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Creativity in Architecture
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Creativity in Architecture

A special issue of Buildings (ISSN 2075-5309). This special issue belongs to the section "Architectural Design, Urban Science, and Real Estate".

Deadline for manuscript submissions: closed (30 September 2024) | Viewed by 18562

Special Issue Editor

Prof. Dr. Ewa Janina Grabska

E-Mail Website
Guest Editor
Department of Design and Computer Graphics, Jagiellonian University, 31-007 Kraków, Poland
Interests: architectural design; visual communication; artificial intelligence; creativity and innovation; design theory
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

This Special Issue will be devoted to the search for architectural designs that are distinguished by their quality and originality, and built to become points of reference.  There will be a focus on the relationship between designer and computational creativity, understood as the use of a computer to generate results that could be considered creative if produced solely by humans.

A designer's creativity is related to cognitive processes such as perception, conceptual thinking, remembering and reflective self-criticism. A designer's visual thinking about familiar objects evolves and transforms them into something new and different, related to a sought-after new artifact. Designers may create mental images in their minds during the design process; however, the vast majority of them present these images in an external form. Thus, creative visual design aided by the computer is the dialogue between the designer and the artifact being created that is supported by computational creativity represented, for example, by multi-agent methodology, neural networks or evolutionary design. This dialogue is a key factor in understanding the constructive power of perception, which has implications for creative design, and shows the differences between designer and computational creativity, highlighting the advantage of the former.

The purpose of this Special Issue is to familiarize readers with the current topics related to creativity in architecture.

Prof. Dr. Ewa Janina Grabska
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Buildings is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 2600 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • designer creativity
  • computational creativity
  • CAAD
  • visual perception
  • computer ontology

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Published Papers (7 papers)

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Research

Jump to: Review

28 pages, 17288 KiB  
Article
The Geometrical Relationship Between Ancient Hindu Technical Treatises and the Planning and Organization of Angkor Wat
by Vacharee Svamivastu and Komsan Maleesee
Buildings 2025, 15(8), 1210; https://doi.org/10.3390/buildings15081210 - 8 Apr 2025
Viewed by 709
Abstract
Angkor Wat is the supreme masterpiece of Khmer architecture, built by King Sūryavarman II during the 12th century A.D. Jane Przyluski hypothesized that Angkor Wat was the tomb of King Sūryavarman II. On the other hand, George Cœdès thought that Angkor Wat complex [...] Read more.
Angkor Wat is the supreme masterpiece of Khmer architecture, built by King Sūryavarman II during the 12th century A.D. Jane Przyluski hypothesized that Angkor Wat was the tomb of King Sūryavarman II. On the other hand, George Cœdès thought that Angkor Wat complex was habitation in the form of a celestial palace. According to Henri Parmentier, though the buildings and constructions in Angkor Wat temple complex are majestic, they are geometrically out of place. The temple complex is non-symmetrical, as the complex’s center is left-aligned. The above controversial opinions inspire a deep examination of the geometric system of the architectural and structural design of Angkor Wat. This research investigates the architectural planning and frame structures of Angkor Wat stone temple complex using a Hindu grid system. The study was based on field survey data of the temple complex and Hindu ancient texts, specifically the Vāstu Śāstra. PhotoModeler Pro5 and Polycam for iOS-4.0.5 were utilized to render three-dimensional (3D) images of the entire temple complex. The analysis finds the geometric code (suitable module) used in the planning of 2.75 m × 2.75 m in the metric system (1 Phyeam 1 Hat 1 Thnob in) the local Cambodian measuring system). The geometric code (2.75 m × 2.75 m) highlights the design diagram and construction of the temple complex. The research also unveiled the use of a center-shifting technique where the vertical axis running through the center is deliberately left-aligned, to avoid numerical fractions occurring in the grid modules. The technique gives rise to the asymmetry of the temple complex. The findings led to understanding the symbolic meaning of spatial organization of the layout and plan of Angkor Wat design, which was meant to be a suitable residence for the god on earth, the king, and his citizens. Moreover, it also means the final abode of King Sūryavarman II after his death, represented by the image of Lord Viṣṇu. Full article
(This article belongs to the Special Issue Creativity in Architecture)
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21 pages, 70804 KiB  
Article
Architectural Design Studio Works Exploring Archetype Based on Ecological Sensibilities from Experiencing Najdi Architecture of At-Turaif Town and Modern Riyadh
by Suk Hee Yun and Tae Yeual Yi
Buildings 2024, 14(11), 3671; https://doi.org/10.3390/buildings14113671 - 18 Nov 2024
Viewed by 2416
Abstract
The numbness to human loss becomes ordinary. Indifference to human affairs seems normal after experiencing the global lockdown. Bringing up empathy becomes the most challenging task in architectural design studios after the COVID-19 pandemic. Examining otherness solidified after a global pandemic would be [...] Read more.
The numbness to human loss becomes ordinary. Indifference to human affairs seems normal after experiencing the global lockdown. Bringing up empathy becomes the most challenging task in architectural design studios after the COVID-19 pandemic. Examining otherness solidified after a global pandemic would be a way to revive empathy and to engage more in architectural design studios. The physiological disparity between the modern and the vernacular environments narrows down with the revival of Najdi architecture, the Salmani architecture style, and the Diriyah Gate Project in Riyadh, KSA. The disparity is caused by intangible factors such as speed, density, and tension but the revival focuses heavily on the tangible, formal expression. The architectural elements in the vernacular Najdi architecture have different meanings and roles beyond being a decorative motif. The feeble values of the vernacular undermined by touristic images are challenged by a series of radical design projects not to be generalized again by picturesque replicas of the past. Seeing the lost, the ecological sensibility of a community or collective that embraced the harshest land with full respect, might not be visual but is instead radically experiential, like a serendipitous breeze in Riyadh. This paper introduces a series of studio works that challenge how to bring back the living structure, in the harshest environment, to daily life through experimental and speculative design processes. It proposes how a community is called on to guard the environmental landscape, again defying the visual interpretation of Najdi architecture in a political landscape dominated by high fence walls. Full article
(This article belongs to the Special Issue Creativity in Architecture)
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29 pages, 233991 KiB  
Article
Technique and Tectonic Concepts as Theoretical Tools in Object and Space Production: An Experimental Approach to Building Technologies I and II Courses
by Murat Sönmez
Buildings 2024, 14(9), 2866; https://doi.org/10.3390/buildings14092866 - 11 Sep 2024
Viewed by 1727
Abstract
By focusing on technical content, this study presents ‘two experimental building technologies courses’ connecting the conceptual and practical aspects of architectural object production. Built on the fundamental ‘concept of making’, these courses encourage students to explore their creative abilities by uniting material, form, [...] Read more.
By focusing on technical content, this study presents ‘two experimental building technologies courses’ connecting the conceptual and practical aspects of architectural object production. Built on the fundamental ‘concept of making’, these courses encourage students to explore their creative abilities by uniting material, form, and purpose. In the Building Technologies I course, exploration starts with the concept of ‘technique’, which involves the practical and theoretical knowledge necessary to shape architectural objects. This technique allows the production of architectural objects that encapsulate spaces carrying action and time, making a mere explanation of space creation insufficient. Thus, in the Building Technologies II course, the focus shifts to the ‘tectonic’ concept, which involves creating coherent spatial entities within a single structural system. The two courses aim to equip students with the ability to develop their unique knowledge and methods for construction before advancing to more theorised Building Technologies courses. Students are encouraged to engage with materials to uncover their potential, experiment with forms to achieve design goals, and personalise construction processes. This proposal advocates for foundational construction courses built on intuitive knowledge to replace traditional rational knowledge courses. Our study presents the methodologies and outputs of the proposed Building Technologies courses as a basis for ongoing construction courses. Full article
(This article belongs to the Special Issue Creativity in Architecture)
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21 pages, 55594 KiB  
Article
Spatial Silhouette: A Study on the Creation Strategy of Strong Bamboo Architecture with “Negative Space” as the Main Feature—A Case Study of Phu Quoc Island Visitor Centre, Vietnam
by Chaoxian Li, Jiaojiao Ma and Xiaoming Gao
Buildings 2024, 14(4), 1172; https://doi.org/10.3390/buildings14041172 - 21 Apr 2024
Cited by 2 | Viewed by 2392
Abstract
The Gestalt theory of mental completeness in architecture gave rise to the ideas of “positive space” and “negative space”. This research digs into the sturdy structural building process of bamboo architecture, which is essentially distinguished by “negative space”. It examines how bamboo is [...] Read more.
The Gestalt theory of mental completeness in architecture gave rise to the ideas of “positive space” and “negative space”. This research digs into the sturdy structural building process of bamboo architecture, which is essentially distinguished by “negative space”. It examines how bamboo is articulated in architectural space, while attempting to establish a balance between form and structure, with the goal of discovering the current value and spiritual position that bamboo in architecture represents. Using the Phu Quoc Island Visitor Center in Vietnam as an example, we introduce the strong structure concept and examine its design process in terms of spatial operation technique and strong structural expression logic. The fundamental strategy for creating bamboo architecture under this concept is to take the lead in negative space design and use the material capabilities of bamboo to build structural space prototypes. This further encourages the use of green building materials and offers architects working with bamboo a reference. Full article
(This article belongs to the Special Issue Creativity in Architecture)
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24 pages, 4356 KiB  
Article
Embodied Carbon Premium for Cantilevers
by James Helal, Dario Trabucco, David Ruggiero, Paola Miglietta and Giovanni Perrucci
Buildings 2024, 14(4), 871; https://doi.org/10.3390/buildings14040871 - 23 Mar 2024
Cited by 1 | Viewed by 2484
Abstract
This study addresses the critical need for sustainable architectural designs within the context of climate change and the significant role the built environment plays in greenhouse gas emissions. The focus of this paper is on understanding the influence of unbalanced cantilevers on the [...] Read more.
This study addresses the critical need for sustainable architectural designs within the context of climate change and the significant role the built environment plays in greenhouse gas emissions. The focus of this paper is on understanding the influence of unbalanced cantilevers on the embodied carbon of structural systems in buildings, a subject that has, until now, remained underexplored despite its importance in architectural innovation and environmental sustainability. Employing a case study approach, the Melbourne School of Design (MSD) building serves as a primary example to assess the embodied carbon implications of cantilevered versus supported structures. The methodological framework encompasses a comparative embodied carbon assessment utilising an input–output-based hybrid life cycle inventory analysis approach. The findings reveal that unbalanced cantilevers in buildings, exemplified by the MSD building, can lead to a 10% increase in embodied carbon compared to alternative designs incorporating supporting columns. Such findings underscore the environmental premium for cantilevers, prompting a re-evaluation of design practices towards minimising embodied carbon. Through this investigation, the research contributes to the broader discourse on sustainable construction practices, offering valuable insights for both design practitioners and educators in the pursuit of improving the environmental performance of the built environment. Full article
(This article belongs to the Special Issue Creativity in Architecture)
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20 pages, 164434 KiB  
Article
Integrating an Image-Generative Tool on Creative Design Brainstorming Process of a Safavid Mosque Architecture Conceptual Form
by Aref Maksoud, Aya Elshabshiri, Amani Saeed Hilal Humaid Alzaabi and Aseel Hussien
Buildings 2024, 14(3), 843; https://doi.org/10.3390/buildings14030843 - 21 Mar 2024
Cited by 2 | Viewed by 2241
Abstract
The study aims to understand to what extent employing A.I. image-generative tools in architectural concept brainstorming demonstrates effectiveness, accuracy, and adherence to text and image inputs, and evaluate the utilization of A.I. image-generative tools in the architectural ideation phase, considering factors such as [...] Read more.
The study aims to understand to what extent employing A.I. image-generative tools in architectural concept brainstorming demonstrates effectiveness, accuracy, and adherence to text and image inputs, and evaluate the utilization of A.I. image-generative tools in the architectural ideation phase, considering factors such as speed, creativity, and accuracy. Thus, this study will investigate using an A.I. image-generative tool, Midjourney, in the creative brainstorming stage for a Safavid mosque architectural form design process. The study will quantitatively evaluate the form proportions of mosques generated by Midjourney based on certain criteria as they pertain to the Shah Mosque as the inspiration for the design as it encompasses many of the Safavid Mosque’s typical elements and characteristics. The most matching form will then be found. The findings are that Midjourney is reliable in terms of its speed and creativity; however, it lacks accuracy and adherence to inputs. This study is essential as limited literature exists on A.I. image-generative tools in the brainstorming process of architectural projects, particularly mosque architecture. It also provides architects and designers with a framework and the pros and cons of the use of A.I. generative tools, such as Midjourney, in the ideation process for an architectural project. Full article
(This article belongs to the Special Issue Creativity in Architecture)
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Review

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27 pages, 10272 KiB  
Review
Enhancing Sustainable Railway Station Design in Tropical Climates: Insights from Thailand’s Architectural Theses and Case Studies
by Suppapon Tetiranont, Wannapol Sadakorn, Napong Tao Rugkhapan and Lapyote Prasittisopin
Buildings 2024, 14(3), 829; https://doi.org/10.3390/buildings14030829 - 19 Mar 2024
Cited by 22 | Viewed by 5422
Abstract
An environmentally conscious architectural design of a railway station can have a substantial influence on government spending. Nevertheless, an extensive collection of guidelines for using sustainable design principles in the construction of a railway station can provide several advantages. The goal is to [...] Read more.
An environmentally conscious architectural design of a railway station can have a substantial influence on government spending. Nevertheless, an extensive collection of guidelines for using sustainable design principles in the construction of a railway station can provide several advantages. The goal is to review design visions for railway stations in Thailand, as reflected in student theses and government proposals, from 1983 to 2022 for sustainable design aspects in tropical climates. We perform an analysis of architectural design aspects including service areas, shape, entrances, roofing, style, and development in order to uncover design trends and possible areas that may be enhanced. Station designs are mostly characterized by curved and gable roofs, with 3D curved buildings being the next most common feature. High speed rail (HSR) stations stress local cultural elements in their major entrances while also improving passenger flow. Public buildings frequently employ curved or gabled porticos to achieve a majestic look. Although university theses place a high importance on conceptual design and functionality, it is essential to also consider cost-effectiveness. Key design considerations for future railway stations are transparency, connection, efficient mobility, and cost–time efficiency. The research uncovers deficiencies in user-centered design for thermal comfort and inclusiveness (design-for-all) in Thailand’s tropical environment. Addressing these aspects is critical for future sustainable railway station design evaluations. Full article
(This article belongs to the Special Issue Creativity in Architecture)
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