Search Results (188)

Historical buildings are exposed to an increased risk of fire. The direct influence comes from the buildings’ structural design and the fire protection level. The fundamental principle for reducing the loss of heritage value in historical buildings due to fire is fire protection, as part of crisis management. This article focuses on selected castle buildings from Slovakia. Three castle buildings were selected based on their location in the country. All of them are currently used for museum purposes. Using an analytical form, we assessed fire hazards and fire safety measures in two parts, calculated the fire risk index, and proposed solutions. Qualitative research, which is more suitable for the issue at hand, was used to evaluate the selected objects. The main methods used in the research focused on visual assessment of the current condition of the objects and analysis of fire documentation and its comparison with currently valid legal regulations. Based on the results, we can conclude that Kežmarok Castle (part of the historical city center) has a small fire risk (fire risk index = 13 points). Trenčín Castle (situated on a rock above the city) and Stará Ľubovňa Castle (situated on a limestone hill outside the city, surrounded by forest) have an increased risk of fire (fire risk index = 50–63). Significant risk sources identified included surrounding forest areas, technical failures related to outdated electrical installations, open flames during cultural events, the concentration of highly flammable materials, and complex evacuation routes for both people and museum collections. Full article

This study investigates how lighting conditions influence emotional and neural responses in a standardized, simulated museum environment. A multimodal evaluation framework combining subjective and objective measures was used. Thirty-two international students assessed their viewing experiences using 14 semantic differential descriptors, while real-time EEG signals were recorded via the EMOTIV EPOC X device. Spectral energy analyses of the α, β, and θ frequency bands were conducted, and a θα energy ratio combined with γ coefficients was used to model attention and comfort levels. The results indicated that high illuminance (300 lx) and high correlated color temperature (4000 K) significantly enhanced both attention and comfort. Art majors showed higher attention levels than engineering majors during short-term viewing. Among four regression models, the backpropagation (BP) neural network achieved the highest predictive accuracy (R² = 88.65%). These findings provide empirical support for designing culturally inclusive museum lighting and offer neuroscience-informed strategies for promoting the global dissemination of traditional Chinese culture, further supported by retrospective interview insights. Full article

The preservation of historical monuments is vital, especially in societies that do not have a rich written history. One method to ensure the preservation and transmission of cultural heritage is to reuse abandoned historical buildings. “On-site documentation” is fundamental for effective adaptive reuse. During this process, the plans and construction phases of many historical buildings are obtained for the first time. This study goes beyond theoretical boundaries and focuses on approaching the documentation, evaluation, reuse and preservation of cultural heritage from an operational perspective. The historical building in question was built as a primary school by Armenian craftsmen at the end of the 19th century in the town of Zara, Sivas. After changing hands, it became a mansion and is currently abandoned. This study discusses and proposes the buildings’ reuse as an urban memory museum by means of CAD-supported on-site analytical surveys based on classical, laser, and total station measurements. Full article

Understanding how cognitive differences shape visitor behavior in digital heritage experiences is essential for designing inclusive and engaging museum technologies. This study explores the relationship between cognitive level and interaction behavior, affective responses, and sensor-based engagement using a publicly available dataset from a digital museum game. Participants (N = 1000) were categorized into three cognitive levels (Early, Developing, and Advanced), and their data were analyzed across three domains: user interaction behavior, affective and performance states, and sensor-based interaction measures. Our findings suggest that sensor-level interactions are more sensitive indicators of cognitive differences than observable behavior or inferred affect. This work contributes to the heritage HCI field by highlighting the potential for cognitively adaptive systems that personalize the museum experience in real-time, enhancing accessibility, engagement, and learning in cultural settings. Full article

Art exhibition spaces increasingly emphasize visitor experience, yet the relationships among spatial structure, visitor behavior, and emotional response remain unclear. Traditional space syntax analyses typically focus on physical spatial structures, insufficiently capturing visitors’ emotional and cognitive experiences. To address these gaps, this study presents an integrative evaluation framework that combines space syntax theory with multimodal physiological measurements to systematically assess spatial design performance in art exhibition environments. Eye-tracking and heart rate variability (HRV) experiments were conducted to investigate how spatial configuration affects visual attention and emotional responses. Visibility graph analysis, spatial integration metrics, and regression modeling were applied using the third-floor temporary exhibition hall of the Pudong Art Museum in Shanghai as a case study. The results revealed that HRV levels (β = −7.92) were significantly predicted via spatial integration, and the relationship between spatial integration and the number of fixations was partially mediated by HRV (indirect effect: β = −0.36; direct effect: β = 8.23). Additionally, zones with higher occlusivity were associated with more complex scanpaths (mean complexity: 0.14), whereas highly integrated regions triggered more fixations (mean = 10.54) and longer total fixation durations (mean = 2946.98 ms). Therefore, spatial syntax, when coupled with physiological indicators, provides a robust and actionable method for evaluating and optimizing exhibition space design. Full article

RSSI-based proximity positioning is a well-established technique for indoor localization, featuring simplicity and cost-effectiveness, requiring low-price and off-the-shelf hardware. However, it suffers from low accuracy (in NLOS traffic), noise, and multipath fading issues. In large complex spaces, such as museums, where heavy visitor traffic is expected to seriously impact the ability to maintain LOS, RSSI coupled with Bluetooth Low Energy (BLE) seems ideal in terms of market availability, cost-/energy-efficiency and scalability that affect competing technologies, provided it achieves adequate accuracy. Our work reports and discusses findings of a BLE/RSSI-based pilot, implemented at the Museum of Modern Greek Culture in Athens, involving eight buildings with 47 halls with diverse areas, shapes, and showcase layouts. Wearable visitor BLE beacons provided cell-level location determined by a prototype tool (VTT), integrating in its architecture different functionalities: raw RSSI data smoothing with Kalman filters, hybrid positioning provision, temporal methods for visitor cell prediction, spatial filtering, and prediction based on popular machine learning classifiers. Visitor movement modeling, based on critical parameters influencing signal measurements, provided scenarios mapped to popular behavioral models. One such model, “ant”, corresponding to relatively slow nomadic cell roaming, was selected for basic experimentation. Pilot implementation decisions and methods adopted at all layers of the VTT architecture followed the overall concept of simplicity, availability, and cost-efficiency, providing a maximum infrastructure cost of 8 Euro per m² covered. A total 15 methods/algorithms were evaluated against prediction accuracy across 20 RSSI datasets, incorporating diverse hall cell allocations and visitor movement patterns. RSSI data, temporal and spatial management with simple low-processing methods adopted, achieved a maximum prediction accuracy average of 81.53% across all datasets, while ML algorithms (Random Forest) achieved a maximum prediction accuracy average of 87.24%. Full article

The development of reliable sensor networks for vibration monitoring is essential for the preventive conservation of buildings and structures. The identification of natural frequencies is crucial both for sensor network planning, to ensure optimal placement, and for operation, to detect frequency shifts that may indicate structural damage. However, traditional frequency detection methods, such as peak picking of the Spectrum or Power Spectral Density (PSD), are highly dependent on structural and environmental conditions. In highly variable vibrational environments, such as cultural heritage sites, stadiums, and transportation hubs, these methods often prove inadequate, leading to false modal identification. This study applies coherence analysis to vibrational measurements as a more reliable alternative that overcomes the limitations of traditional frequency extraction techniques. To evaluate its effectiveness, Magnitude-Squared Coherence (MSC), Squared Cross-Spectrum (SCS), and Wavelet Coherence (WC) were tested and compared with PSD analysis. Vibrational data were collected from a sensor network deployed at the Civil Museum of Castello Ursino (Catania, Italy), a site characterized by high structural complexity and variable visitor-induced vibrations. Results demonstrate that coherence analysis surpasses the limitations of traditional frequency identification techniques, with SCS and WC outperforming MSC in distinguishing resonance frequencies and providing a more stable and reliable frequency estimation. This approach enhances sensor network design by improving frequency detection, ensuring data reliability, and supporting long-term monitoring through instrumental drift detection, thus strengthening structural health monitoring in heritage sites. Full article

Artistic masterpieces are mostly collected in museums located in the center of urban areas, which are prone to heavy traffic. Traffic-induced vibrations can represent a significant hazard for museum objects, due to the repeated nature of the excitation and the brittle, pre-damaged condition of the artifacts. This is the case of the Sarcophagus of the Spouses, displayed at the National Etruscan Museum of Villa Giulia in Rome. Vibrations on the floor of the room are measured by means of velocimeters, highlighting substantial vertical amplitudes and recommending the design of an isolation system. For its design, the dynamic identification of the statue is essential, but the use of contact or laser sensors is ruled out. Therefore, a recent technique that magnifies the micromovements present in digital videos is used and the procedure is validated with respect to constructions where the dynamic identification was available in the literature. In the case of the Sarcophagus, identified frequencies are satisfactorily compared with those of a finite element model. The recognition of the dynamic characteristics shows the method’s potential while using inexpensive devices. Because costs for cultural heritage protection are usually very high, this simple and contactless dynamic identification technique represents an important step forward. Full article

As a cultural tourism destination, museums offer opportunities for educational and exploratory experiences to all individuals. This aligns with the universal design, a concept including seven principles aimed at ensuring that everyone can equally enjoy visiting museums, facilities, and services. This paper aims to develop a framework for assessing the impact of digital media interaction on the museum exhibition environment and on visitor behavior, employing universal design principles to enhance the efficiency of museum visits. Five museums, each representing different styles, were chosen as case studies from the newly constructed cultural tourism museums in China to achieve this research objective. Qualitative and quantitative data provide a detailed picture of each exhibition hall from the perspective of visitors and demonstrate the advantages of using the 7UD evaluation framework. The results of the environmental measurements demonstrate how the display environments of the five museums are constructed in different ways. The issues identified include the lack of specific guiding information or poor location of the digital media within the exhibition environment, obstacles in the main communication spaces, and overcrowding, which reduces the efficiency of visits. The results, based on the 7UD evaluation checklist, indicated that the environment, when combined with the digital media, which has more problems and barriers, and corresponds to lower 7UD scoring rates. The evaluation framework based on 7UD captures the visitors’ interactive behaviors with exhibits through detailed indicators and meticulous data collection. These findings identify issues and visiting obstacles present in the museum exhibition environment influenced by digital media and confirm that the seven principles of Universal Design can be applied to the hypothesized problems to find potential solutions. The results directly support the further development of the exhibition design. Full article

Climate change increases the importance of maintaining environmental conditions suitable for preventive conservation within museums. The microclimates at the Natural History Museum of Vienna, a large national collection housed within a classical building, were studied using >200 data loggers placed from mid 2021 to provide thermo-hygrometric measurements at 15 min intervals. Daily mean temperatures showed exhibition halls typically had the warmest rooms. This was due to the heating in winter and open windows on summer days. The halls can become even hotter than the outside temperature. In winter, most areas of the museum were very dry, as heating lowered the relative humidity, typically to 25–35% for the coldest season. Opening hours imposed daily and weekly cycles on the internal climate. There was little difference between sunny and shaded parts of the building or adjacent offices, corridors and depots. Similarly, the microclimate at the floor resembled that of the room air some ~2 m above. Mechanically controlled microclimates in cold storage areas maintained 10 °C and relative humidity ~50%, but this had become increasingly difficult in hot summers. While there was little apparent damage to the collection, at times, the museum had an extreme indoor climate: very hot in the summer and dry in the winter. Full article

This pioneering study examines metallographic characteristics of 19th-century steel semi-finished products, kept by the National Museum of Slovenia. These artefacts, manufactured in pre-industrial ironworks in present-day Slovenia, reflect the craftsmanship and technological practices of their time. Metallographic analyses revealed significant microstructural variations within individual samples, attributed to differences in carbon content, cooling rates, and forging techniques. All samples contain non-metallic inclusions composed of Si, Mn, and other oxide-forming elements. The results indicate that the semi-finished products were often manufactured by combining steels with varying carbon contents and were sometimes hardened. Additionally, this study highlights correlations between the metallurgical properties of the analysed materials and their historical classification as “iron” or “steel”. Full article

Cultural heritage objects, including traditional Chinese polychrome paintings on architectures (Caihua) and wooden architectural components, frequently exhibit surface defects that are highly sensitive to environmental factors, resulting in progressive deterioration. However, due to limited data acquisition methods and quantitative analysis models, the stability and risks of defects such as cracks during environmental changes remain unclear. This study integrates photogrammetry and digital image processing to investigate through-cracks and craquelures on the surface of a well pavilion within the Palace Museum, Beijing. We confirmed the activity of these cracks, quantified crack widths, and studied the environmental influences on their development. Over a monitoring period of more than 15 months, the widths of seven cracks on four beams were measured alongside various environmental factors. Correlation analyses identified air humidity as the most significant factor influencing crack width fluctuations (p < 0.01). Numerical simulations revealed that short-term humidity exposure induces surface swelling and crack closure, whereas prolonged humidity leads to internal moisture transport and crack reopening. Furthermore, fitting parameters indicating the severity of crack variation correlated well with the degradation levels of the wooden components. In summary, this study establishes a monitoring and quantification procedure for assessing crack activity, explores the influence of humidity through numerical simulations, and identifies a potential indicator for the non-destructive assessment of timber component stability. The proposed framework offers an exploratory approach to addressing critical challenges in the health monitoring of wooden architectural components. Full article

This systematic review examines the role of arts places in fostering urban sustainability and resilience, investigating how these spaces contribute to long-term urban development goals. By synthesizing 79 peer-reviewed articles published between 2013 and 2024, this review identifies the mechanisms through which art spaces promote sustainability and resilience across economic, social, environmental, and cultural dimensions. Urban resilience is achieved through civic engagement and empowerment, as well as the repurposing the spaces to adapt to new uses within the community and strengthening cultural heritage and identity. Similarly, urban sustainability in different aspects, such as economic, environmental, and social, is fulfilled by new revenues from tourism income, as well as educational promotion on ecological issues through art. The findings reveal how arts places—ranging from permanent museums and galleries to temporary and public art installations—stimulate community engagement, economic revitalization, and environmental stewardship. This study provides a theoretical framework that illustrates the connections between the types of arts places, their initiators, and their intended outcomes. The results also highlight challenges such as gentrification and the tension between artistic and commercial purposes. Implications for urban planners and policymakers include integrating arts places into urban regeneration strategies. Future research should focus on quantitative measures of the long-term impact of arts places and their role in mitigating urban inequities. Full article

The numismatic collection in the Auckland War Memorial Museum Tāmaki Paenga Hira, Auckland, New Zealand, is an extensive although little-known collection. As part of a wider rehousing project for the coins, a trial was conducted to rehouse the Greek and Roman coins to establish the best storage and analysis practices. Records were also created or updated during this process to make them visible online and enable their use in future research. Best practice standards include handling and measurement practice, retaining all existing information about the collection, and, where possible, reuniting coins with their acquisition information. The project’s end goal is to create populated records in the museum database (Vernon) for the entire numismatic collection, either through updating existing records, creating records using available acquisition information, or creating records with temporary numbers where that information has been lost. This report gives a brief history of the collection and the rehousing process and suggests future research avenues. Full article

Nioboixiolite-(□) is a new mineral found in a carbonatite sill from the Bayan Obo mine, Baotou City, Inner Mongolia, China. It occurs as anhedral to subhedral grains (100 to 500 μm in diameter) that are disseminated in carbonatite rock composed of dolomite, calcite, magnetite, apatite, biotite, actionlike, zircon, and columbite-(Fe). Most of these grains are highly serrated, with numerous inclusions of columbite-(Fe). The mineral is gray to deep black in color; is opaque, with a semi-metallic luster; has a black streak; and is brittle, with an uneven conchoidal splintery. The Mohs hardness is 6–6½, and the calculated density is 6.05 g/cm³. The reflection color is gray with a blue tone, and there is no double reflection color. The measured reflectivity of nioboixiolite-(□) is about 10.6%~12.1%, close to that of ixiolite (11%–13%). Nioboixiolite-(□) is non-fluorescent under 254 nm (short-wave) and 366 nm (long-wave) ultraviolet light. The average chemical analysis results (wt.%) of twelve electron microprobe analyses are F 0.01, MnO 0.12, MgO 0.15, BaO 0.62, PbO 0.91, SrO 1.49, CaO 2.76, Al₂O₃ 0.01, TREE₂O₃ 1.58, Fe₂O₃ 3.57, ThO₂ 0.11, SiO₂ 1.69, TiO₂ 3.68, Ta₂O₅ 13.95, Nb₂O₅ 47.04, and UO₃ 21.56, with a total of 99.25. The simplified formula is [Nb⁵⁺, Ta⁵⁺,Ti⁴⁺, Fe³⁺,□,]O₂. X-ray diffraction data show that nioboixiolite-(□) is orthorhombic, belonging to the space group Pbcn (#60). The refined unit cell parameters are a = 4.7071(5) Å, b = 5.7097(7) Å, c = 5.1111(6) Å, V = 138.31(3), and β = 90(1) °Å³ with Z = 4. In the crystal structure of nioboixiolite-(□), all cations occupy a single M1 site. In these minerals, edge-sharing M₁O₆ octahedra form chains along the c direction. In this direction, the chains are connected with each other via common vertices of the octahedra. The strongest measured X-ray powder diffraction lines are [d in Å, (I/I0), (hkl)]: 3.662(20) (110), 2.975(100) (111), 2.501(20) (021), 1.770(20) (122), 1.458(20) (023). A type specimen was deposited in the Geological Museum of China with catalogue number M16118, No. 15, Yangrou Hutong, Xisi, Beijing 100031, People’s Republic of China. Full article