reduces operational costs by concentrating resources on optimal survey conditions. Furthermore, the methodology is applicable to diverse archeological contexts, enhancing the capacity to locate and document heritage sites across varying environmental settings. Full article

This study analyzes a lacquered ear cup excavated from the Luobowan tomb complex in Guigang, Guangxi, attributed to the Nanyue Kingdom of the early Han dynasty. A range of analytical techniques, including optical microscopy (OM), scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), pyrolysis–gas chromatography–mass spectrometry (Py-GC-MS), Fourier transform infrared spectroscopy (FT-IR), and X-ray diffraction (XRD), were employed to investigate the structural layers, material composition, and preservation state of the artifact. The lacquerware consists of four traditional layers: a wooden core, fabric reinforcement, lacquer ground, and lacquer film, reflecting Central Plains lacquerware techniques. The wooden core was identified as Phoebe sp., and the fabric layer is likely hemp, though fiber degradation limited exact identification. The lacquer ground layer contains natural lacquer mixed with SiO₂ from brick or tile powder. The lacquer film is a blend of Chinese and Vietnamese lacquer, with no synthetic additives or plant oils detected. The red lacquer layer contains cinnabar (HgS) as a pigment, while the black lacquer uses carbon black. Differences in moisture content between the red and black lacquer films are attributed to variations in surface porosity and pigment characteristics. This research provides valuable insights into Nanyue lacquer technology and preservation challenges. Full article

As a core structure within the Qing Changling Mausoleum, a UNESCO World Cultural Heritage site, Long’en Hall preserves a relatively complete set of Qing dynasty imperial lacquered furniture. These furnishings provide critical physical evidence for studying Qing dynasty sacrificial rituals and the craftsmanship of court lacquerware. However, limited research has been conducted on the surface finishing techniques of such furnishings, posing challenges to their conservation and accurate restoration. This study focuses on representative furnishings from Long’en Hall—including an offering table, an incense pavilion, a throne, and a poke lamp—and employed a multi-method analytical approach comprising fluorescence microscopy (FM), scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), X-ray photoelectron spectroscopy (XPS), and Fourier-transform infrared (FTIR) spectroscopy. The analysis was conducted on the following two levels: the lacquer layer structure and material composition. The results show that the furnishings in the Long’en Hall adopt the typical structure of “lacquer ash layer–color lacquer layer”, and the color lacquer layer is composed of raw lacquer, tung oil, animal glue, and other natural organic ingredients as film-forming materials, supplemented with inorganic mineral pigments such as red lead (Pb₃O₄) and Au metal, which constitutes a stable organic–inorganic composite structure with the lacquer ash layer. The multi-analysis results show a good complementary and cross-corroboration relationship, providing the necessary technical support and a theoretical reference for Qing dynasty palace lacquer wood furniture as cultural relics worthy of scientific protection and imitation. Full article

This article examines the material data preserved in king’s coffins used to bury and/or rebury five different kings, which represent the surviving material evidence we have of the art produced to manufacture divinized kingship during the New Kingdom: Seqenenre Taa, Kamose, Thutmose I/Panedjem I, Thutmose III, and Ramses II. All of them were removed from their original 17th and 18th Dynasty sepulchers, stripped of valuable materials, modified, and reused in later cache burials of the 20th, 21st, and 22nd Dynasties by 20th and 21st Dynasty High Priests of Amen, who used these recrafted coffins as a means of claiming their political and ideological legitimacy. Supported with detailed evidence of the five surviving king’s coffins as objects of social and political value and sometimes relying on the coffins recovered from Tutankhamun’s tomb for comparison, this article attempts to reconstruct some of the original material state of this art as a tool of power. Full article

Miracle tales are almost the sole source for the investigation of the emergence and spread of the relic cult in the early phase of Chinese Buddhism. The earliest excavated relic casket dates back to 453 CE, over four centuries after Buddhism was introduced to China. Through a critical textual analysis of Ji Shenzhou Sanbao Gantonglu, it is evident that the initial form of relic veneration was based on miraculous responses. Legends about imperial relic worship before the 3rd century are all later fabrications. Two archeological finds—the alleged relic murals in a Han tomb at Horinger, Inner Mongolia, and the stūpa-shaped bronze vessel in Gongyi, Henan—are not directly related to relic veneration. Based on the available evidence, it is tentatively concluded that relic worship first emerged around the 3rd century in the vicinity of Luoyang, the capital of the Western Jin, and later spread to the south of the Yangtze River after the Yongjia chaos. The early worshippers included both monks and lay Buddhists, such as merchants and lower-ranking officials. Royal interest in relics did not arise until the 5th century. The rise of relic veneration in China occured two or three centuries later than that in Gandhāra, from which Chinese Buddhism was significantly influenced. Compared to the cult of images or scriptures, relic veneration also emerged relatively late in China. The reluctance to adopt relics as worship objects can be partly explained by (the mahāyāna) Buddhist doctrines and the Chinese cultural mentality. Full article

The objective of this research is to conduct a spatial analysis of the functional Andean worldview of the Ankasmarka Archaeological Site, located in Calca, Peru. The preservation of cultural heritage in Latin America faces significant challenges that threaten the integrity of key sites such as Ankasmarka. Despite its historical relevance, this site lacks available open access information and data, collected in accessible reports, which hinders the attraction of attention and funding necessary for its conservation. Furthermore, urbanization and uncontrolled tourism negatively impact both cultural traditions and the connection of local communities with their past. The methodology employed is based on a systematic review of primary information, supplemented by excavation reports and official sources. Specialized software such as AutoCAD Architecture and Revit were used to carry out the topographic and architectural survey of the site, enabling the precise and rigorous interpretation of the data. This article focuses on the spatial and functional description of the site, with the aim of paving the way for future research in specific areas such as formal and structural analysis, as well as social and political dynamics. The results reveal a complex organizational structure at Ankasmarka, with enclosures designated for various functions, particularly storage and agricultural activities. The site is divided into three sectors: Sector A, which includes housing, storage areas, and tombs; and Sector B and C, with the highest concentration of housing and agricultural zones with storage areas, respectively. The findings underscore the interrelationship between agriculture, funerary practices, and architecture, highlighting the importance of Ankasmarka in the lives of its ancient inhabitants and the need for continued future research. Full article

In July 2024, the “Investigating the Archaeology of Death in Pompeii Research Project” carried out a scientific and methodical excavation of the areas outside two of the gates to the city of Pompeii. One of them is the funerary area of Porta Nola (next to the tomb of Obellio Firmo) and the other is outside Porta Sarno area (east of the tomb of Marcus Venerius Secundius). The investigated funerary area to the east of Porta Sarno corresponds with the area excavated in 1998 for the construction of the double Circumvesuviana rails. The 1998 excavations recorded the presence of more than 50 cremation burial sites, marked by stelae (columelle) and a monument with an arch, which are delineated by a boundary wall. The tombs were initially dated to the Late Republican period. In order to carry out comprehensive studies of the funerary area uncovered in 1998, a four metre by four metre trench was stratigraphically excavated. This investigation allowed mapping of the area and the carrying out of archaeological analysis and bioarchaeological studies in order to answer the questions that guided our archaeological research, such as whether the funerary area was abandoned and, if so, when? What was the chronological succession, monumentality, and prestige of this funerary space? Was it a single family and private funerary enclosure, or was it an open public space? How were this funerary area and the spaces destined to preserve the memory of the deceased managed? How were the funerary and mortuary rituals and gestures articulated and what did they consist of? Our methodical excavation discovered a monumental tomb which allows us to answer many of the questions raised by our research. This extraordinary monument consists of a wide wall with several niches containing the cremated remains of the deceased built into its structure and which is crowned by a relief of a young couple. The symbolism of the carved accessories of the wife may identify her as a priestess of Ceres. Additionally, the quality of the carving in the sculptures and their archaic characteristics suggest a Republic period dating, which is uncommon in southern Italy. Full article

In zooarchaeological research, animal bone fractures can result from various processes including slaughtering, dismemberment, marrow/grease extraction, craft processing, carnivore gnawing/trampling, sediment compression, bioturbation, and recovery bias. These fractures are further influenced by bone freshness/dryness and environmental temperature. The animal bones analysed in this study, excavated from Han dynasty tombs in the Xinxiang Plain New District, China, represent ritual offerings. These specimens exhibit distinct truncation features—chop surfaces, rough planes, and fracture traces—created by ancient iron tools for culinary purposes such as stewing preparation or consumption facilitation. These characteristics differ significantly, from the V-shaped butchery marks produced by stone/bronze tools and fracture patterns from marrow/grease extraction to post-depositional breakage formed during burial processes. In this study, steel tools were employed in the rocking slicing and rolling slicing of animal bones, complemented by techniques such as breaking to sever bone shafts. Subsequently, the marks on the cross-sections were observed using a stereomicroscope, and the results were compared and analysed with the materials from Han dynasty tombs unearthed at Xinxiang city, Henan Province. From the comparison between experimental observation results and archaeological materials, it is evident that the fine processing of meat-bearing bone materials mainly involved the use of rocking and rolling slicing methods. The cross-sections of the slices revealed shearing surfaces, rough patches, bone splinters, and sliced ends. The shearing surfaces in particular exhibited numerous visible trace characteristics, with the types and quantities of these traces varying with different cutting tools. This study holds significant reference value for exploring cutting tools and techniques in antiquity. Full article

Preserved macro-botanical and charcoal remains collected from the Zhumucun site have revealed the paleodiet and agricultural production of a small settlement during the Liangzhu period. Further, they have also helped to reconstruct the landscape and social organization that occurred therein. The plant remains assemblage shows that rice was the main crop at this site; however, the appearance of the millets may also indicate the spread and communication between southern and northern China. An analysis of the discarded spikelets confirmed that rice was locally produced and processed. A study of charcoal helped restore the vegetation landscape in the settlement and provided valuable insights for reconstructing the functional zoning and agricultural production at the site. Following an analysis of the plant distribution and utilization patterns at the site, it became clear that the Zhumucun site functioned as a small agricultural settlement. Compared to other settlements from the Liangzhu period, the Zhumucun site likely supported a smaller population. The site could be divided into smaller groups, including facilities in residential areas, processing areas, tomb areas, and farming areas. Agricultural production at the Zhumucun site appears to have been highly coordinated, with activities carried out in a unified manner and primarily by local households. This efficient system of resource management likely reflects a well-organized labor structure, where food surpluses may have been redistributed to support other higher-level settlements. Full article

This study presents the first scientific characterization of the white preparatory layer and polychrome pigments on painted wooden figurines excavated from the Mawangdui Tomb No. 1, dating to the Han dynasty. A combination of analytical techniques, including XRF mapping, SEM, ATR-FTIR, XRD, and Raman spectroscopy, was used to investigate the composition, structure, and potential additives in the white layer. The results reveal that the preparatory layer is primarily composed of gypsum (CaSO₄·2H₂O) and calcite (CaCO₃), with minor phases such as anhydrite and larnite. SEM observations show a porous microstructure of needle-like crystals, while spectroscopic data suggest possible traces of organic binders. The preparatory layer was likely applied to smooth surface irregularities and support polychrome decoration, such as cinnabar and carbon-based pigments, and may have also functioned as a putty in localized areas. This represents the first confirmed use of gypsum-based plaster in ancient Chinese woodcarving, showing unexpected parallels with surface preparation techniques used in New Kingdom Egypt. However, the presence of organic additives and the internal structure of the figurines remain unresolved due to equipment limitations. These findings provide new insights into ancient material practices and highlight the importance of environmental control and material-specific conservation strategies for fragile gypsum-based heritage objects. Full article

Around the world, a large number of stone artifacts have been exposed to air for long periods of time, showing multiple types of deterioration that have attracted widespread attention. Among them, there is an often overlooked deterioration of stone artifacts, i.e., black stains on the surface of the calcareous stone, which are tightly bonded to the substrate as a result of the long-term deposition of air pollution. However, due to the current lack of a clear understanding of the black stains, people often tend to use the wrong cleaning and conservation methods, which is not conducive to sustainable conservation. Therefore, there is an urgent need to comprehensively recognize the black stains in terms of material properties and environmental sustainability to guide scientific sustainable conservation methods. To this end, in this paper, we take the black stains observed on marble buildings in the Xianling Tomb, China, as an example, and for the first time, we aim to create a comprehensive understanding of black deposition from the aspects of material properties and environmental characteristics. Multi-analytical approaches, including polarized light microscopy, X-ray fluorescence (XRF), and scanning electron microscopy with energy dispersive X-ray spectrometry (SEM-EDS), were employed to discern the differences between the substrate and black stains. The results revealed that the formation of black stains was attributed to prolonged exposure to various air pollutants (PM, SO₂, NO₂, CO, and O₃). Subsequently, observational data from 2015 to 2023 were utilized to investigate the temporal evolution of local air pollutants and their coupled resonances. Multi-scale variations (annual, seasonal, monthly, weekly, and daily) of pollutant concentration sequences were identified, which helps us to have a clearer perception and to proactively control air pollutants in the region from different cycles. In addition, wavelet coherence (WTC) demonstrated significant time-scale dependency in correlation with air pollutants, which provides effective data support for the coordinated control of air pollutants. This study reveals the mechanism of black stain deterioration on stone artifact surfaces, provides data support for the control and prediction of air pollutants oriented to the sustainable conservation of stone artifacts, and provides a novel and comprehensive approach to the scientific knowledge and sustainable conservation of stone artifacts. Full article

Angkor Wat is the supreme masterpiece of Khmer architecture, built by King Sūryavarman II during the 12th century A.D. Jane Przyluski hypothesized that Angkor Wat was the tomb of King Sūryavarman II. On the other hand, George Cœdès thought that Angkor Wat complex was habitation in the form of a celestial palace. According to Henri Parmentier, though the buildings and constructions in Angkor Wat temple complex are majestic, they are geometrically out of place. The temple complex is non-symmetrical, as the complex’s center is left-aligned. The above controversial opinions inspire a deep examination of the geometric system of the architectural and structural design of Angkor Wat. This research investigates the architectural planning and frame structures of Angkor Wat stone temple complex using a Hindu grid system. The study was based on field survey data of the temple complex and Hindu ancient texts, specifically the Vāstu Śāstra. PhotoModeler Pro5 and Polycam for iOS-4.0.5 were utilized to render three-dimensional (3D) images of the entire temple complex. The analysis finds the geometric code (suitable module) used in the planning of 2.75 m × 2.75 m in the metric system (1 Phyeam 1 Hat 1 Thnob in) the local Cambodian measuring system). The geometric code (2.75 m × 2.75 m) highlights the design diagram and construction of the temple complex. The research also unveiled the use of a center-shifting technique where the vertical axis running through the center is deliberately left-aligned, to avoid numerical fractions occurring in the grid modules. The technique gives rise to the asymmetry of the temple complex. The findings led to understanding the symbolic meaning of spatial organization of the layout and plan of Angkor Wat design, which was meant to be a suitable residence for the god on earth, the king, and his citizens. Moreover, it also means the final abode of King Sūryavarman II after his death, represented by the image of Lord Viṣṇu. Full article

Microbes colonizing cultural artifacts are a ubiquitous phenomenon which may occur during burial, post-excavation, and storage periods, thereby seriously affecting sustainable heritage conservation. In this study, high-throughput sequencing technology was applied to analyze the microbial community structure in ancient mural paintings and the surrounding air, as well as to identify the most characteristic taxa causing black spot contamination. The results showed that members of the genera Gliomastix and Ochroconis were highly abundant in black-spots-contaminated areas and rarely detected in the air and uncontaminated mural paintings. Air samples of the two tombs showed no significant difference in Chao1 and Shannon indices, whereas statistically significant differences were observed compared to those samples collected from black spots. The taxonomic diversity of the microbial community in the soil-covered mural paintings and air exhibited similar structures at the genus level. Moreover, when compared to other areas of the two tombs, the samples from black spots differed not only in microbial community composition but also in microbial assembly processes and the co-occurrence patterns, such as much less network complexity in the black spots area. Functional predictions uncover the presence of microbial functional profiles involved in nitrogen cycling, organic matter degradation, and animal and human pathogens, representing a potential threat to cultural relics and public health. These results advance our understanding of the impacts of archeological excavations on the microbial community variation in tomb mural paintings. Full article