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Article

1 Citations

4,420 Views

9 Pages

Knocking on a Saint’s Door, or a Quest for Holiness in a Post-Secular Society

Natalia Naydenova and
Yulia Ebzeeva

Religions2017, 8(5), 87;https://doi.org/10.3390/rel8050087

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17 May 2017

The article examines Successors (Nasledniki, 2015) directed by Vladimir Khotinenko, illustrating a recent trend in the Russian film-making industry, namely, a rising interest in religious topics. While the Orthodox faith is widely seen by Russian pol...

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3 Citations

9,109 Views

16 Pages

The Dardenne Brothers and the Invisible Ethical Drama: Faith without Faith

John Caruana

Religions2016, 7(5), 43;https://doi.org/10.3390/rel7050043

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26 April 2016

The cinema of the Dardenne brothers represents a new kind of cinema, one that challenges a number of our conventional ways of thinking about the distinction between religion and secularism, belief and unbelief. Their films explore the intricacies of...

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1 Citations

2,770 Views

31 Pages

The Promotion of Traditional Values through Films and Television Programmes: The Moscow Patriarchate and the Orthodox Encyclopaedia Project (2005–2022)

Marianna Napolitano

Religions2024, 15(2), 247;https://doi.org/10.3390/rel15020247

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18 February 2024

On 26 May 2011, the Russian People’s World Council issued a document entitled The Basic Values: The Fundaments of National Unity. The document, prepared by the Synodal Department for Church–Society Cooperation, provided a catalogue of 17...

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